Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-03-29T13:01:59Z No. of bitstreams: 1 DIS_MARIANA_RENNHACK_PIRES_COMPLETO.pdf: 1010327 bytes, checksum: 4af8df14d12876d917deb6595a120ef0 (MD5) / Made available in DSpace on 2016-03-29T13:01:59Z (GMT). No. of bitstreams: 1 DIS_MARIANA_RENNHACK_PIRES_COMPLETO.pdf: 1010327 bytes, checksum: 4af8df14d12876d917deb6595a120ef0 (MD5) Previous issue date: 2016-01-22 / This dissertation consists of a fictional text (a novel called Cerra??o de choradeira) and a creation report. The novel aims to follow the steps of Death and her ?employees? (carpideiras), whose task is to mourn the dead ones in memorial services, most frequent without even knowing them. This story?s protagonist is Ast?cia, a lady from a family of migrants who mourns in an isolated location at the South of Brazil (Rio Grande do Sul). Cerra??o de choradeira follows her path, her partnership with Death itself, and the effect that this particular relationship has on other characters? way to confronting the Inevitable. In order to obtain this broaden perspective, the novel tries to work with different points of view and storylines. / Esta disserta??o ? composta por um texto ficcional (um romance de nome Cerra??o de choradeira) e um memorial de cria??o. O romance busca acompanhar a trajet?ria da Morte e de suas ?funcion?rias? (as carpideiras), que t?m como of?cio chorar pelos falecidos em vel?rios, muitas vezes sem ao menos ter conhecido o defunto. A protagonista ? Ast?cia, uma senhora de fam?lia de migrantes que atua em uma vila isolada no Rio Grande do Sul. Cerra??o de choradeira acompanha a trajet?ria da carpideira, sua parceria com a pr?pria Morte, e o modo como esta rela??o peculiar influi na vis?o que as demais personagens t?m da Inevit?vel. Para obter esta vis?o plural, o romance procura trabalhar com diferentes focos narrativos e linhas temporais.

Made available in DSpace on 2015-04-14T13:38:39Z (GMT). No. of bitstreams: 1 438274.pdf: 749191 bytes, checksum: 5a86611e2ffd30a2441da10e580daa6a (MD5) Previous issue date: 2012-03-27 / This dissertation is part of a contemporary trend of writing the literary history of a single year in this case, 1975. To do that, I take Michel Foucault s concept of apparatus, and its development by Hans Ulrich Gumbrecht and Giorgio Agamben, and describe the apparatus of engagement. The apparatus is described genealogically, through readings of Jean-Paul Sartre and Theodor Adorno. I show that the concept of engagement has three different meanings, which I describe as three levels. The novels Zero, by Ign?cio de Loyola Brand?o, and El oto?o del patriarca, by Gabriel Garc?a M?rquez, both published in 1975, are analyzed in what pertains to their narrators and protagonists, and the results are compared to the described levels of engagement. The conclusion shows that there is a presence of the apparatus of engagement in these novels. In the concluding remarks, the historical inscription of the novels is discussed, both relating to Latin American general history and to cultural and literary history / Esta tese se inscreve dentro do projeto contempor?neo de escrever a hist?ria da literatura de um s? ano, no caso o ano de 1975. Para tanto, toma-se o conceito de dispositivo, de Michel Foucault, e seus desenvolvimentos por Hans Ulrich Gumbrecht e Giorgio Agamben, e se descreve o dispositivo engajamento. O dispositivo ? descrito de maneira geneal?gica, a partir de leituras de Jean-Paul Sartre e Theodor Adorno. ? mostrado que o conceito de engajamento apresenta tr?s acep??es, descritas como tr?s n?veis. A seguir se analisam os romances Zero, de Ign?cio de Loyola Brand?o, e El oto?o del patriarca, de Gabriel Garc?a M?rquez, ambos publicados em 1975, no que se refere aos seus narradores e protagonistas, e se comparam os resultados da an?lise aos n?veis do engajamento descritos anteriormente. Conclui-se que h? a presen?a do dispositivo engajamento nas obras analisadas. Nas considera??es finais, discute-se a inscri??o hist?rica dos romances, tanto na hist?ria geral da Am?rica Latina quanto em rela??o ? hist?ria liter?ria e cultural

