Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2017-02-13T13:55:35Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTACAO_CHARLES_DOUGLAS_MARTINS.pdf: 7542275 bytes, checksum: c5725a05f4554c99023c93eb9c66c8d9 (MD5) / Made available in DSpace on 2017-02-13T13:55:35Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTACAO_CHARLES_DOUGLAS_MARTINS.pdf: 7542275 bytes, checksum: c5725a05f4554c99023c93eb9c66c8d9 (MD5) Previous issue date: 2014-09-10 / Desde o surgimento do cinema, as antigas colônias africanas receberam grandes missões cinematográficas que aliadas a antiga antropologia administrativa trouxe um amplo leque de representações que duram até hoje no imaginário da sociedade eurocêntrica. A pesquisa concentra o campo em Angola e busca acompanhar as mudanças nos processos de representação e situar o leitor na fase chamada de retomada do cinema angolano onde a juventude em meados do início do século munidos do advento da tecnologia digital nos processos de registro e montagem visual, recriam suas representações quanto a sua sociedade e sua interpretação em relação ao homem branco. Bem como, a pesquisa aponta os processos de identificação do público cinéfilo para essa fase cinematográfica que sacode as salas de cinema em Angola. / Since the dawn of cinema, the former African colonies received major film missions that combined the old administrative anthropology brought a wide range of representations that last to this day in the minds of the Eurocentric society. The research concentrates the field in Angola and search track changes in the representation of processes and position the reader on the Angolan film resumption call phase where the youth in the middle of the beginning of the armed century the advent of digital technology in registration processes and visual assembly recreate their representations as their society and their interpretation with regard to the white man . As well, the research shows the public identification procedures cinephile for this film phase that shakes the theaters in Angola .

The study seeks to analyze the &ldquo / Tulip Revolution&rdquo / , its reasons and outcomes. With the collapse of the Soviet Union, newly independent Central Asian countries / Kyrgyzstan, Kazakhstan, Turkmenistan, Uzbekistan and Tajikistan emerged in the world politics as independent sates. However, used to be parts of big complex system of former Soviet Union and being lack of government experience in politic and economic area made them to dependent on external actors. One of the main external actors has become United States with its promotion of democracy and liberalization, while the Russia was challenging not to lose its political and economical influence in these states. As a result of these external powers&rsquo / policy, within the time the leaders of these states found themselves in the complex choices, pro-Western or pro-Russian. Therefore political and economic developments of these states have become vulnerable. For these reasons the &lsquo / coloured revolutions&rsquo / in post-Soviet states, which was the struggle between the pro-Western and pro-Russian elites, were not a coincidence. The study argues that although &ldquo / Tulip Revolution&rdquo / had similarities in its occurrence with previous &lsquo / colourful revolutions&rsquo / the main reasons of the &ldquo / Tulip Revolution&rdquo / were the internal reasons, external reasons were only the accelerator factors. Analyzing of these reasons is the main goal of thesis.

My dissertation, The New Voyager: Theory and Practice of South Asian Literary Modernisms, investigates how literary modernisms in Bengali, Hindi, and Indian English functioned as much as a turning away and remixing of earlier literary traditions as a journey of engagement between the individual writer and his or her response to and attempts to re-create the modern world. This thesis explores how theories and practices of literary modernism developed in Bengali, Hindi, and Indian English in the early to mid-20th century, and explores the representations and debates surrounding literary modernisms in journals such as Kallol, Kavita, and Krittibas in Bengali, the Nayi Kavita journal and the Tar Saptak group in Hindi, and the Writers Workshop group in English. Theories of modernism and translation as proposed by South Asian literary critics such as Dipti Tripathi, Acharya Nand Dulare Bajpai, Buddhadeva Bose, and Bhola Nath Tiwari are contrasted to the manifestos of modernism found in journals such as Krittibas and against Agyeya's defense of experimentalism (prayogvad) from the Tar Saptak anthology. The dissertation then goes on to discuss how literary modernisms in South Asia occupied a vital space between local and global traditions, formal and canonical concerns, and between social engagement and individual expression. In doing so, this thesis notes how the study of modernist practices and theory in Bengali, Hindi, and English provides insight into the pluralistic, multi-dimensional, and ever-evolving cultural sphere of modern South Asia beyond the suppositions of postcolonial binaries and monolingual paradigms.

