University of Macau / Faculty of Arts and Humanities. / Department of Chinese

by Eric Kwan-wai Yu. / Thesis (Ph.D.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 250-264). / Preface --- p.1 / Chapter Chapter 1 --- "A Portrait of the Romantic as a Solipsist The ""Romantic Revolt,"" Lyricism and Selfhood" --- p.9 / Chapter Chapter 2 --- Romantic Alienation Reconsidered --- p.38 / Chapter Chapter 3 --- Burdens of the Past The Poetic Vocation and Elitist Leanings --- p.83 / Chapter Chapter 4 --- "Wordsworth's and Coleridge's Early Poetry Sensibility, Radical ism and Reception" --- p.121 / Chapter Chapter 5 --- "Egotism Established The Reception of Wordsworth's Poems (1807) and the General Attack on the ""Lake School""" --- p.153 / Chapter Chapter 6 --- "Egotism Transformed Hazlitt's Criticism, the Acceptance of Wordsworth, and Twentieth-Century Romantic Scholarship" --- p.195 / Notes --- p.224 / Works Cited --- p.250

游韻玲. / "2000年8月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 ([15] leaves) / 附中英文摘要. / "2000 nian 8 yue" / You Yunling. / Lun wen (zhe xue shuo shi)--Xianggang zhong wen da xue, 2000. / Can kao wen xian ([15] leaves) / Fu Zhong Ying wen zhai yao. / 提要 --- p.i / Abstract --- p.ii / Chapter 1.0 --- 緒論 / Chapter 1.1 --- 歷來硏究槪況 --- p.1 / Chapter 1.2 --- 歷來對皮日休詩歌的評價 --- p.5 / Chapter 1.3 --- 皮日休的著述 --- p.15 / Chapter 1.4 --- 硏究旨趣 --- p.20 / Chapter 1.5 --- 硏究範圍與方法 / Chapter 1.5.1 --- 硏究範圍與所據版本 --- p.21 / Chapter 1.5.2 --- 硏究方法 --- p.22 / Chapter 1.6 --- 硏究局限 --- p.23 / Chapter 2.0 --- 皮日休生平與其詩風的關係 / Chapter 2.1 --- 小引 --- p.24 / Chapter 2.2 --- 皮日休的生平 --- p.25 / Chapter 2.3 --- 皮日休生平與其詩風的關係 --- p.32 / Chapter 2.4 --- 小結 --- p.43 / Chapter 3.0 --- 皮日休的文學思想 / Chapter 3.1 --- 小弓1 --- p.44 / Chapter 3.2 --- 及第前的文學思想 --- p.45 / Chapter 3.3 --- 及第後的文學思想 --- p.56 / Chapter 3.4 --- 文學思想略評 / Chapter 3.4.1 --- 及第前後在文學思想上的分歧 --- p.64 / Chapter 3.4.2 --- 文學思想轉變的原因 --- p.65 / Chapter 3.4.3 --- 文學思想於晚唐的獨創性 --- p.67 / Chapter 3.5 --- 小結 --- p.70 / Chapter 4.0 --- 及第前詩歌研究（一）´ؤ綜論：淵源、題材、 技巧、風格 / Chapter 4.1 --- 小引 --- p.71 / Chapter 4.2 --- 及第前的詩歌淵源 --- p.71 / Chapter 4.3 --- 及第前的詩歌題材 --- p.76 / Chapter 4.4 --- 及第前的詩歌修辭技巧 --- p.87 / Chapter 4.5 --- 及第前的詩歌風格 --- p.97 / Chapter 5.0 --- 及第前詩歌研究（二）´ؤ專題探討：〈正樂府〉 研究 / Chapter 5.1 --- 小引 --- p.98 / Chapter 5.2 --- 「正樂府」解題 --- p.98 / Chapter 5.3 --- 正樂府溯源 --- p.102 / Chapter 5.4 --- 〈正樂府〉特色 / Chapter 5.4.1 --- 〈正樂府〉的題材 --- p.108 / Chapter 5.4.2 --- 〈正樂府〉的修辭技巧 --- p.112 / Chapter 5.4.3 --- 皮日休〈正樂府〉、元白新樂府作品 與元結〈系樂府〉比較 --- p.120 / Chapter 5.5 --- 〈正樂府〉的風格與評價 --- p.126 / Chapter 6.0 --- 及第後詩歌（唱和詩）研究（一）一綜論:淵源、 題材、技巧、風格 / Chapter 6.1 --- 小引 --- p.129 / Chapter 6.2 --- 唱和詩析義與簡介 --- p.133 / Chapter 6.3 --- 唱和詩溯源 --- p.136 / Chapter 6.4 --- 唱和詩的詩歌題材 --- p.147 / Chapter 6.5 --- 唱和詩的詩歌修辭技巧 --- p.165 / Chapter 6.6 --- 唱和詩的的詩歌風格 --- p.192 / Chapter 7.0 --- 及第後詩歌（唱和詩）研究（二）一專題探討： 雜體詩研究 / Chapter 7.1 --- 小引 --- p.195 / Chapter 7.2 --- 雜體詩析義 --- p.196 / Chapter 7.3 --- 雜體詩溯源 --- p.201 / Chapter 7.4 --- 雜體詩 / Chapter 7.4.1 --- 皮日休對雜體詩的見解 --- p.203 / Chapter 7.4.2 --- 雜體詩的創作背景 --- p.209 / Chapter 7.4.3 --- 雜體詩的創作動機 --- p.211 / Chapter 7.4.4 --- 雜體詩特色 / Chapter 7.4.4.1 --- 體裁 --- p.215 / Chapter 7.4.4.2 --- 題材 --- p.217 / Chapter 7.4.4.3 --- 修辭技巧 --- p.221 / Chapter 7.5 --- 雜體詩的風格與評價 --- p.227 / Chapter 8.0 --- 總結 --- p.228 / 參考書目 / 附表： / Chapter (i) --- 皮日休年表 / Chapter (ii) --- 元結〈系樂府〉、元白新樂府作品與皮日休〈正樂府〉 題目一覽表 / Chapter (iii) --- 皮日休唱和詩一覽表