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-09-08T16:43:18Z No. of bitstreams: 1 TES_JULIANA_TEIXEIRA_GRUNHAUSER_PARCIAL.pdf: 1837450 bytes, checksum: e21aa29e79cffab444eaa41280db1d80 (MD5) / Made available in DSpace on 2016-09-08T16:43:18Z (GMT). No. of bitstreams: 1 TES_JULIANA_TEIXEIRA_GRUNHAUSER_PARCIAL.pdf: 1837450 bytes, checksum: e21aa29e79cffab444eaa41280db1d80 (MD5) Previous issue date: 2015-12-15 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / A thesis in Creative Writing is always the result of much research, specific studies on the narrative and other miscellaneous. Sonhos Descarrilhadosis a novel that spans over thirty years of history between 1970 and today, in Brazil and Argentina. A period historically troubled that the novel also gives account. Its back drop the passenger trains in Rio Grande do Sul. There are, in the novel, an author preface that shows the path of writing and decisions about character, space and narrator, as well as research and own ramblings of this type thesis / Uma tese em Escrita Criativa ? sempre resultado de muita pesquisa, estudos espec?ficos sobre a narrativa e outros variados. Sonhos Descarrilhados ? um romance que abrange mais de trinta anos de hist?rias entre 1970 e hoje, entre Brasil e Argentina. Um per?odo historicamente conturbado que o romance tamb?m d? conta. Tem como pano de fundo os trens de passageiros do Rio Grande do Sul. H?, al?m do romance, um pref?cio do autor que mostra a trajet?ria de escrita e as decis?es sobre personagem, espa?o e narrador, bem como as pesquisas e divaga??es pr?prias deste tipo de tese

Made available in DSpace on 2015-04-14T13:37:23Z (GMT). No. of bitstreams: 1 397679.pdf: 1285505 bytes, checksum: 91ca999412b8fd4c57d2bd121596347a (MD5) Previous issue date: 2008-01-08 / Este trabalho aborda o problema da representa??o de personagens virtuosas nos romances europeus do s?culo XIX, sob a perspectiva da cr?tica moral e da hist?ria das id?ias. S?o analisadas, a t?tulo de contextualiza??o, a fun??o da cr?tica moral, a discuss?o forma versus conte?do na literatura, o conceito de imagina??o moral, a hist?ria do conceito de virtude e a constru??o de personagens virtuosas nos romances do s?culo XVIII em autores como Pr?vost, Richardson e Marqu?s de Sade. Em um estudo mais detalhado, s?o apresentados tr?s romances do s?culo XIX com protagonistas virtuosos considerados problem?ticos pela cr?tica: Mansfield Park, de Jane Austen, O Pai Goriot, de Honor? de Balzac e O Idiota, de Fi?dor Dostoi?vski.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-03-29T12:52:31Z No. of bitstreams: 1 DIS_DANIEL_MULETALER_PINTO_COMPLETO.pdf: 613088 bytes, checksum: 1120699c03f85eb5116aa6082ac9f32a (MD5) / Made available in DSpace on 2016-03-29T12:52:32Z (GMT). No. of bitstreams: 1 DIS_DANIEL_MULETALER_PINTO_COMPLETO.pdf: 613088 bytes, checksum: 1120699c03f85eb5116aa6082ac9f32a (MD5) Previous issue date: 2016-01-12 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The present thesis aims to analyze Milton Hatoum?s four long narratives from the observation of common traits in the family situation of the narrators. The innominate character in Relato de um Certo Oriente attempts to understand his mother's abandonment. In Dois Irm?os, Nael learns that his father is a member of the family in which he and his mother are aggregated, and the narrator has no doubt that the assumption of paternity will never be aired, for the very reason that the two will never be accepted as equals by this family. In Cinzas do Norte, Lavo?s parents die when he is still a child. As for Arminto, in ?rf?os do Eldorado, he was born to a mother who died during his birth, and the father does not hesitate to blame him for that. All of these narrators are somehow abandoned or orphaned. The interpretative hypothesis is that the status of narrators is intrinsically related to the very activity of narrating. This is because the one who has the task of telling a story must deal with the loss that the passage of time represents, for the access to the past is hindered by various situations, such as the death of those who witnessed the facts one wishes to narrate. The absence of the father, the mother or both, which characterizes Hatoum?s storytellers is consistent with this lack, a situation that affects the