A presente tese é resultado do estudo sobre as autoridades tradicionais no intuito de compreender o conceito de poder tradicional no século XX, especificamente nos distritos de Mandlakazi e Chibuto, em Moçambique. Baseia-se parcialmente em testemunhos orais colhidos em entrevistaspresenciais realizadasno ano de 2017 nos respectivos distritos aos grupos focais (líderes tradicionais), chefes dos líderes tradicionais, conselheiros, dentre outros.Baseia-se também em pesquisa bibliográfica e em documentação de arquivo. O objetivo foi observar as diversas formas de expressão do poder tradicional, desde os primórdios de sua existência, no período colonial e no período da construção do Estado nação. Foram analisadas diferentes situações históricas e as sucessivas alterações ocorridas com os representantes locais do poder, quando sua autoridade é colocada em posição subordinada primeiro às instituições vinculadas ao Estado português, e depois ao Estado moderno moçambicano. Em 1975, a construção do estado-nação, e o afastamento desta autoridade tradicional, não trouxe algo relevante na criação do homem novo, senão o desmoronamento das comunidades diante da política implantada pelo governo. Em 1992, a ideia de reconhecimento da autoridade tradicional se funde para coesão da sociedade depois da guerra civil (1977-1990), e para preencher o vazio administrativo. O governo coopta do poder colonial para se afirmar.A legislação deixou à responsabilidade da comunidade de legitimar a autoridade tradicional, nesse processo ambíguo resultante da competitividade política (FRELIMO -RENAMO) na democracia vigente. / The thesis is the result of the study of traditional authorities in order to understand the concept of traditional power in the twentieth century, specifically in the Mandlakazi and Chibuto districts of Mozambique. It is based in part on oral testimonies collected in face-to-face interviews performed in 2017 in the respective districts from focus groups (traditional leaders), chiefs of traditional leaders, counselors, among others. It is also based on bibliographic research and archival documentation. The objective was to observe the diverse forms of expression of traditional power, from the beginnings of its existence, in the colonial period and in the period of the construction of the Nation- state. Different historical situations and successive changes occurred with the local representatives of power were analyzed, when their authority is placed in subordinate position first to the institutions linked to the Portuguese State, and then to the modern Mozambican State. In 1975, the construction of the Nation-state, and the removal of this traditional authority, did not bring something relevant in the creation of the new man, but the collapse of the communities before the policy implanted by the government. In 1992, the idea of recognition of traditional authority was fused for the cohesion of society after the Civil War (1977-1992), and to fill the administrative void. The government co-opts colonial power to assert itself. The legislation left it to the community to legitimize traditional authority, in that ambiguous process resulting from political competitiveness (FRELIMO-RENAMO) in the current democracy.

In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. This dissertation conducts a study of the cinema from India with a view to examine the extent to which such cinema represents an anti-colonial vision. The political resistance of Indian films to colonial and neo-colonial norms, and their capacity to formulate a national identity is the primary focus of the current study.

A presente tese é resultado do estudo sobre as autoridades tradicionais no intuito de compreender o conceito de poder tradicional no século XX, especificamente nos distritos de Mandlakazi e Chibuto, em Moçambique. Baseia-se parcialmente em testemunhos orais colhidos em entrevistaspresenciais realizadasno ano de 2017 nos respectivos distritos aos grupos focais (líderes tradicionais), chefes dos líderes tradicionais, conselheiros, dentre outros.Baseia-se também em pesquisa bibliográfica e em documentação de arquivo. O objetivo foi observar as diversas formas de expressão do poder tradicional, desde os primórdios de sua existência, no período colonial e no período da construção do Estado nação. Foram analisadas diferentes situações históricas e as sucessivas alterações ocorridas com os representantes locais do poder, quando sua autoridade é colocada em posição subordinada primeiro às instituições vinculadas ao Estado português, e depois ao Estado moderno moçambicano. Em 1975, a construção do estado-nação, e o afastamento desta autoridade tradicional, não trouxe algo relevante na criação do homem novo, senão o desmoronamento das comunidades diante da política implantada pelo governo. Em 1992, a ideia de reconhecimento da autoridade tradicional se funde para coesão da sociedade depois da guerra civil (1977-1990), e para preencher o vazio administrativo. O governo coopta do poder colonial para se afirmar.A legislação deixou à responsabilidade da comunidade de legitimar a autoridade tradicional, nesse processo ambíguo resultante da competitividade política (FRELIMO -RENAMO) na democracia vigente. / The thesis is the result of the study of traditional authorities in order to understand the concept of traditional power in the twentieth century, specifically in the Mandlakazi and Chibuto districts of Mozambique. It is based in part on oral testimonies collected in face-to-face interviews performed in 2017 in the respective districts from focus groups (traditional leaders), chiefs of traditional leaders, counselors, among others. It is also based on bibliographic research and archival documentation. The objective was to observe the diverse forms of expression of traditional power, from the beginnings of its existence, in the colonial period and in the period of the construction of the Nation- state. Different historical situations and successive changes occurred with the local representatives of power were analyzed, when their authority is placed in subordinate position first to the institutions linked to the Portuguese State, and then to the modern Mozambican State. In 1975, the construction of the Nation-state, and the removal of this traditional authority, did not bring something relevant in the creation of the new man, but the collapse of the communities before the policy implanted by the government. In 1992, the idea of recognition of traditional authority was fused for the cohesion of society after the Civil War (1977-1992), and to fill the administrative void. The government co-opts colonial power to assert itself. The legislation left it to the community to legitimize traditional authority, in that ambiguous process resulting from political competitiveness (FRELIMO-RENAMO) in the current democracy.

