This study is based on an assessment of XK FM as a community radio station for the !XQ and Khwe ethnic communities. Various political under-currents and factors are examined: the refusal to accept the two groups as separate ethnic communities, the anomalous creation of XK FM as a community radio station under the auspices of SABC. This anomaly has created an ambiguity of what a community is within a community radio station, what are the historical and present complexities encompassed in considering the !XO and the Khwe as a single 'minority ethnic media community' and awarding them a radio licence, what is the nature and governance of community radio in general? The study followed a qualitative research paradigm whose epistemology IS phenomenological, using case study method, theories of the public sphere and ethnicity. According to this frame of reference XK FM radio station is seen as a case study of ethnic minority media. Community radio is therefore described as the expression of a small population, and a third voice between the state and private commercial radio. It also has the ability to correct the distortions inherent in the majority-controlled media by acting as the alternative media. The alternative element is associated with its potential to challenge the establishment, and in giving people an independent voice which is often perceived as alternative and free speech. Us major characteristics are; independence, equality, community participation, and representation. XK FM as a community radio is likely to consolidate the sustenance of beliefs in collective will, participatory approach to communication and citizen input. This enhances language as both a means of communication and expression of cultural identity for the local communities. This study concludes that the lXQ and Khwe are two different ethnic communities, with varied worldviews and aspirations. This assertions surmises that the issuing of the licence by ICASA merely focused on their cultural distinctiveness, and allowed for a localised form of public broadcasting, thereby entrenching ethnic cleavages most probably with the aim of manipulating the two communities. By implication, XK FM is not a community radio station in the strict sense, but an extension of SABC in a decentralised version. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2006.

In South Africa, community radio is a growing phenomenon and over 100 radio stations have been licensed since the establishment of the Independent Broadcasting Authority. Ever since their emergence, their number has been growing dramatically and they have managed to attract 10% of the radio listenership in the country (NCRF charter). The proliferation and increasing demand for community radio broadcasting in South Africa and elsewhere demonstrates their significance and contribution to the socio-economic and cultural development of society in general, and to communities in particular. Nonetheless, despite their substantial contribution, communjty radios face challenges, especially with regard to resources and finance. As non-profit making institutions, they are funded by donors and subscribers and thus often suffer due to lack of reliable financial resources. The South African National Community Radio Forum (NCRF) states the decline of donor support as the main bottleneck to the proper functioning of community radio stations in the country (NCRF: July 2002). Thus, as with other commercial and public broadcasting stations, community radios in South Africa are expected to incorporate advertising as a source of income to cover some of their expenses without becoming dominated by profit motives. This study takes Radio Maritzburg in KwaZulu-Natal as a case study and attempts to explore the main financial sources of the station and its management. As its main. objective, the research in particular assesses the contribution of advertising as a financial source to the radio station and the way the station attracts advertisements without jeopardizing its mandate. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2004.

Community participation is a fundamental element of community radio. Therefore in countries where this form of radio exists, community participation is one of its most important licence criteria. It is no different in South Africa. Community radio in this country is a relatively young form of radio, just over a decade old, and is based on models in countries where community radio is a long established institution. Many of the South African community radios are faith-based stations. However, existing research on community participation in such radios are based mainly on Christian stations. The focus of this paper is on Muslim community radio. The study evaluated the extent of community participation in the ownership, management, programming and other aspects at Radio Al-Ansaar, a Muslim community radio based in Durban, KwaZulu-Natal. As this radio serves a Muslim constituency characterised by ideological, racial and class divisions, the study sought to find out if optimal and meaningful community participation from all sectors of the community is actualised. Furthermore, given this diversity in the Muslim community, the paper examined if Al-Ansaar, through its programmes, induces transcendence of or accentuates differences through discourse of divergent ideologies, views and beliefs among Muslims. In addition to the examination of the level of community participation in Radio Al- Ansaar, the paper assesses the economic viability of the station. It highlights the significance of advertising as an important revenue stream and assesses the prospects for financial sustainability within the context of the hegemonic influence of vested mercantile interests. The evaluation of the Al-Ansaar project took place against the stipulations of the Independent Communications Authority of South Africa (ICASA) and against the backdrop of key Islamic precepts. Furthermore, in the analysis of the various elements mentioned, cognisance was taken of the perceptions of the varied individuals associated with the station. / Thesis (M.Ed.)-University of KwaZulu-Natal, 2006.

The CBC Current Affairs program Sunday Morning is used as a case study to develop an appropriate theory and conceptual apparatus for the understanding of the relationship between the organisation of news-production and news-product. This relation is first identified as critical to the field of mass media studies in general, and news-research in particular. On the basis of this review a new model of news-as-discourse is proposed. In the examination of the radio program Sunday Morning this model and its conceptual categories are further developed and linked with other research in the sociology of news, the structuralist analysis of narrative, and the cultural study of artistic forms and practices. Sunday Morning is shown to employ discursive practices and formations, and production practices which result in power format radio.

This master’s thesis presents a study on the mediated negotiation between radio broadcasting and digital media. During the last decade, digitalisation has become unanimous with changing media structures, and has fundamentally altered the way radio is mediated by broadcasters and perceived by listeners. This study delves deeper into specialist music radio, more specifically, the London-based UK club music station Rinse FM. The study investigates how developments in digital media have influenced the way Rinse FM is reached and utilised by listeners, and how its implementation of digital media has affected its position as a cultural intermediary within the UK club music community. The investigation was carried out though a survey, and subsequent interviews, with members of Dubstepforum; an online forum, host to a substantial quantity of UK club music listeners. The research provides interesting results on listeners’ contemporary experience of Rinse FM, and outlines pivotal functions of specialist music radio in a digital age of free-flowing music content. The results explore participants’ digital listening habits in relation to Rinse FM; as well as the role of Rinse FM as cultural intermediary and community institution, depicted through the mediated experiences of Dubstepforum members. The study concludes with reflections upon specialist music radio’s continued development, and cultural position in the digital media environment.

Typescript / Bibliography: leaves 459-472 / 475 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, 1987

Thesis (M.S.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaves 57-65).

Thesis (M.A.)--Carleton University, 2004. / Includes bibliographical references (p. 136-147). Also available in electronic format on the Internet.

Thesis (M.F.A.)--Syracuse University, 2002. / "This thesis is the first seven chapters of my novel-in-progress, 'Torch'."--"Abstract." "Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in fiction writing in the Graduate School of Syracuse University."

Thesis (Ph. D.)--University of Missouri-Columbia, 2004. / Typescript. Vita. Includes bibliographical references (leaves 300-322). Also available on the Internet.