melancholic look that is directed to the past. Nevertheless, the melancholic state is overcome in the narrative process itself, a task that requires the organization of fragmentary reports and scattered memories as well as the collection of documents and objects from the past, all being set in a narrative. The image of melancholy associated with those who have to write is analogous to the condition of the translator, as Walter Benjamin problematized in The Task of the Translator, a text that appears as an interpretative aid, as well as the work of Suzana Kampff Lages, Walter Benjamin: tradu??o e melancolia, and Mourning and Melancholia, by Freud. The always fragmentary nature of memory, the degradation that the passage of time imposes on everything and everyone, characteristics that grant to Hatoum's novels the aspect of true inventories of ruins, gave rise to the search for a new theoretical framework in Benjamin, this time in The Origin of German Tragic Drama, and in some of his commentators. In Benjamin, I also found the overcoming of the melancholic condition through the translator / writer task, the same that happens to the narrators to which this study is dedicated. However, the analysis of Milton Hatoum?s novelistic production also provided an opportunity to attempt to interpret the narratological issues raised here from Time and Narrative, by Paul Ricoeur, especially on the approach that the philosopher places between historical and fictional narratives. / Este trabalho tem como objetivo analisar as quatro narrativas longas de Milton Hatoum, partindo da observa??o de tra?os comuns na situa??o familiar dos narradores. A personagem inominada de Relato de um certo Oriente tenta compreender o abandono materno. Em Dois irm?os, Nael descobre que seu pai ? um dos membros da fam?lia na qual ele e a m?e s?o agregados, e o narrador n?o tem d?vidas de que a assun??o da paternidade nunca ser? sequer aventada, pois os dois jamais ser?o aceitos como iguais por essa fam?lia. Em Cinzas do Norte, Lavo perdeu os pais quando ainda era crian?a. Arminto, em ?rf?os do Eldorado, ? ?rf?o de m?e, que morreu durante o parto dele, e o pai n?o hesita em culp?-lo por isso. Todos esses narradores s?o, de alguma forma, abandonados ou ?rf?os. A hip?tese interpretativa ? a de que esse estatuto dos narradores est? intrinsecamente relacionado ? pr?pria atividade de narrar. Isso porque aquele que tem a tarefa de contar uma hist?ria deve lidar com a perda que a passagem do tempo representa, pois o acesso ao passado ? dificultado por diversas situa??es, como, por exemplo, a morte daqueles que testemunharam os fatos que se quer narrar. A aus?ncia do pai, da m?e ou de ambos, que caracteriza os narradores de Hatoum, se coaduna com essa falta, situa??o que condiciona o olhar, sempre melanc?lico, dirigido ao passado. O estado melanc?lico ? superado, entretanto, no pr?prio fazer narrativo, tarefa que exige a organiza??o de relatos fragment?rios, lembran?as dispersas, bem como a reuni?o de documentos e objetos do passado, tudo sendo configurado em uma narrativa. A imagem da melancolia associada ?queles que t?m de escrever ? an?loga ? condi??o do tradutor, conforme Walter Benjamin problematizou em A tarefa do tradutor, texto que aparece como subs?dio interpretativo, assim como o trabalho de Suzana Kampff Lages, Walter Benjamin: tradu??o e melancolia, al?m de Luto e melancolia, de Freud. O car?ter sempre fragment?rio da mem?ria, a degrada??o que a passagem do tempo imp?e a tudo e a todos, caracter?sticas que conferem aos romances de Hatoum o aspecto de verdadeiros invent?rios de ru?nas, ensejou a busca de novo aporte te?rico em Benjamin, dessa vez em Origem do drama tr?gico alem?o, e em alguns de seus comentadores. Em Benjamin ainda se encontrou a supera??o da condi??o melanc?lica atrav?s do trabalho do tradutor/escritor, como acontece aos narradores aos quais este estudo se dedica, mas a an?lise da produ??o romanesca de Milton Hatoum tamb?m oportunizou uma tentativa de interpreta??o das quest?es narratol?gicas aqui levantadas a partir de Tempo e narrativa, de Paul Ricoeur, sobretudo na aproxima??o que o fil?sofo realiza entre narrativas hist?rica e ficcional.