A presente tese é resultado do estudo sobre as autoridades tradicionais no intuito de compreender o conceito de poder tradicional no século XX, especificamente nos distritos de Mandlakazi e Chibuto, em Moçambique. Baseia-se parcialmente em testemunhos orais colhidos em entrevistaspresenciais realizadasno ano de 2017 nos respectivos distritos aos grupos focais (líderes tradicionais), chefes dos líderes tradicionais, conselheiros, dentre outros.Baseia-se também em pesquisa bibliográfica e em documentação de arquivo. O objetivo foi observar as diversas formas de expressão do poder tradicional, desde os primórdios de sua existência, no período colonial e no período da construção do Estado nação. Foram analisadas diferentes situações históricas e as sucessivas alterações ocorridas com os representantes locais do poder, quando sua autoridade é colocada em posição subordinada primeiro às instituições vinculadas ao Estado português, e depois ao Estado moderno moçambicano. Em 1975, a construção do estado-nação, e o afastamento desta autoridade tradicional, não trouxe algo relevante na criação do homem novo, senão o desmoronamento das comunidades diante da política implantada pelo governo. Em 1992, a ideia de reconhecimento da autoridade tradicional se funde para coesão da sociedade depois da guerra civil (1977-1990), e para preencher o vazio administrativo. O governo coopta do poder colonial para se afirmar.A legislação deixou à responsabilidade da comunidade de legitimar a autoridade tradicional, nesse processo ambíguo resultante da competitividade política (FRELIMO -RENAMO) na democracia vigente. / The thesis is the result of the study of traditional authorities in order to understand the concept of traditional power in the twentieth century, specifically in the Mandlakazi and Chibuto districts of Mozambique. It is based in part on oral testimonies collected in face-to-face interviews performed in 2017 in the respective districts from focus groups (traditional leaders), chiefs of traditional leaders, counselors, among others. It is also based on bibliographic research and archival documentation. The objective was to observe the diverse forms of expression of traditional power, from the beginnings of its existence, in the colonial period and in the period of the construction of the Nation- state. Different historical situations and successive changes occurred with the local representatives of power were analyzed, when their authority is placed in subordinate position first to the institutions linked to the Portuguese State, and then to the modern Mozambican State. In 1975, the construction of the Nation-state, and the removal of this traditional authority, did not bring something relevant in the creation of the new man, but the collapse of the communities before the policy implanted by the government. In 1992, the idea of recognition of traditional authority was fused for the cohesion of society after the Civil War (1977-1992), and to fill the administrative void. The government co-opts colonial power to assert itself. The legislation left it to the community to legitimize traditional authority, in that ambiguous process resulting from political competitiveness (FRELIMO-RENAMO) in the current democracy.

