• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 148
  • 89
  • 40
  • 32
  • 30
  • 16
  • 13
  • 13
  • 5
  • 3
  • 2
  • 2
  • 1
  • 1
  • 1
  • Tagged with
  • 420
  • 108
  • 67
  • 50
  • 48
  • 45
  • 37
  • 35
  • 32
  • 31
  • 31
  • 30
  • 30
  • 29
  • 29
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
161

A Countertenor Aria Collection Continuum for Studio Training and Performance

Stanley, David Thomas 08 1900 (has links)
An assessment of the standard voice instructor or performer collection of printed music would likely reveal numerous operatic repertoire volumes in anthology format appropriated to the primary four voice categories. However, thorough investigation divulges little in comparable printed material accessible to the countertenor. This scarcity of systemized collections is especially evident in the territory of comprehensive countertenor operatic repertoire. This project fills that present void by creating a compilation of sixteen countertenor arias drawn from various styles and historical periods for suggested application in studio instruction and performance. Perhaps, a more meaningful project intent is the presentation of a beneficial graded literature continuum resource for the studio teacher who instructs a countertenor in various stages of vocal development. For this purpose, each of the 16 arias is categorized into four difficulty levels based on considerations of range, tessitura, coloratura demands, rhythm, sustained phrase length, tonality, melodic considerations/overall musical difficulty, accompaniment support, and ornamentation requirements. The project also addresses common issues of pedagogy and ornamentation for voice teacher consideration when instructing a developing countertenor.
162

Organisationsstruktur und Quellenüberlieferung – über Reichweite und Grenzen des Wissens zu Geschichte und Repertoire der Dresdner Hofkapelle im 18. Jahrhundert

Poppe, Gerhard 02 December 2019 (has links)
No description available.
163

Instrumentales Repertoire der Dresdner Hofkirche im Schrank II: Werke und Schreiber

Bemmann, Katrin 02 December 2019 (has links)
No description available.
164

Böhmische Komponisten und ihre Instrumentalwerke im Schrank II

Kapsa, Václav 02 December 2019 (has links)
No description available.
165

Gedächtniskunst und frühe Mehrstimmigkeit: Mündlichkeit in der Überlieferung des Notre Dame Repertoires

Busse Berger, Anna Maria 08 January 2020 (has links)
No description available.
166

Senfls Musik im Heidelberger Kapellkatalog. Ein Beitrag zur Repertoireüberlieferung im 16. Jahrhundert

Bente, Martin 27 February 2020 (has links)
No description available.
167

RISM im Rahmen der Musikdokumentation

Weinhold, Liesbeth 31 March 2020 (has links)
No description available.
168

Telemann in den Residenzen. Zur Genese des ›deutschen vermischten Geschmacks‹

Hirschmann, Wolfgang 02 September 2020 (has links)
No description available.
169

Zum Transfer von Conducti des Notre-Dame-Repertoires. Aspekte der Aneignung, Modifizierung und Neukontextualisierung im deutschen Sprachbereich

Bobeth, Gundela 02 September 2020 (has links)
No description available.
170

Ethnic, Political and National Identity as Expressed in the Singing of World Music by the Toronto Jewish Folk Choir, 1939–1959

Wolters-Fredlund, Benita 03 September 2020 (has links)
No description available.

Page generated in 0.0465 seconds