Thesis--Paris. / Issued also without thesis statement. Errata slip inserted.

The problems concerned with this essay were: (1) To what extent is the method of informal dramatization being used in the religious education of children of various churches of Stockton?; (2) What are the values that seem to be in the use of it?; (3) How can a program of training be projected for increasing the extent and quality of the use of this method in the churches? The ultimate objectives that evolve in this investigation are: (1) To encourage the use of the method of informal dramatization in the religious education of children in Stockton and elsewhere.; (2) To develop a proposed training program in this field.

The purpose of this project was to prepare eight scripts derived from Biblical texts using various techniques of oral interpretation. All scripts employ two or more readers and are non-doctrinal in content, making them useful to any Bible-based church. Chapter I presents a statement of the problem, a review of the literature, justification for the project, the purpose, and procedures that were to be followed. Chapter II contains the scripts, general information for their use, and commentaries on each. The scripts are entitled "The Birth of Christ," "The Crucifixion," "The Resurrection," "The Second Coming of Christ," "The Last Supper," "Baptism," "Marriage," and "Christian Leadership." Chapter III includes a summary of the creative process, observations, and recommendations for future scripts.

Orientador: Alexandre Soares Carneiro / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-04T17:26:56Z (GMT). No. of bitstreams: 1 Artioli_Tatiane_M.pdf: 473870 bytes, checksum: 6467fd7d99879d79b8037559ff8d0d4a (MD5) Previous issue date: 2005 / Resumo: A presente dissertação analisa três autos vicentinos ¿ Auto da Sibila Cassandra (1512/13?), Breve Sumário da História de Deus (1527?) e Auto da Cananéia (1534) ¿, os quais apresentam analogias importantes com as representações litúrgicas de finais da Idade Média e assimilam uma visão teológica da História caracterizada pela presença da alegoria factual. Esta é, como se sabe, elemento central de uma forma de interpretação bíblica, sedimentada já na Antigüidade cristã, segundo a qual o Antigo Testamento é uma prefiguração do Novo, a compreensão dos dois tornando possível a apreensão de acontecimentos futuros. Nos autos vicentinos, ela é incorporada como elemento de sua composição. Neste sentido, nosso principal objetivo é descrever como a interpretação teológica, pautada pela alegoria factual, torna-se elemento cênico e poético na constituição das referidas peças / Abstract: The present dissertation analyzes three vicentines¿ works ¿ Auto da Sibila Cassandra (1512/13?), Breve Sumário da História de Deus (1527?) and Auto da Cananéia (1534) ¿, which present important analogies with the liturgics representation of the end of Medieval Times and assimilate a theological vision of the History characterized for the presence of the factual allegory. This is, as known, central element of a biblical interpretation¿s method, already known in the Christian Antiquity, which the Old Testament is a preview of the New, the comprehension of both making possible the apprehension of the futures happenings. In the vicentines¿ works, it is incorporated as part (element) of the composition. In this way, the main objective is to describe how theological interpretation, marked for the factual allegory, becomes poetic and scenic element in the construction of the plays / Mestrado / Literatura Portuguesa / Mestre em Teoria e História Literária

Zugl.: Bonn, Univ., Diss., 2005

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