何繼文. / 呈交日期: 2003年5月. / 論文(哲學博士)--香港中文大学, 2002. / 參考文獻 (p. 221-235). / 中英文摘要. / Cheng jiao ri qi: 2003 nian 5 yue. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / He Jiwen. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)-Xianggang Zhong wen da xue, 2002. / Can kao wen xian (p. 221-235).

"June 2003." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2003. / Includes bibliographical references (p. 285-301). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.

何成邦. / 呈交日期: 2003年5月. / 論文(哲學博士)--香港中文大學, 2002. / 參考文獻 (p. 427-445). / 中英文摘要. / Cheng jiao ri qi: 2003 nian 5 yue. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / He Chengbang. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (p. 427-445).

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese

No description available.

This thesis is an exploration of the links between modernist literature and film and society at a period of historical crisis, in Gramscian terms a moment of national 'popular will'. In general, these works are informed by a greater organicity of form, replacing the previous avant-garde model of a serial or mechanical structure. This organicity, however, maintains an element of disjunction, in which, as with filmic montage, the organicity is constituted on the level of the work seen as a totality. Herbert Read's aesthetics are shown to develop with these changes in the Thirties and the war years. The work of H.D. and T.S. Eliot is explored in the light of these new structural elements, and the formal questioning of the subject through the interplay of 'we' and montages of location and address in the poems. The pre-war years are portrayed in these works as a time of shame, and the war as a possible means of redemption, perhaps through suffering, or through the new subjectivity of the wartime community. The documentary movement provides an opportunity to trace these formal changes in a historical and institutional context, and with the work of Dylan Thomas, the relations between mass and high culture, film and poetry, are investigated, as well as the representation of the Blitz, in which guilt is sublimated into celebratory transcendence. These aspects, and the adaptation of a European avant-garde to meet British cultural needs, are examined in the work of the Apocalyptic movement. The last structure of feeling is reconstruction, which is related to Herbert Read's thought, but shown to inform all these other works and to be a linking-point between ideology and the structure of the text, formed as an organic unity that promises a reconstructed post-war society.

In hierdie studie word die manifestasies en ontwikkelings van mens-masjien-verhoudinge in die Afrikaanse poësie vanaf 1990 tot 2012 ondersoek. Relevante uitgangspunte van die fenomenologie, posthumanisme en transhumanisme dien as teoretiese begronding om die gekompliseerde en gevarieerde aard van mens-masjien-verhoudinge in die Afrikaanse poësie te bestudeer. Die studie beoog om deur kwantitatiewe data-analise die manifestasie van tegnologiese terme en verwysings na tegnologiese objekte in Afrikaanse poësie vanaf 1990 tot 2012 te karteer. Hierbenewens word deeglike kwalitatiewe ondersoek gedoen na die verskillende representasies van mens-masjien-verhoudinge in geselekteerde Afrikaanse gedigte. Laastens word rolle en metaforiese betekenisse van digitale tegnologie in posthumane subjekte se belewing op drie tematiese vlakke ondersoek, naamlik liefde en seks, spiritualiteit en die dood. / In this study the different manifestations of human-machine relationships in Afrikaans poetry between 1990 and 2012 are investigated. Relevant viewpoints from the phenomenology, posthumanism and transhumanism form part of the theoretical framework in which the often complicated and varied nature of human-machine relationships are studied. It is the goal of this study to map the manifestations of technological terms and references to technological objects in Afrikaans poetry from 1990 to 2012, utilising quantitative data analysis. Furthermore, the in-depth qualitative analysis will investigate various representations of human-machine relationships in selected Afrikaans poems. The roles and metaphorical meanings of digital technology within the experiences of posthuman subjects are investigated on three thematic levels, namely love and sex, spirituality and death. / Afrikaans and Theory of Literature / M. A. (Afrikaans)