Disertacijos tikslas – šiuo metu turimos medžiagos iš Rytų Lietuvos geležies amžiaus gyvenviečių įvertinimas gyvenviečių archeologijos kontekste. Dėl taip susiklosčiusių istorinių aplinkybių, Lietuvos archeologijos mokslas beveik nuo pat savo ištakų buvo orientuotas gana siaura kryptimi – būtent į etnokultūrinius tyrinėjimus. Dėl šios priežasties didžiausias dėmesys nuolat buvo skiriamas laidojimo paminklams, o gyvenviečių medžiaga laikyta neinformatyvia. Pastaruoju metu, plečiantis archeologijos mokslo interesams, vis daugiau dėmesio skiriama socialiniams, ekonominiams, ideologiniams klausimams, kurių analizė be gyvenviečių medžiagos jau neįmanoma. Tačiau kadangi dauguma gyvenviečių kasinėjimų vykdyta keliant kitus tikslus, kuriems įgyvendinti taikyta kitokia metodika, šios medžiagos panaudojimas yra gana komplikuotas. Turimais duomenimis ne visada galima pasitikėti, jie reikalauja naujos interpretacijos. Disertacijoje daugiausiai dėmesio skiriama metodologiniams gyvenviečių tyrinėjimų ir medžiagos interpretavimo aspektams. Suformuluotas prie Lietuvos geležies amžiaus specifikos pritaikytas gyvenviečių archeologijos modelis, jis derinamas su turimais duomenimis iš Rytų Lietuvos gyvenviečių. Analizuojama, kokiems klausimams spręsti medžiagos turima daugiau, kuriems mažiau, kokie metodai gali padėti išspręsti aktualiausias problemas. Taip pat disertacijoje daug dėmesio skiriama gyvenviečių chronologijos problemoms, kurios iki šiol dar beveik neanalizuotos. Šiuo tikslu... [toliau žr. visą tekstą] / The main goal of this dissertation is the evaluation of the current material from the Iron Age eastern Lithuanian settlements in the context of the settlement archaeology. Historically developed circumstances determined that Lithuanian archaeology nearly from its origins has been oriented mainly towards ethnocultural research. Consequently the material from the burial monuments has been under the greatest consideration, settlement excavations were considered less informative. As the goals of archaeological research are broadening in Lithuania recently, social, economic and ideological aspects of culture are becoming more relevant. Settlement material is essential for the analysis of these subjects. However, as the majority of the settlement excavations were implemented under the different goals with different methods, the employment of their data is complicated. The data is not fully reliable, it requires reconsideration. Methodological aspects of settlement excavation and interpretation of its data are widely analysed in this dissertation. The model of settlement archaeology fitted to the properties of Lithuanian Iron Age sites is introduced here. Data from the Eastern Lithuanian settlements are treated in the context of this model. Problems of the chronology of settlements are under consideration here as well. Pottery from the Eastern Lithuanian settlements was revised for this purpose. The chronological scale with the intervals of 1-3 centuries has been constructed.

