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The fortifying and destructive power of love in J.K. Rowling’s Harry Potter seriesGani, Safiyyah 03 1900 (has links)
The aim of this study is to explore the importance of love in its various manifestations in
the lives of the Harry Potter characters and its power to consequently influence the
paths that they eventually choose to walk. Love is investigated as the reason behind the
choice between good and evil as well as paradoxically both a fortifying as well as a
destructive force. Furthermore, it attempts to examine the importance that love plays in
the healthy or dysfunctional development of the characters.
Numerous philosophies and theories that span two different eras will form the
theoretical framework of this research paper. There will be a constant interplay between
the theories and the main text, that is, the seven Harry Potter books that together
represent the Harry Potter series. Additionally, the author‟s opinion acquired from
invaluable fan interviews will be utilized in order to improve the understanding of the
characters motivations.
The introduction is a brief explanation of key terms and theories that are essential to the
exploration of love in the Harry Potter series. The study comprises five chapters. The
first three chapters are concerned with the three main manifestations of love
represented in the series, namely; parental love, friendship and romance respectively.
Chapter Four focuses on the adaptation of the novels into movies and the subsequent
result that this has on the depiction of love. Chapter Five highlights the finding of the
study conducted. / English Studies / M.A. (English)
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A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly FilmCallahan, Sarah Francis 05 1900 (has links)
The purpose of this thesis is to explore the importance of the orphan hero in film and his resonance with the American people. It explores the orphan and the American identities, the archetypes found in myths, and the hero in American culture. The three heroes (Batman, Anakin Skywalker, and Harry Potter) represent certain aspects of orphan heroes: the capacity for sacrifice and the need to resist focusing on oneself. The type of hero each becomes has its source in the response he takes to his orphanhood. These young men suffered great loss early in their lives, but found the strength to sacrifice themselves for others, the ultimate sign of a hero.
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Funny little witches and venerable-looking wizards: a social constructionist study of the portrayal of gender in the Harry Potter seriesRodrigues, Debbie June 02 1900 (has links)
In this study I apply social constructionism as propounded by Vivian Burr (1998) to show that although J. K. Rowling uses stereotypes in the Harry Potter series as a reflection of how gender is constructed across a wide range of societal institutions in contemporary Britain, she created complex characters who on an individual level subvert social constructs and thereby offers her readers alternatives to culturally defined concepts of gender. I explore the all-pervasive social phenomenon of gender and examine how it is constructed in present-day Britain and reflected in the series (bearing in mind that the first book was published in 1997 and the last one in 2007). My analysis of female and male characters in the books, and their interpersonal relationships, shows that Rowling's often tricky portrayal of femininities and masculinities gives us an honest view of teenagers’ lives and contemporary gender relations in an ever-changing, complex world. / English Studies / M. A. (English)
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The fortifying and destructive power of love in J.K. Rowling’s Harry Potter seriesGani, Safiyyah 03 1900 (has links)
The aim of this study is to explore the importance of love in its various manifestations in
the lives of the Harry Potter characters and its power to consequently influence the
paths that they eventually choose to walk. Love is investigated as the reason behind the
choice between good and evil as well as paradoxically both a fortifying as well as a
destructive force. Furthermore, it attempts to examine the importance that love plays in
the healthy or dysfunctional development of the characters.
Numerous philosophies and theories that span two different eras will form the
theoretical framework of this research paper. There will be a constant interplay between
the theories and the main text, that is, the seven Harry Potter books that together
represent the Harry Potter series. Additionally, the author‟s opinion acquired from
invaluable fan interviews will be utilized in order to improve the understanding of the
characters motivations.
The introduction is a brief explanation of key terms and theories that are essential to the
exploration of love in the Harry Potter series. The study comprises five chapters. The
first three chapters are concerned with the three main manifestations of love
represented in the series, namely; parental love, friendship and romance respectively.
Chapter Four focuses on the adaptation of the novels into movies and the subsequent
result that this has on the depiction of love. Chapter Five highlights the finding of the
study conducted. / English Studies / M.A. (English)
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Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narrativesPotter, Mary-Anne 09 1900 (has links)
Trees, as threshold beings, effectively blur the line between the real world and fantastical alternate worlds, and destabilise traditional binary classification systems that distinguish humanity, and Culture, from Nature. Though the presence of trees is often peripheral to the main narrative action, their representation is necessary within the fantasy trope. Their consistent inclusion within fantasy texts of the twentieth century demonstrates an enduring arboreal legacy that cannot be disregarded in its contemporary relevance, whether they are represented individually or in collective forests. The purpose of my dissertation is to conduct a study of various prominent fantasy texts of the twentieth century, including the fantasy works of J.R.R. Tolkien, C.S. Lewis, Robert Holdstock, Diana Wynne Jones, Natalie Babbitt, and J.K. Rowling. In scrutinising these texts, and drawing on insights offered by liminal, ecocritical, ecofeminist, mythological and psychological theorists, I identify the primary function of trees within fantasy narratives as liminal: what Victor Turner identifies as a ‘betwixt and between’ state (1991:95) where binaries are suspended in favour of embracing potentiality. This liminality is constituted by three central dimensions: the ecological, the mythological, and the psychological. Each dimension informs the relationship between the arboreal as grounded in reality, and represented in fantasy. Trees, as literary and cinematic arboreal totems are positioned within fantasy narratives in such a way as to emphasise an underlying call to bio-conservatorship, to enable a connection to a larger scope of cultural expectation, and to act as a means through which human self-awareness is developed. / English Studies / D. Litt. et Phil. (English)
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