Derrida’s deconstruction of the philosophic tradition shows us not only the importance of pursuit of knowledge, but also the importance of questioning the assumptions on which such a pursuit is based. He argues that the metaphysical tradition is built from the privileging of the logos (speech, thought, and logic,) over it’s opposite, and while Derrida does not object to the societal results of such a privileging, he questions why we allow ourselves to make such an assumption in the investigation of the origin event, and in the nature of reality. I chose to study deconstruction because through the course of my studies at Claremont I found myself raising similar objections to the philosophic tradition, and have a great interest in the arts and culture resulting from deconstructionist philosophy. Through my study I’ve learned to better examine not only the reasons for my own interest in philosophy and the arts, but the importance (or un-importance) of such a pursuit. I believe Derrida’s work could be important in teaching us the absurdity of sacred pursuit, and the importance of finding said sacredness in everything.

This research investigated the perception of social presence that students in a virtual high school have of using computer-mediated communication (CMC): email, discussion board, tutoring sessions, and asynchronous classroom activities. The research analyzed data for social presence based on gender, years of experience in a cyber school, and self-proficiency ratings on each form of CMC. The purpose of this study was to identify if high school students in a virtual community perceive email, discussion board, tutoring sessions and asynchronous classroom activities as enhancing their social presence within the virtual community. The findings of the study are: <br>1. Students perceived that email showed more social presence than the other forms of CMC and asynchronous classroom activities showed more social presence than discussion board and tutoring sessions. <br>2. There was no significant difference found between male and females social presence in any of the CMC studied. <br>3. Students who rate their own self proficiency as being above average or expert had higher social presence scores on email and asynchronous classroom activities than students who rate their proficiency average, below average or novice. <br>4. Students perceived that email showed more social interaction than discussion board, tutoring session and asynchronous classroom activities. Asynchronous classroom activities showed more social interaction than discussion board or tutoring sessions. <br>5. The number of years a student attends a cyber school has no relationship with the student's perceived social presence in any form of CMC studied. <br> Understanding students' perception of social presence based on the use of CMC will enable cyber schools to use the appropriate form of CMC to help students develop their social skills. / School of Education / Instructional Technology (EdDIT) / EdD / Dissertation

The Visible and the Invisible: Connecting Presence and Absence Through Art, Memory, Mortality and the Body investigates the role that art objects and images used in installation practice have in linking the past to the present. The project's creative and theoretical research speculatively explore and interpret the potential that such objects--in my art practice and in the work of a range of noted visual artists--have in evoking ideas, memories or physical ties that are not readily apparent. The studio and theoretical research examines how a range of visual mechanisms in installation practice can evoke (in present time) past events and experiences previously absent. In the research, memory is revealed as having the capacity to transform the ordinary into the extraordinary, acting as a powerful catalyst that connects a viewer's awareness of a past experience to the visible objects experienced through a visual installation.

This art project explores issues of unoccupied space. In particular, the project concerns itself with temporal aspects of site and issues of past, present and potential usage. This space, otherwise inert, invites activation by the spectator's psychological projections. This projected occupation calls on redolence of the past, memory and a sense of the utility of the site.Based on imagery evidence and personal remembered experience, the spectator provides context forthis site. The project uses the painting process to open up areas of sensibility around personal and remembered experience.The thesis is constituted as practice-based work, 80%, accompanied by an exegesis, 20%.

Thesis--Paris IV, 1976. / French or Latin. Bibliography: p. 594-498.

Thesis (M.A.)--Catholic Theological Union at Chicago, 1999. / Vita. Includes description of journey of group of American Franciscan Third Order sisters to Bavaria, Germany, June, 1998, celebrating the jubilee of their foundation. Includes bibliographical references (leaves [100]-105).

Thesis--Paris IV, 1976. / French or Latin. Bibliography: p. 594-498.

