La fabrication populaire des habitations et de leur aspect extérieur en particulier font l’objet de discrédit de la part des groupes dominants de la société. Considérée comme illégitime car produite en marge des procès de production officiels et architecturaux, l’esthétique vernaculaire actuelle des habitations populaires constitue pourtant la majeure partie du paysage urbain tunisois. Ce travail se veut une modeste contribution à la réhabilitation symbolique de cette fabrication et de son esthétique en particulier. L’aspect des façades telles qu’elles se présentent à la vue des passants à partir de l’espace public nous a conduite, en tant qu’architecte, à nous questionner au départ sur la façon de faire des habitants constructeurs pour fabriquer une esthétique sur la façade de leur habitation, tout en cherchant à nous enquérir de l’existence ou non d’une conscience de l’image ainsi renvoyée d’eux-mêmes à l’espace urbain. Les nombreux échanges menés avec nos interlocuteurs durant les enquêtes de terrain et l’analyse des données recueillies nous ont progressivement convaincue que les modalités de fabrication esthétique du côté habitant se basaient moins sur des considérations formelles que pratiques, ainsi que d’une considération grandissante de l’image de l’habitation telle qu’elle est renvoyée à l’espace public. / The popular construction of dwellings and their appearance in particular are discredited by the dominant groups in society. Considered as illegitimate as it is produced on the margins of official and architectural production processes, the current vernacular aesthetic of popular dwellings however constitutes a major part of the Tunisian urban landscape. This work is a modest contribution to the symbolic rehabilitation of this production and its aesthetics in particular. The façades as they appear to bystanders from the public space has led me, as an architect, to initially question how the inhabitant builders proceed to create an aesthetic on the facade of their dwelling, while seeking to inquire about the existence or not of an awareness of the image thus returned to the urban space. The numerous consultations with our interlocutors during the field surveys and the analysis of the collected data gradually convinced us that the methods of aesthetic fabrication by the inhabitant were based less on formal than practical considerations, as well as a growing awareness of the image of the dwelling as it is sent back to the public space.

Made available in DSpace on 2016-04-27T19:32:34Z (GMT). No. of bitstreams: 1 Simone Lucena Cordeiro.pdf: 8269216 bytes, checksum: 8452425d47f2a39bad43d1bb60331df9 (MD5) Previous issue date: 2009-09-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The aim of this piece of work is to capture the orientation of the reasonings and iniciatives related to popular home buildings during the period that goes from the second half of the 1960 s and the late 1980 s in São Paulo, using as focus the department of the town hall that s responsible for the area of the Cidade Tiradentes and the COHAB (aggregation of popular homes). That specific phase has been marked by the creation of the Metropolitan Habitation Company and by one of its major interventions: the building of a COHAB in the neighbourhood called Cidade Tiradentes . Other than that, we believe that our chronological and thematic cutting is justified by the fact that in that same context the ideal of urban planning expanded itself along with the establishment of several organizations, laws and urban and habitation projects. The city went through significant urban and demographic transformations as a result of the great increase in its population and the building of those popular homes in the city outskirts. We assume that the public power sphere lead some of the city s needy population into a process through which their homes were moved more and more to the suburbs, specially by the implantation of projects such as the COHAB built in the Cidade Tiradentes. Nevertheless, we also think that people interacted with the government s actions, (re)creating social and cultural territories and alternative ways of inhabiting the city. In terms of method, along with the official documentation we also used as analysis material some magazines, newspapers, photographs and the personal experience of some inhabitants of Cidade Tiradentes and neighbourhoods alike. We have seeked to build a dialog using the diversity of our literature and other study sources we have collected. We have gone along the building of Cidade Tiradentes, pointing out that it was formed through the government intervention in a context of outskirting of the popular homes. However, we also assume that the locals played main roles in the creation of their own territory and in the conception of their way of life, not always accepted by the township / Este trabalho objetivou apreender o sentido dos discursos e iniciativas referentes à moradia popular entre a segunda metade da década de 1960 até o final da década de 1980 na cidade de São Paulo, tendo como objeto de estudo a atual subprefeitura da Cidade Tiradentes e a COHAB. O período foi marcado pela criação da Companhia Metropolitana de Habitação e pela constituição de uma das suas principais intervenções: a COHAB-Cidade Tiradentes. Além disso, acreditamos que nosso recorte cronológico e temático se justifica porque naquele contexto ocorreu a expansão do ideário do planejamento urbano e a constituição de vários Órgãos, Leis e Projetos Urbanísticos e Habitacionais. A cidade vivenciou significativas transformações urbanas e demográficas com o crescimento expressivo da sua população e construção dos conjuntos habitacionais populares em sua periferia. Partimos do princípio de que o poder público induziu parcelas das camadas populares paulistanas a um processo de periferização de suas moradias, especialmente através dos projetos da COHAB como o implantado na Cidade Tiradentes. Porém, também pensamos que a população da cidade interagiu com as ações do poder público (re)criando territoriedades socioculturais e formas alternativas de habitar o município. Metodologicamente, além da documentação oficial, analisamos jornais/revistas, fotografias e depoimentos de moradores da Cidade Tiradentes e de outras espacialidades. Procuramos colocar em diálogo as diferentes informações das fontes e da bibliografia estudada. Acompanhamos que a Cidade Tiradentes constitui-se a partir das intervenções do poder público num contexto de periferização da moradia. Porém, ponderamos que a população daquele lugar também atuou criando territoriedades e formas de morar nem sempre aceitas pela municipalidade