This study explores the social ‘vision’ of three Shona women writers vis-à-vis their Zimbabwean society, attempting to ascertain whether this vision is entrenched in the post-independence context or has been shaped by the whole canvas of colonization and its impact on Shona society. For this purpose, Tsitsi Dangarembga’s Nervous Conditions (1988), Yvonne Vera’s Why Don’t You Carve Other Animals (1992) and Freedom Nyamubaya’s Dusk of Dawn (1995) have been selected to explore the representation of Zimbabwean society in different artistic genres. The approach is mainly socio-historical, examining the selected texts in the context of Zimbabwean history and paying attention to how the socio-political dynamics in both colonial Rhodesia and post-independence Zimbabwe influence the creative output of Zimbabwean writers, in general, and of the selected writers, in particular. In addition, this study refers to other aspects of literary theory, especially African feminist theories, since all three writers discuss the plight of black African women. This study consists of four chapters arranged according to the historical period in which the texts are set, which coincides with publication date. Chapter One provides a general background to Zimbabwean writing in English to root the study in the socio-historical experiences of the country. This chapter thus considers the works of both white and black writers. Chapter Two discusses Nervous Conditions, critiquing it as a women’s narrative in a social realist mode, because it portrays the social and political forces as significant shapers of human lives. Chapter Three analyzes Why Don’t You Carve Other Animals as a text in the fabulist mode, which re-imagines cultural and literary politics. Nyamubaya’s poetry, discussed in Chapter Four, is autobiographical and ideological. It revisits the Zimbabwean liberation war, situating it within both the private and national spheres, and arguing that such a standpoint emanates from Nyamubaya’s need to make sense of her own experiences during the war and in post-independence Zimbabwe. In conclusion, the study summarizes the major findings of the research, analyzing these against the background to Zimbabwean writing in English given in Chapter One. / Dissertation (MA (English))--University of Pretoria, 2007. / English / unrestricted

Given the relative scarcity of capital and the small volume of savings in most African economies at independence, the establishment of stock exchanges and their regulation showed that several countries considered them as strategic financial intermediaries for channelling capital to their national, and even regional, economies. This article examines the Lagos Stock Exchange’s formative years as a political process of Nigeria’s decolonisation and the First Republic. Originally incorporated as a private limited liability company on 15 September 1960, and as the first stock exchange in West Africa and the region’s largest economy, the new financial intermediary defined the relationship between the post-independence state and the growing capital market during a period of considerable political and economic changes. The role of the post-independence state and state-owned enterprises in facilitating the trade on the Lagos Stock Exchange broadens the analytical scope of this investigation to identify the sources of Nigeria’s development finance. While significant efforts were taken to grow private individual participation in the share trade and ownership, the early years of the Lagos Stock Exchange were ultimately marked by the dominance of institutional investors such as state-owned enterprises and private commercial banks.

This study pursues the quest and struggle for total liberation in post-independence Shona poetry. The study also relies on views of key respondents obtained through interviews and questionnaires. Couched and guided by Afrocentricity and Africana womanism, the study elucidates the politico-economic and socio-cultural factors that militate against Africa’s total liberation in general as well as women’s liberation, respectively. Simultaneously, critical judgments are passed on the extent to which poets immerse their art in African existential philosophy. The study is energized by the idea that pursuing the quest for authentic liberation provides a lens through which one can understand threats to Africa’s true liberation. It observes that poets and key informants largely attribute ersartz independence to internal problems. The researcher holds that it is problematic to hold a domesticated vision of the African condition to the extent that poets and other literary workers need to widen their canvas beyond fighting internal oppression and internationalise the struggle. The researcher argues that it is myopic and self-defeating to protest against Africa itself without giving adequate attention to the incapacitating hegemonic world system. Therefore, the poetry is lacking on its critique on domination. The centerpiece of the thesis is that in order to be purposeful and functional, poets need to grapple with both endogenous and exogenous factors that obstruct the march towards genuine liberation. The study also observes that in some instances poets produce cheap literature which is marked by a narrow and moralistic approach and this is attributable to the fact that poets lack a scientific vision in understanding reality. Concerning women’s authentic liberation, the commonly identified obstacles to women’s freedom are the male counterpart, self-depreciation, lack of education and culture. The study observes that women poets in Ngatisimuke (1994) and key respondents seem to approach gender relations from a feminist perspective and hence fail to situate women’s condition in the context of the history and culture that shape African gender relations. Women poets in Ngatisimuke fall short of internationalising their struggle in concert with the male counterpart such that their poetry degenerates into sponsored and misguided activism. / African Languages / D. Litt. et Phil. (African Languages)