Submitted by PPG Letras (letraspg@pucrs.br) on 2018-09-24T13:03:29Z No. of bitstreams: 1 Disserta??o Andr? Luiz Ribeiro Costa.pdf: 916579 bytes, checksum: dcae062d2f8a8d5eeffa03ed965b5762 (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-09-25T11:34:20Z (GMT) No. of bitstreams: 1 Disserta??o Andr? Luiz Ribeiro Costa.pdf: 916579 bytes, checksum: dcae062d2f8a8d5eeffa03ed965b5762 (MD5) / Made available in DSpace on 2018-09-25T11:38:43Z (GMT). No. of bitstreams: 1 Disserta??o Andr? Luiz Ribeiro Costa.pdf: 916579 bytes, checksum: dcae062d2f8a8d5eeffa03ed965b5762 (MD5) Previous issue date: 2018-01-19 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work is divided into two parts: a short novel and a theoretical essay that tries to understand the process of creating the novel and propose a reflection on its theme. The novel was written in long scenes connected by short summaries and shows a week in the protagonist's existence, a week in which the life he was accustomed declines and changes. During the narrative, three works of art are shown: a movie, internet videos and a performance. These works of art acts as catalysts for the novels theme, works that are based in referents directly from reality and that alters the perception of the protagonist on his own experience. The theoretical essay, based mainly on the thought of Deleuze and Guattari, tries to understand how literature can depart from reality to create something that is not real and yet exerts an influence on reality. Considering the idea of percepts and affects, we have assemblages that are formed through the work of art, and both the novel and the essay, in different ways, pretend to show this. The essay also describes a course of creation of the novel, showing the beginning of writing and how the narrative has changed during the process. / Este trabalho ? dividido em duas partes: um romance curto e um ensaio te?rico que busca compreender o processo de cria??o do romance e propor uma reflex?o sobre a sua tem?tica. O romance ? composto de cenas longas que s?o conectadas por sum?rios curtos e mostram o recorte de uma semana na exist?ncia do protagonista, uma semana em que a vida a qual ele estava acostumado entra em decl?nio e muda. Durante a narrativa, s?o mostradas tr?s obras de arte: um filme, v?deos da internet e uma performance. Essas obras de arte funcionam como catalisadores da tem?tica do romance, ou seja, s?o obras que baseiam seus referentes diretamente na realidade e que alteram a percep??o do protagonista sobre a sua pr?pria experi?ncia. O ensaio te?rico, baseado principalmente no pensamento de Deleuze e Guattari, busca compreender como a literatura pode partir da realidade para criar algo que n?o ? real e que, no entanto, exerce uma influ?ncia no real. Considerando a ideia de perceptos e afectos, temos agenciamentos que se formam atrav?s da obra de arte, e tanto o romance quanto o ensaio, de diferentes formas, pretendem mostrar isso. No ensaio tamb?m ? descrito um percurso de cria??o do romance, mostrando o in?cio da escrita e como a narrativa foi sendo alterada durante o processo.