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-05-06T17:38:04Z No. of bitstreams: 1 TES_FABRICIO_ANTONIO_ANTUNES_SOARES_COMPLETO.pdf: 2085179 bytes, checksum: 71860dd6650305eeb29ac8481c0ea3d7 (MD5) / Made available in DSpace on 2016-05-06T17:38:04Z (GMT). No. of bitstreams: 1 TES_FABRICIO_ANTONIO_ANTUNES_SOARES_COMPLETO.pdf: 2085179 bytes, checksum: 71860dd6650305eeb29ac8481c0ea3d7 (MD5) Previous issue date: 2016-03-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This dissertation analyzes the writing of the Farroupilha in historiography and in novel, in a period of 158 years since the publications of Saturnino Oliveira Coutinho and Caldre e Fi?o in the 1840s until the works of Cesar Guazzelli and Fl?vio Aguiar in the late of twentieth century. In this study we intend to demonstrate, in light of the imaginary control concept, how in successive moments some social groups have oriented the ways of account that historical event establishing limits on the historiographical and fictional writings. / Esta tese analisa a escrita da Farroupilha na historiografia e no romanceiro, em um per?odo de 158 anos, desde as publica??es de Saturnino Oliveira Coutinho e Caldre e Fi?o na d?cada de 1840 at? as publica??es de Cesar Guazzelli e Fl?vio Aguiar no final do s?culo XX. ? luz do conceito de controle do imagin?rio, pretende-se demonstrar neste estudo como, em sucessivos momentos, os limites da escrita historiogr?fica e ficcional sobre a Farroupilha foram estabelecidos por grupos sociais que pautaram os modos de se narrar aquele evento hist?rico.

Made available in DSpace on 2015-04-14T13:38:53Z (GMT). No. of bitstreams: 1 447488.pdf: 1931020 bytes, checksum: 0603a27b28e76c03dca4b9871876aae9 (MD5) Previous issue date: 2013-01-28 / This thesis seeks to establish a connection between the Brazilian nonfiction novel from the seventies and the contemporary book-length work of literary journalism. The former was condemned as a spurious literary form by literary criticism, for its referentiality and its intention to expose the truth about social reality were considered a mere consequence of censorship and political repression by the military dictatorship; it would have no place in a democratic regime. The latter continues to attract reporters who crave to escape from the "dictatorship of objectivity" they are subjected to when working for newspapers; it is described by Journalism researchers as a successful combination of reporting techniques and stylistic resources borrowed from literature. Through the analysis of the books Aracelli, meu amor (Jos? Louzeiro, 1976), Cora??es sujos (Fernando Morais, 2000) and Abusado: o dono do morro Dona Marta (Caco Barcellos, 2003), this study intends to show that both the nonfiction novel from the seventies and the new pieces of narrative reportage rely on fictionalising reality . For this purpose, it adopts a concept of mimesis as narrative configuration or the creation of a fictional time experience, proposed by authors such as Paul Ricoeur, K?te Hamburger, and Mikhail Bakhtin, among others. / Esta tese busca estabelecer uma rela??o entre o romance-reportagem brasileiro da d?cada de 1970 e o chamado livro-reportagem. O primeiro foi considerado um tipo esp?rio de literatura e teve sua morte decretada pela cr?tica liter?ria, pois sua referencialidade e seu car?ter de den?ncia seriam consequ?ncia direta da censura e da repress?o exercidas pela ditadura militar; o segundo n?o cessa de atrair rep?rteres que desejam escapar ? ditadura da objetividade a que s?o submetidos nos jornais, e ? descrito por pesquisadores da ?rea do Jornalismo como uma feliz combina??o de t?cnicas de apura??o jornal?stica e recursos estil?sticos tomados de empr?stimo ? literatura. Por meio da an?lise das obras Aracelli, meu amor (Jos? Louzeiro, 1976), Cora??es sujos (Fernando Morais, 2000) e Abusado: o dono do morro Dona Marta (Caco Barcellos, 2003), pretende-se mostrar que tanto o romance-reportagem quanto o livro-reportagem empreendem uma ficcionaliza??o do real. Para isso, adota-se uma concep??o de mimesis enquanto configura??o narrativa ou cria??o de uma experi?ncia temporal fict?cia, proposta por autores como Paul Ricoeur, K?te Hamburger e Mikhail Bakhtin, entre outros.