The main goal of this dissertation is the evaluation of the current material from the Iron Age eastern Lithuanian settlements in the context of the settlement archaeology. Historically developed circumstances determined that Lithuanian archaeology nearly from its origins has been oriented mainly towards ethnocultural research. Consequently the material from the burial monuments has been under the greatest consideration, settlement excavations were considered less informative. As the goals of archaeological research are broadening in Lithuania recently, social, economic and ideological aspects of culture are becoming more relevant. Settlement material is essential for the analysis of these subjects. However, as the majority of the settlement excavations were implemented under the different goals with different methods, the employment of their data is complicated. The data is not fully reliable, it requires reconsideration. Methodological aspects of settlement excavation and interpretation of its data are widely analysed in this dissertation. The model of settlement archaeology fitted to the properties of Lithuanian Iron Age sites is introduced here. Data from the Eastern Lithuanian settlements are treated in the context of this model. Problems of the chronology of settlements are under consideration here as well. Pottery from the Eastern Lithuanian settlements was revised for this purpose. The chronological scale with the intervals of 1-3 centuries has been constructed. / Disertacijos tikslas – šiuo metu turimos medžiagos iš Rytų Lietuvos geležies amžiaus gyvenviečių įvertinimas gyvenviečių archeologijos kontekste. Dėl taip susiklosčiusių istorinių aplinkybių, Lietuvos archeologijos mokslas beveik nuo pat savo ištakų buvo orientuotas gana siaura kryptimi – būtent į etnokultūrinius tyrinėjimus. Dėl šios priežasties didžiausias dėmesys nuolat buvo skiriamas laidojimo paminklams, o gyvenviečių medžiaga laikyta neinformatyvia. Pastaruoju metu, plečiantis archeologijos mokslo interesams, vis daugiau dėmesio skiriama socialiniams, ekonominiams, ideologiniams klausimams, kurių analizė be gyvenviečių medžiagos jau neįmanoma. Tačiau kadangi dauguma gyvenviečių kasinėjimų vykdyta keliant kitus tikslus, kuriems įgyvendinti taikyta kitokia metodika, šios medžiagos panaudojimas yra gana komplikuotas. Turimais duomenimis ne visada galima pasitikėti, jie reikalauja naujos interpretacijos. Disertacijoje daugiausiai dėmesio skiriama metodologiniams gyvenviečių tyrinėjimų ir medžiagos interpretavimo aspektams. Suformuluotas prie Lietuvos geležies amžiaus specifikos pritaikytas gyvenviečių archeologijos modelis, jis derinamas su turimais duomenimis iš Rytų Lietuvos gyvenviečių. Analizuojama, kokiems klausimams spręsti medžiagos turima daugiau, kuriems mažiau, kokie metodai gali padėti išspręsti aktualiausias problemas. Taip pat disertacijoje daug dėmesio skiriama gyvenviečių chronologijos problemoms, kurios iki šiol dar beveik neanalizuotos. Šiuo tikslu... [toliau žr. visą tekstą]

The aim of this paper was to study fourteen pottery sherds found at the site of Ayia Irini in northern Cyprus using Gas chromatography- Mass spectrometry. Ayia Irini has by the archaeologists of the Swedish Cyprus Expedition been interpreted as a sanctuary, with activity spanning from the Late Bronze Age throughout the Cypriot Iron Age. The results showed traces of vegetable lipids in almost all samples, and traces of lipids from terrestrial animals in all but two. One sample showed traces of resin. Several samples were contaminated by different components found in plastics, such as plasticizers. No obvious common denominators were found for samples of similar pottery type or similar dating. The analysis yielded results of differing quality in all samples. However, usable data was collected from all except one sample, which was too heavily contaminated to glean any clear traces of organic residue from the time of deposit.

The thesis will focus on documenting, analysing and interpreting the motifs for the ceramics of Rorke’s Drift Art and Craft Centre Ecumenical (Evangelical) Lutheran Church (RDACC ELC, often called ELC Art and Craft Centre, hereinafter referred to as ‘Rorke’s Drift’) which were donated to the University of KwaZulu-Natal by Mark Bernstein. It is hoped that local indigenous narratives and visual designs in relation to Basotho and Zulu cultural identity will be outlined in the form of a catalogue. All vessel forms in the Bernstein Collection (as it will be referred to in this thesis) will focus on the figurative works and iconographic signifiers that represent local cultures. Ceramic works by the following ceramists will form the main argument of my thesis: Gordon Mbatha, Dinah Molefe, Ivy Molefe, Ephraim Ziqubu, Lindumusa Mabaso and Joel Sibisi of the Pottery Workshop. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2012.

