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Since the emergence of RastafarI communities within 1930's Jamaica following the coronation of Ras Tafari Makonnen as Haile Selassie I, Negus (king) of Ethiopia, RastafarI continuously articulate his divinity within their discourse. While the specific nomenclature for and significance of Haile Selassie I may vary in accordance to time and affiliation, it is unquestionable that Selassie I remains central to the RastafarI way of life for more than 70 years. What scholars and thinkers on RastafarI question, and very fervently so during the past 10 years, is the authenticity of the divinity of Selassie I within RastafarI thought. The few scholars who attempt to solve what for them is the "problem of authenticity," claim, through christological and apologistic approaches, that RastafarI need to reconsider the possibility of his status, as it is conjecture and blasphemy. Adhering to African epistemological assumptions that everything in existence comprises the whole of existence, we rely on an African symbolic approach to examine RastafarI conceptualizations of Selassie I within pre-coronation, coronation and post-coronation RastafarI writings. Given that the material reality seemingly degenerates the collective body and consciousness in accordance with the cycles of time as expressed within the most ancient of Kemetic cosmologies, our aim is to suggest that Haile Selassie I emerges as a ba, the soul template, of Asar, a force manifesting as the human ability and potential to exist within the material realm in accordance with the unseen realm of existence. We conclude, unlike previous academic thinkers who examine RastafarI thought, that RastafarI thinking about Haile Selassie I is therefore an authentic perspective, one that undoubtedly occurs in accordance with the structure and origin of the universe and the cyclical journey of Africana reclamation of a primordial consciousness. / African American Studies

Deux mouvements théologiques et culturels actuellement en croissance rapide suscitent un intérêt mondial, Ibandla lamaNazaretha et les Rastafari. Fondé par le Zulu prédicateur Isaiah Shembe pendant les années 1910, Ibandla lamaNazaretha prend son origine d’une église hiérarchique célébrant dans des temples extérieurs dans la province de KwaZulu-Natal et inclut maintenant un certain nombre de factions regroupées autour de la péninsule de l’Afrique du Sud. Le groupe des Rastafari, quant à lui, né en Jamaïque, a commencé comme une idéologie à plusieurs têtes qui a fleuri dans des zones éparses de l’île des Caraïbes. Il découle des interprétations d’une prophétie généralement attribuée à Marcus Garvey, concernant un roi devant être couronné en Afrique (circa 1920), et qui fut appliquée aux années 1930, avec le couronnement de Ras Tafari Makonnen comme Haile Selassie I, 225e empereur d’Éthiopie. Les adhérents et sympathisants de ces deux mouvements se comptent en dizaines de millions et ils exercent plusieurs types d’influences, tant aux niveaux politique, théologique, social que culturel, en particulier en Afrique et dans les Caraïbes aujourd’hui. Cette thèse soutient que les deux, Ibandla lamaNazaretha et les Rastafari, perpétuent un amalgame entre le « Naziréat » de l’Ancien Testament (Nombres 6:1-8) et le « Nazaréen » de l’évangile de Matthieu (2:23), à travers la dévotion à un seigneur contemporain: Haile Selassie I dans le cas du mouvement Rastafari et Isaiah Shembe dans le cas du mouvement Ibandla lamaNazaretha. Dans ce cadre théologique, à la fois les Rastafari et Ibandla lamaNazaretha ont réanimé les anciens rites de purification judaïques du naziréat jusque-là disparus, et les ont également adaptés, dans le contexte du messianisme, aux préoccupations postcoloniales de l’autochtonie. Grâce à la persistance de l’autochtonie, l’influence des idéaux indiens de résistance non-violente, et l’appropriation des différents thèmes bibliques, les deux mouvements africains noirs ont habilité avec succès leurs membres « dépossédés ». Ils l’ont fait par la création de communautés liminales, alors que des modes de vie agraires et auto-suffisants s’épanouissent en dehors des auspices d’une élite dominante : une herméneutique du nazaritisme unifie les diverses racines hybrides africaines, judaïques, chrétiennes, indiennes, et européennes. / Two rapidly growing theological and cultural movements currently sparking global interest are Rastafari and Ibandla lamaNazaretha. Founded by the Zulu preacher Isaiah Shembe during the 1910s, Ibandla lamaNazaretha originated as a hierarchical church order that worships at outdoor temples in the province of KwaZulu-Natal and currently comprises a number of splinter groups centralized around the Southern African peninsula. Rastafari, however, born in Jamaica, commenced as a multi-headed ideology that blossomed in scattered pockets across the Caribbean island and stemmed from the interpretations of a prophecy generally attributed to Marcus Garvey about a king to be crowned in Africa (circa 1920) as applied to the 1930 coronation of Ras Tafari Makonnen as Haile Selassie I, 225th Emperor of Ethiopia. Today, Ibandla lamaNazaretha and Rastafari comprise adherents and sympathizers numbering in the tens of millions and their presences connote varying degrees of political, theological, social, and cultural influence, especially in Africa and the Caribbean today. This dissertation argues that both Ibandla lamaNazaretha and Rastafari perpetuate a conflation between the “Nazirite” from the Old Testament (Numbers 6:1-8) and the “Nazorean” of Matthew 2:23 through the hailing of a contemporaneous saviour: i.e. Haile Selassie I for Rastafari and Isaiah Shembe for Ibandla lamaNazaretha. Within this theological framework, both Rastafari and Ibandla lamaNazaretha have provided renewed life to the long defunct Ancient Judaic purification rites of the Nazirite, but have also adapted them in the context of messianism for the benefits of Africanness and the postcolonial concerns of indigeneity. Thus, through the persistence of indigeneity, the influence of Indian ideals of peaceful resistance, and the appropriation of various biblical themes, both Black African movements have successfully empowered the dispossessed by creating liminal communities wherein expressions of agrarian self-reliance flourish outside the auspices of a subjugating elite; a hermeneutic of naziritism unifies the discernable African, Judaic, Christian, Indian, and European hybridic roots.

