El trastorno de identidad disociativo es uno de los trastornos mentales más estudiados y menos comprendidos por la sociedad. A pesar de su incertidumbre, el trastorno ha sido utilizado como recurso narrativo en el cine desde la época del cine mudo. Los síntomas del trastorno representan una oportunidad para los guionistas y cineastas de explotarlos narrativamente, como se evidencia en la película Fight Club (1996) de David Fincher. No obstante, la representación de un trastorno mental en materiales audiovisuales puede presentar una dificultad si los personajes no presentan una base sólida. Por este motivo, en el presente trabajo analizamos cómo se representa el trastorno de identidad disociativo en la construcción del personaje protagónico de la película Fight Club, en específico en la dimensión psicológica del personaje. Asimismo, se busca analizar la representación del trastorno de identidad disociativo a través de los síntomas del personaje, sobre todo, si estos síntomas son precisos con el trastorno. Por lo tanto, el aporte principal de esta investigación consiste en brindar un mayor entendimiento de la representación del trastorno de identidad disociativo en el personaje de El Narrador de Fight Club. / Dissociative identity disorder is one of the most studied and least understood mental disorders by society. Despite its uncertainty, the disorder has been used as a narrative device in films since the silent film era. Symptoms of the disorder represent an opportunity for screenwriters and filmmakers, as depicted in David Fincher's 1996 film Fight Club. However, the representation of a mental disorder in films can be mistaken if the characters are not solid. For this reason, in this paper we analyze how dissociative identity disorder is represented in the construction of the leading character in the film Fight Club, specifically the psychological dimension of the character. Likewise, it seeks to analyze the representation of the dissociative identity disorder through the symptoms of the character, especially, how these symptoms are accurate regarding the mental illness. Therefore, the main contribution of this research consists of providing a greater understanding of the representation of dissociative identity disorder in the character The Narrator from Fight Club. / Trabajo de investigación

El objetivo principal del presente trabajo de investigación es la lectura y análisis de Jo March, el personaje principal de la película “Mujercitas” (2019) dirigido por Gretta Gerwing, desde los elementos de la narrativa fílmica como la construcción de personajes y la dirección de arte. Este análisis vendrá motivado con la finalidad de comprobar como es que este personaje representa a la mujer posmoderna, según el concepto del autor Gilles Lipovetsky, aunque desarrollado en un contexto social perteneciente al siglo XIX. / The main objective of this research work is the reading and analysis of Jo March, the main character of the film “Little Women” (2019), directed by Gretta Gerwing, from the elements of the filmic narrative such as the construction of characters and the direction of art. This analysis will be motivated in order to verify how this character represents the postmodern woman, according to the concept of the author Gilles Lipovetsky, although developed in a social context belonging to the 19th century. / Trabajo de investigación

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.