The Rookwood Pottery Company was one of the most outstanding American pottery producers in the early 20th century. Rookwood produced a line of significant architectural facing tiles, unlike anything else produced in the Arts and Crafts tile industry. This thesis is an assimilation of all the primary product. Rookwood's catalogues, commissions, and artisans are discussed to illustrate the design and production significance Rookwood's product. The analysis will be valuable for the documentation and identification of tile installations produced by the Rookwood Pottery Company from 1903-1931. / Department of Architecture

The aim of this dissertation is to contextualise the use of porcelain by the South African ceramist Thelma Marcuson (1919-2009). This paper focuses on her ceramics in the Tatham Art Gallery’s Permanent Collection in Pietermaritzburg. I hope to give recognition to Marcuson as she is considered one of the pioneer South African studio potters by Garth Clark and Lynne Wagner’s in Potters of Southern Africa as she is ranked amongst the top fifteen in that distinct group (appendix 4: Potters’ art demo). This dissertation is divided into three chapters. Chapter one primarily focuses on the influence of contemporary European studio potters on Marcuson’s work, in particular that of Lucie Rie, Mary Rogers and Ruth Duckworth. This chapter also examines the development of ceramics from industrial ceramics, involving mass productions in factories, to the modernist revival of studio ceramics by Bernard Leach, where each piece was handmade and often regarded as an art form, as in the work of the twentieth century British ceramist William Staite-Murray. Chapter two focuses on Marcuson and South African studio ceramics and considers South African potters who had an influence on Marcuson’s early training, and also looks at her involvement with the Association of Potters of Southern Africa (APSA) founded in 1972. In the last section of this chapter I will discuss ceramic practices and technical issues about porcelain and high-firing glazes, specifying how they are made and used, with particular reference to South African developments and local studio potters. As Marcuson was particularly interested in porcelain, this chapter also outlines glaze applications with specific reference to porcelain and firing methods. Chapter three focuses on Marcuson’s ceramics and offers in particular an analysis of the nine pieces of her work in the Permanent Collection of the Tatham Art Gallery in Pietermaritzburg. Through my research I was able to acquire photographic documentation from other South African museums for comparative purposes, such as the Durban Art Gallery and the William Humphreys Art Gallery in Kimberley, as well as some private collections (see appendix 1). / Thesis (M.A)-University of KwaZulu-Natal, Pietermaritzburg, 2012.

This thesis aims to investigate the social structure of Neolithic Period. To do this, both physical anthropological and archaeological data are used, and it is sought after whether burial customs and skeleton biology can be a parameter to understand social organization of a concerned area in a given time period. For this thesis the data comes from Abu Hureyra and &Ccedil / ay&ouml / n&uuml / . Quantified data of burial types and grave goods are used in order to create descriptive statistical graphics. Then, correspondence analysis is employed to detect statistical significance in data sets, if exists. Anthropological data is stemmed from previous researchers. On the other hand, they were still used to investigate sex and age distributions with the same tools employed before. As a final study two settlements are compared within and with each other to chase the clues for social differentiation.

This thesis examines a sample of Pitted Ware pottery from the Gotlandic site of Ajvide in regard to the spatial and temporal relationship of the shards. Ajvide Stone Age site have been extensively excavated over the past 25 years and the most recent analysis of pottery was carried out by Inger Österholm in 1987 and new analyses of the material are therefore greatly needed. Pottery from three sample areas was analysed in regard to their distribution, decoration, fragmentation, part of pot and quality of the goods. To analyse the material in a contextual way a multivariate statistical analysis called correspondence analysis was used. Two areas denominated “dark areas”, which Österholm defined previously, as possible ritual sites, and one reference area with mixed material were chosen for the analysis. By including two of these “dark areas” the study also examine if similarities or differences could be seen among the shard distribution how these areas have been defined and possibly re-defined.

This study maps a way of looking at design history in New Zealand through the investigation of a taxon of industrially manufactured ceramics. Understanding design as an enfolded process of production, distribution, mediation and consumption, three threshold moments are identified as occurring within the European settlement period: the internationalisation of commodity production and consumption; the emergence of import substitution; and the deregulation of the market. While production has formed an element in the design of ceramics in New Zealand, it is contended that greater significance lies in both the trade and the mediation of these commodities and in particular in the way these have influenced local consumer choice. Emerging from this study, a series of key binaries become apparent: between the metropolitan centre and the frontier; between state and business; and between the traditional and the progressive. Likewise, the positioning of design within the institutionalised sites of power-or its absence from them-has been a prime force both in the development of manufacturing industry and in determining the nature of the consumer market.

Originally published as the author's Thesis--Freiburg Universität, 2003. / Includes bibliographical references.