Deux mouvements théologiques et culturels actuellement en croissance rapide suscitent un intérêt mondial, Ibandla lamaNazaretha et les Rastafari. Fondé par le Zulu prédicateur Isaiah Shembe pendant les années 1910, Ibandla lamaNazaretha prend son origine d’une église hiérarchique célébrant dans des temples extérieurs dans la province de KwaZulu-Natal et inclut maintenant un certain nombre de factions regroupées autour de la péninsule de l’Afrique du Sud. Le groupe des Rastafari, quant à lui, né en Jamaïque, a commencé comme une idéologie à plusieurs têtes qui a fleuri dans des zones éparses de l’île des Caraïbes. Il découle des interprétations d’une prophétie généralement attribuée à Marcus Garvey, concernant un roi devant être couronné en Afrique (circa 1920), et qui fut appliquée aux années 1930, avec le couronnement de Ras Tafari Makonnen comme Haile Selassie I, 225e empereur d’Éthiopie. Les adhérents et sympathisants de ces deux mouvements se comptent en dizaines de millions et ils exercent plusieurs types d’influences, tant aux niveaux politique, théologique, social que culturel, en particulier en Afrique et dans les Caraïbes aujourd’hui. Cette thèse soutient que les deux, Ibandla lamaNazaretha et les Rastafari, perpétuent un amalgame entre le « Naziréat » de l’Ancien Testament (Nombres 6:1-8) et le « Nazaréen » de l’évangile de Matthieu (2:23), à travers la dévotion à un seigneur contemporain: Haile Selassie I dans le cas du mouvement Rastafari et Isaiah Shembe dans le cas du mouvement Ibandla lamaNazaretha. Dans ce cadre théologique, à la fois les Rastafari et Ibandla lamaNazaretha ont réanimé les anciens rites de purification judaïques du naziréat jusque-là disparus, et les ont également adaptés, dans le contexte du messianisme, aux préoccupations postcoloniales de l’autochtonie. Grâce à la persistance de l’autochtonie, l’influence des idéaux indiens de résistance non-violente, et l’appropriation des différents thèmes bibliques, les deux mouvements africains noirs ont habilité avec succès leurs membres « dépossédés ». Ils l’ont fait par la création de communautés liminales, alors que des modes de vie agraires et auto-suffisants s’épanouissent en dehors des auspices d’une élite dominante : une herméneutique du nazaritisme unifie les diverses racines hybrides africaines, judaïques, chrétiennes, indiennes, et européennes. / Two rapidly growing theological and cultural movements currently sparking global interest are Rastafari and Ibandla lamaNazaretha. Founded by the Zulu preacher Isaiah Shembe during the 1910s, Ibandla lamaNazaretha originated as a hierarchical church order that worships at outdoor temples in the province of KwaZulu-Natal and currently comprises a number of splinter groups centralized around the Southern African peninsula. Rastafari, however, born in Jamaica, commenced as a multi-headed ideology that blossomed in scattered pockets across the Caribbean island and stemmed from the interpretations of a prophecy generally attributed to Marcus Garvey about a king to be crowned in Africa (circa 1920) as applied to the 1930 coronation of Ras Tafari Makonnen as Haile Selassie I, 225th Emperor of Ethiopia. Today, Ibandla lamaNazaretha and Rastafari comprise adherents and sympathizers numbering in the tens of millions and their presences connote varying degrees of political, theological, social, and cultural influence, especially in Africa and the Caribbean today. This dissertation argues that both Ibandla lamaNazaretha and Rastafari perpetuate a conflation between the “Nazirite” from the Old Testament (Numbers 6:1-8) and the “Nazorean” of Matthew 2:23 through the hailing of a contemporaneous saviour: i.e. Haile Selassie I for Rastafari and Isaiah Shembe for Ibandla lamaNazaretha. Within this theological framework, both Rastafari and Ibandla lamaNazaretha have provided renewed life to the long defunct Ancient Judaic purification rites of the Nazirite, but have also adapted them in the context of messianism for the benefits of Africanness and the postcolonial concerns of indigeneity. Thus, through the persistence of indigeneity, the influence of Indian ideals of peaceful resistance, and the appropriation of various biblical themes, both Black African movements have successfully empowered the dispossessed by creating liminal communities wherein expressions of agrarian self-reliance flourish outside the auspices of a subjugating elite; a hermeneutic of naziritism unifies the discernable African, Judaic, Christian, Indian, and European hybridic roots.