Made available in DSpace on 2014-06-11T19:28:20Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-12-17Bitstream added on 2014-06-13T19:57:37Z : No. of bitstreams: 1 giaxa_tep_me_botfm.pdf: 1061102 bytes, checksum: 822d02d996b7b1973ec41890861b7e33 (MD5) / Secretaria de Saúde do Estado de São Paulo / O estudo objetivou compreender os motivos da procura precoce do atendimento hospitalar pelas mulheres no final da gestação conduzidas pelo Serviço de Atendimento Móvel de Urgência. Utilizou-se a abordagem fenomenológica do tipo socioexistencial, proposta por Alfred Schütz considerando o desejo de revelar a característica típica de um grupo social que vive determinada situação. Os sujeitos foram nove gestantes conduzidas à maternidade em falso trabalho de parto. A entrevista foi norteada pelas questões: Quais os motivos que a levaram a procurar a maternidade? Conte-me a sua trajetória até a chegada aqui e qual a sua expectativa quando chegar o momento do trabalho de parto?. Os discursos foram submetidos a análise idiográfica e nomotética, emergindo do fenômeno as categorias: A crença em que está em trabalho de parto devido aos sinais/sintomas percebidos, A influencia de outros na procura pela assistência obstétrica, A dependência dos sistemas de apoio como influência na decisão, A busca pela tranqüilidade devido ao medo e insegurança sentidos, A busca pelo término da gestação e ocorrência do parto. Na relação social intersubjetiva de mulheres inseridas em um espaço comum de experiência, a vivência do final da gestação representa uma transformação no seu fazer cotidiano, seu comportamento e relacionamento social. Ao refletirem seus motivos porque, revelam uma riqueza de valores e crenças pessoais que constituem sua bagagem de conhecimentos adquiridos em suas experiências vividas. A presença da dor ou o temor de sentí-la mobilizam a ação de institucionalizar-se, garantindo a segurança que a relação face a face com os profissionais proporciona. A rede de relacionamento social influenciou sua decisão, bem como o incômodo causado pelas mudanças na rotina dos familiares para o suporte ao parto. Evidenciam conflitos internos na decisão... / The study aimed to understand the causes of the precocious search of the nosocomial service for the women in the end of the gestation driven by the Movable Service of Urgency. The approach made use fenomenológica of the type socioexistencial, proposed by Alfred Schütz considering the wish of revealing the typical characteristic of a social group that survives determined situation. The subjects were nine pregnant women led to the motherhood in false labor. The interview was orientated by the questions: Which the motives that took it looking for the motherhood? Tell to me his trajectory up to the brought near one here and which his expectation when the moment of the labor will arrive? The speeches were subjected the analysis idiográfica and nomotética, when the categories are surfacing of the phenomenon: The belief in which he labors due to the perceived signs / symptoms, influences It of others the search for the obstetric presence, The dependence of the systems of support as influence the decision, The search for the tranquillity due to the fear and insecurity felt, The search for the end of the gestation and incident of the childbirth. In the social intersubjective relation of women inserted in a common space of experience, the existence of the end of the gestation it represents a transformation in his to do daily, his behaviour and social relationship. While reflecting his motives because, they reveal a wealth of values and personal beliefs that constitute his luggage of knowledges acquired in his experiences experienced in life. The presence of the pain or the sentí-woolen fear mobilize the action of institucionalizar-se, when there is guaranteeing the security guard what the relation face to face with the professionals provides. The net of social relationship influenced his decision, as well as the nuisance caused by the changes in the routine of the relatives for the suppor... (Complete abstract click electronic access below)

Esta dissertação é um estudo sobre o cinema de Eugène Green. A sua estrutura se dividirá de acordo com o que se supõe ser - do ponto de vista da recepção do espectador - o aspecto central de seus filmes: de um lado, Green conduzirá o seu espectador a se relacionar com o filme pela via da \"leitura\"; de outro, pela via do \"empirismo\". Essa importante distinção dará início a uma série de desdobramentos que serão tratados ao longo da análise de dez cenas selecionadas dos seus dois primeiros longas metragens: Toutes les nuits (2001) no primeiro capítulo e Le Monde vivant (2003) no segundo. Na conclusão da dissertação, trataremos ainda de uma questão suscitada a partir da colocação, lado a lado, dos dois filmes acima citados. / This dissertation is a study of Eugène Green\'s films. Its structure will be divided according to what we suppose to be - in terms of the spectator\'s reception - the central aspect of his films: on one hand, Green will lead the spectator to establish with the film a connection based on the \"reading\"; on the other hand, a connection based on the \"experience\". This important distinction will be developed throughout the analysis of ten selected scenes from Green\'s first two feature films: Toutes les nuits (2001) in the first chapter, and Le Monde vivant (2003) in the second. At the end of the dissertation, a final question will be brought to light by putting together both films.

Playing Nine to Five is a project that aims to raise awareness of the presence of objects in everyday situations. We always surround ourselves with objects, some of them we touch and use everyday, and some of them we barely notice until they stop working. But are we always aware of our relations with them, or have we slightly taken them for granted? While our life quality has moved forward and our living pace has sped up, we tend to lose more of our attentions and sensitivities to things around us. During the design process, I used office space as a canvas to discuss and challenge our daily norms, where objects exist mainly as tools. I looked into our ‘unconscious behavior’ with objects, such as habits or recurring actions. In our everyday lives, these repetitions and rhythmic movements with objects are often being unnoticed or considered as ‘normal’. In this project, I worked with two office objects, a pen and a clock. Respectively, they represent different ways of exploring our present relations with objects. Pen is an object we use and carry with almost everyday. It is personal and close to our body. Clock, on the other hand, is an object that we barley touch, but constantly look at or search for. It shows the information of time. Both proposals are designed to bring attention to what we are using, when, and how, to create space for discussion and reflection. The purpose of this project is to tweak the way we interact with objects and explore our relations with objects through playfulness and curiosity. I see this project as an ongoing exploration and a potential development in the future.