The purpose of this study was to determine if the teaching of rhyming verses containing rhythmic phrases facilitates young children's learning of the rhythmic phrases. The study utilized a pre-test/post-test/control group design. The students were randomly selected and assigned to either experimental group A, experimental group B, or a control group. Students in experimental group A were taught the rhyming verses and given practice repeating the rhythmic phrases contained in the rhyming verses. Students in experimental group B were only given practice repeating the rhythmic phrases. The control group was taught seasonal songs and activities. No rhythmic instruction was given to the control group.

The purpose of the research presented here is to discover the central concept of "The Rhyming Poem," an Old English Christian work known only from a 10th-century manuscript, and to establish the poem's natural place in the body of Old English poetry. Existing critical literature shows little agreement about the poem's origin, vocabulary, plot, or first-person narrator, and no single translation has satisfactorily captured a sense of the poem's unity or of the purposeful vision behind it. The examination of text and context here shows that the Old English poet has created a unified vision in which religious teachings are artistically related through imagery and form. He worked in response to a particular set of conditions in early Church history, employing both pagan and Christian details to convey a message of the superiority of Christianity to idol-worship and, as well, of the validity of the Augustinian position on Original Sin over that of the heretical Pelagians.

The purpose of this study was to explore the possibility that music and movement instruction could cause improvement in language arts skills, due to evidence that music and language share processing mechanisms related to auditory perception as described by Patel (2007, 2011a, 2011b, 2014) in the shared syntactic integration resource hypothesis (SSIRH) and OPERA hypothesis. Sixty-two Kindergarten students from a suburban school, near a city in the Midwest, were selected via random assignment to be a part of an experimental or control group. Each group participated in pre- and posttests measuring entrainment and pre-reading skills. ANCOVA results of pre and posttest data revealed no significant difference between the groups. The music and movement instruction did not improve entrainment so results were inconclusive in regard to the impact of entrainment on phonological processing and rapid naming. Future studies might consider a pretest/posttest design with a group that focuses on entrainment without specific music language (Patel, 2008) and a group that conducted music class with the usual songs and descriptive language, to provide evidence regarding whether or not language needs to be combined with music to cause a cognitive transfer of skills. A further comparison of a group that learned to play singing games with a group that learned instrumental music might provide further evidence regarding the role that the combination of music and language might have on reading. Another line of inquiry might involve increasing the length of the intervention period to determine if a year is needed to cause cognitive transfer and ensure that the control group does not receive any music instruction. An additional consideration may be that improvement in entrainment provides a foundation for language processing that does not fully develop or present itself until children reach more challenging levels of reading fluency. Studies that measure student improvement over time would be one way to find evidence that music provides a neurological basis for reading, and language development. Further study possibilities are described in the conclusions of the dissertation. / 2022-11-15T00:00:00Z

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