Ce travail explore la culture rastafarie au travers de sa structuration symbolique abordée depuis trois manifestations culturelles significatives : les assemblées Nyabinghi, les chants cérémoniels et le langage Iyaric. J’ai cherché à étudier la manière dont s’était constitué le complexe symbolique rastafari à travers l’Histoire jamaïcaine et ses multiples cultures de résistances. J’avais pour objectif d’aborder le symbolisme depuis un cadre matérialiste, c’est- à-dire d’attester que le symbolisme est à la fois déterminé et déterminant, que l’Histoire le façonne tout comme il façonne l’Histoire à son tour. La culture rastafarie, se positionnant en rupture avec l’ordre établi, fut un lieu de recherche et d’analyse fertile à une anthropologie du matérialisme symbolique. J’ai appuyé ma démarche sur un séjour de recherche en Jamaïque au cours duquel j’ai fréquenté diverses communautés rastafaries, tant au sein de lieux rituels qu’aux carrefours d’interactions entre les adhérants rastafaris et des non-rastafaris. Ma recherche est guidée par un cadre d’analyse abordant la culture depuis l’idéologie, les contres-hégémonies et l’hétérotopie de même que sur la dialectique de la reconnaissance. Ces théories offrent des éléments d’analyse permettant de discuter plus en profondeur des données collectées autour de trois lieux symboliques : assemblées rituelles, chants cérémoniels et construction d’un langage. / This work explores Rastafari culture through its symbolic structuration, focusing on three cultural manifestations of significance: Nyabinghi Assembly, Ceremonial Chants and Iyaric language. I have sought to study the way Rastafari’s symbolic order establishes itself through Jamaican History and through multiple cultures of resistance. My objective is to study symbolism from a materialist perspective, namely showing that symbolism is both determined and determinant, that History shapes just as it is shaped by History. Rastafari culture, making a break with the established order, proved to be a fertile context for the research and analysis of a symbolic materialist approach in anthropology. I have grounded my approach in a yearlong Jamaican research residency where I socialized with various Rastafari communities, both in rituals spaces and at the crossroads of interaction between Rastafari adepts and ordinary Jamaicans. This stay reasserted to me the importance of guiding this research with a theoretical framework allowing to grasp particularities in the cultural dynamics involved while at the same time enabling bridges with other cultures of resistance through a given universalism. A framework addressing culture through ideology, counter-hegemony and heterotopia as much as recognition’s dialectic had guided this research. These theories allow deeper analysis and discussion concerning the collected data of three symbolic spaces; ritual assembly, ceremonial chants and the construction of a language.

