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100 SEK, Members only, Secret location : DIY-konsertens betydelse för Göteborg som musikstad / 100 SEK, Members only, Secret location : The significance of the DIY concert in the event city of GothenburgMossberg, Olle January 2022 (has links)
Studien syftar till att beskriva vad DIY-konserter betyder för Göteborg som musikstad. Studien har en geografisk avgränsning till arrangörer och föreningar i Göteborg, samt engenrebaserad avgränsning till rockmusik framförd av bandkonstellationer. Undersökningen är framtagen genom litteraturstudier och marxistisk analys baserad på marxistisk och postmarxistisk teoribildning. Studien fokuserar på DIY-konsertens plats i Göteborgs musikliv idag, men tar historiska, kulturella och internationella jämförelser i beaktning för att ge en djupare förståelse för ämnet. Studiens resultat visar på de skillnader som finns mellan olika typer av rockkonsertevenemang i Göteborg och diskuterar dessa utifrån marxistisk teori.
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Kontingenz und Dezision – (k)ein notwendiges Verhältnis?Mokosch, Bastian 07 February 2023 (has links)
Der Begriff Kontingenz avancierte seit Mitte der 1990er Jahre
zu einer Art Leitbegriff der Sozialwissenschaften und erreichte vor allem in Form
der postmarxistischen These von der „Grundlosigkeit des Sozialen“ axiomatischen Status in linker Politik- und Sozialtheorie. Dass es vor allem mal explizit,
mal latent dezisionistische Theorieprogramme waren, die dem Kontingenzbegriff
zu erneuter Popularität verhalfen, ist die ideenhistorische Grundsituation, die im
vorliegenden Beitrag als Problem gestellt wird und folgende Frage provozierte:
sind die historisch gleichzeitigen Renaissancen von Kontingenz- und Dezisionsbegriff zufällig oder verweisen die Begriffe von Grund auf aufeinander und bilden
ein notwendiges Verhältnis? Zunächst soll hierfür augezeigt werden, dass die
Semantik des Kontingenzbegriffs durchaus vielschichtig ist und je nach theoretischem Kontext variiert. Zwei Extremformen werden dabei separiert. Eine dieser
Extremformen des Begriffs, die gegenwärtig häufig gebrauchte, wird in einem
zweiten Schritt als dem Dezisionismus entsprechende Kontingenz ausgewiesen.
Zu guter Letzt wird diskutiert, warum dezisionistische Argumentationsketten für
Theorien mit progressivem Anspruch überhaupt problematisch sind. / From the mid-1990’s on, contingency developed into one of the leading
key concepts of the social science and achieved an axiomatic status in leftist
political and social theory, first and foremost through the central postmarxist
thesis of the “Lack of Foundations in the Social”. That the Renaissance of
contingency is embedded in the historical parallel rise of decisionistic theories,
which helped make the concept popular again, is the historical situation from
where the argument in the article starts and which provoked the following
research question: are the historical parallel renaissances of contingency and
decision based theories coincidental or is their logical relation necessary? The
goal of the first chapter is to outline the semantic complexity of contingency andits context-dependent varieties. Two extremes of the concept will be separated
from each other. One of those extremes, today’s popular one, will be identified as
decisionisms corresponding contingency. The discussion of why decisionistic
arguments are a problem within theories with progressive intentions, will conclude the article.
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Kvalitativní analýza mediálního diskurzu pravicově orientovaného blogu cz.altermedia.info / Media Discourse Analysis of rigt-wing weblog Altermedia.infoBártová, Kateřina January 2011 (has links)
The thesis called Qualitative Analysis of Media Discourse of the Far-right Blog cz.altermedia.info deals with the discourse analysis of the Czech version of an international project Altermedia.info. Discourse analysis aims at differences between the discourse of the founding editor and the current one and analyses the neo-fascist nature of the blog. The theoretical framework of the analysis is based on the postmarxist theory of discourse introduced by Ernesto Laclau and Chantal Mouffe. The theoretical part of the thesis summarizes the findings of researchers who are engaged in discourse analysis (structuralism, poststructuralism, Michel Foucault, Louis Althusser, Norman Fairclough, Teun van Dijk). The thesis also examines how specific meaning is constructed within the nationalist discourse of Altermedia and to what extent a new team of authors contributed to the change of discourse. The analysis identifies the main nodal points, which are involved in the construction of discourse, and examines the antagonistic processes within the two different editors. Discursive analysis reveals particular inclination of the current discourse of Altermedia for the neo-Nazi ideology, and thus indicates the fundamental antagonism between the founding editors and current one.
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Čína v českém tisku: Srovnání reprezentací autoritářského politického systému v demokratickém mediálním systému / China in the Czech Press: Comparing Representations of Authoritarian Political System in Democratic Media SystemKaliba, Jan January 2009 (has links)
Diploma thesis "China in the Czech Press: Comparing Representations of Authoritarian Political System in Democratic Media System" uses qualitative content analysis to examine attributes ascribed to China by selected Czech mainstream newspapers in selected periods, systematizing and categorizing the findings into instituted categories. The analysis serves as a basis for answering the key question: How media representations of political and social system - which is unacceptable in the system where the media work - can be ideologically adapted? Brief insight into history and contemporary problems of China and interpretation of the term "ideology" based on description of the development of this term firstly in its negative definition of Marxist line stay before presentation of results of the qualitative research. The thesis includes also extensive part full of graphical supplements which denote image of China in discourse of dailies Lidové noviny and Právo in five selected periods. It allows easy comparison of separate partial discourses, so distinctions among the partial images of China are well discoverable.
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Molarization and singularization: social movements, transformation and hegemony.Montgomery, Nicholas 06 January 2011 (has links)
This thesis presents a critique of counterhegemony, arguing that imperatives of unity and coherence in social movement theory and practice tend to limit potentials for transformation. I use the 'new social movement theory' of Alberto Melucci and Alain Touraine in order to foreground the problem of intelligibility. Laclau and Mouffe’s conception of articulation is used to develop the problem of intelligibility, and helps to avoid reification. However, I argue that their concept of counterhegemony presents a blackmail where social movements either represent themselves in universal terms, or are cast as merely fragmented and particular. The Deleuzo-Guattarian concepts molarization and molecularization are used to argue that social movements that appear fragmented or vague may in fact be transformative in unexpected ways. The final chapter focuses on a recent guerilla garden at the University of Victoria, and I argue that it is significant in its capacity to foreground problems and suspend commonsense habits, without presenting a coherent and unified programme.
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The Rebellious Mirror,Before and after 1984:Community-based theatre in AotearoaMaunder, Paul Allan January 2010 (has links)
In this thesis I outline the contribution Community-based theatre has made to New Zealand theatre. This involves a defining of theatre production as a material practice. Community-based theatre was a tendency from the 1930s, a promise of the left theatre movement and, I argue, was being searched for as a form of practice by the avant-garde, experimental practitioners of the 1970s. At the same time, early Māori theatre began as a Community-based practice before moving into the mainstream.
With the arrival of neo-liberalism to Aotearoa in 1984, community groups and Community-based theatre could become official providers within the political system. This led to a flowering of practices, which I describe, together with the tensions that arise from being a part of that system. However, neo-liberalism introduced managerial practices into state contracting and patronage policy, which effectively denied this flowering the sustenance deserved. At the same time, these policies commodified mainstream theatre production.
In conclusion, I argue that in the current situation of global crisis, Community-based theatre practice has a continuing role to play in giving voice to the multitude and by being a practice of the Common.
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