Since the 1950s, men and women, mainly Rastafari from the West Indies, have moved as repatriates to Shashamane, Ethiopia. This is a spiritually and ideologically oriented journey to the promised land of Ethiopia (Africa) and to the land granted by His Imperial Majesty Emperor Haile Selassie I. Although migration across regions of the global south is less common than migration from the global south to north, this move is even more distinct because it is not primarily motivated by economic concerns. This thesis - the first in-depth ethnographic study of the repatriate population - focuses on the conceptual and pragmatic ways in which repatriates and their Ethiopian-born children “rehome” this area of Shashamane that is now called Jamaica Safar (or village in the Amharic language). There is a simultaneous Rasta identification of themselves as Ethiopians and as His Majesty’s people, which is often contested in legal and civic spheres, with a West Indian social inscription of Shashamane. These dynamics have emerged from a Rastafari re-invention of personhood that was fostered in West Indian Creole society. These ideas converge in a central concern with the inalienability of the land grant that is shared by repatriates, their children and Rastafari outside Ethiopia as well. Accordingly, the repatriate population of Shashamane becomes the centre of international social and economic networks. The children born on this land thus demonstrate the success of their parents’ repatriation. They are the ones who will ensure the Rastafari presence there in perpetuity.

<p>Soundclash is a phenomenon where groups within the culture of reggae music “battle” against each other, through strategies including both music and rhetoric. The social interaction in the clash exemplifies the scene hierarchy, in which the participants aim to position themselves as number one. This study includes empirical material from a competition within the Swedish scene, also distributed digitally via Internet sites. The analysis is based on discursive psychology, focusing on rhetoric and the construction of meaning. The thesis emphasize how different truth claims are made, which relate to social positions as well as places within the international community.</p> / <p>Soundclash är ett fenomen där grupper inom reggaescenen tävlar mot varandra genom musik och retoriska strategier. I sina tal förs olika argument fram, vilka syftar att positionera grupper högst upp i scenens hierarki. Materialet utgörs av en svensk tävling inom detta fält, vilken även distribuerats i digital form genom Internet. Uppsatsen utgår från ett diskurspsykologiskt perspektiv, där språklig praktik och meningsskapande står i fokus. Uppsatsen visar hur olika anspråk görs, vilka relaterar till olika sociala positioneringar, likväl som till en plats inom en större internationell gemenskap.</p>

Soundclash is a phenomenon where groups within the culture of reggae music “battle” against each other, through strategies including both music and rhetoric. The social interaction in the clash exemplifies the scene hierarchy, in which the participants aim to position themselves as number one. This study includes empirical material from a competition within the Swedish scene, also distributed digitally via Internet sites. The analysis is based on discursive psychology, focusing on rhetoric and the construction of meaning. The thesis emphasize how different truth claims are made, which relate to social positions as well as places within the international community. / Soundclash är ett fenomen där grupper inom reggaescenen tävlar mot varandra genom musik och retoriska strategier. I sina tal förs olika argument fram, vilka syftar att positionera grupper högst upp i scenens hierarki. Materialet utgörs av en svensk tävling inom detta fält, vilken även distribuerats i digital form genom Internet. Uppsatsen utgår från ett diskurspsykologiskt perspektiv, där språklig praktik och meningsskapande står i fokus. Uppsatsen visar hur olika anspråk görs, vilka relaterar till olika sociala positioneringar, likväl som till en plats inom en större internationell gemenskap.

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