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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
131

Oppressive relationships/related oppressions ethnicity, gender, and sexuality and the role of gay identity in James Baldwin's Another country and Hubert Fichte's Versuch über die Pubertät /

Gignac, Patrick Joseph, January 1996 (has links) (PDF)
Thesis (Ph. D.)--Queen's University, 1996. / Includes bibliographical references (leaves 224-239).
132

Going into labor : production and reproduction in fin de siècle British literature /

Shea, Daniel Patrick, January 2006 (has links)
Thesis (Ph. D.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 280-290). Also available for download via the World Wide Web; free to University of Oregon users.
133

Treacherous, deviant, and submissive female sexuality represented in the character Catwoman /

Lecker, Michael. January 2007 (has links)
Thesis (M.A.)--Bowling Green State University, 2007. / Document formatted into pages; contains v, 144 p. Includes bibliographical references.
134

The portrayal of women in Xitsonga literature with special reference to South African novels, poems and proverbs

Machaba, Rirhandzu Lillian 09 1900 (has links)
The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women characters are portrayed to represent the current social and political reality. The study employs African feminist literary criticism as a tool in critically analysing the various literary genres. It also adopts purposive sampling of Xitsonga novels, poetry and proverbs that have women characters in them and analyse how these women characters have been portrayed. The naming of female characters is examined in relation to their roles in the texts and the titles of the texts are also investigated and critically analysed to establish whether they portray any gender stereotypes. The themes of the selected texts are also examined to establish if there is any gender biasness. Both male and female-authored texts have been investigated to explore whether male authors depict women differently from their female counterparts. The study concludes that there is gender-biasness in the manner in which women characters are depicted that do not reflect the current political and social order, however, some women authors, unlike their male counterparts do not reflect gender-biasness in their depiction of female characters. / African Languages / D. Litt. et Phil. (African Languages)
135

Taking another look at women and gender in Hemingway's works

Binks, Gwendolyn Dale 01 January 2001 (has links)
This project supports the contrary argument that Hemingway provided a voice for the post-Victorian woman, a woman exercising her strength within relationships, her sexuality, her femininity, and her freedom from oppression during the twentieth century women's movement.
136

When Language Fails: Tragedy and Thucydides

Ianni, Emma January 2024 (has links)
In this study, I challenge previous assumptions on Thucydides’ silence on gender in the History in order to understand this erasure as a central component of the historian’s attempt at asserting authorial control over a narrative of crisis. My project investigates the gendered strategies employed by Attic tragedy and historiography to represent defiant speakers – characters who challenge traditional speech, like Antigone or the Corcyreans, or those who speak ambiguously, like Cassandra and Alcibiades – in the context of 5th century Athens. Rather than offering a historical reconstruction of the relationship between Thucydidean historiography and drama, my project presents a theoretical reorientation of how the two genres can and should be read in parallel. Methodologically, I integrate close readings with the insights afforded by Anne Carson’s creative engagements with antiquity in order to analyze how gender structures the meaning-making systems in these narratives. Following a chronotropic trajectory, this dissertation investigates how gender refracts through the ways in which the tragedians and Thucydides represent issues of time, space and place, and perception; it then ends by returning to time to offer a critical re-evaluation of the receptions and afterlives of Greek tragedy and history. Ultimately, this study offers a methodology that helps us model a parallel reading of Attic tragedy and Thucydidean historiography; not in order to “test out” the historicity of tragedy against Thucydides’ account, but rather to use tragedy to fill the gap of gender in the History. Probing this dialogue – a dialogue informed as much by silence and omission as by contact and shared vocabulary – among ancient and modern, tragic and historiographic, originary and receptive models of literary entanglement challenges us to rethink the political potential of transgressive speakers within canonical narratives, and to reflect on the role that gender has in shaping these discursive tensions.
137

The writing center as a Burkean parlor: The influence of gender and the dual engines of power: collaboration and conflict

Enoch, Clara Louise 01 January 2006 (has links)
This thesis examines writing centers and offers suggestions for tutor training that might help realize the ideal of the writing center as a Burkean parlor, a place where collaboration via continuous meetings and conversations between tutors and participants take place. Conflict can surface because of different cultural backgrounds and world views, particularly in terms of gender issues.
138

The image of women in selected Tsonga novels

Mathye, Hlamalani Ruth 25 August 2009 (has links)
This dissertation is a critical examination of selected Tsonga novels by male and female writers. Positive and negative images of women by these authors are analysed, compared and evaluated from a feminist perspective. Emphasis is laid on the manner in which Tsonga writers portray female characters in a changing society and the extent to which the images of women in this literature represent the present day woman. Adherence to ideological, cultural and traditional values as well as the differences in portrayal of women by male and female writers is also investigated. Through a comparison of novels written by male and female writers it is established that because of patriarchy these writers differ markedly in their portrayal of female characters. In all the novels analysed, the sociol-cultural context influences the way in which these writers portray female characters. Male writers promote traditional values which female writers strive to discard by portraying female characters who predominantly undermine stereotypical cultural sex-roles. / African languages / M.A. (African languages)
139

The representation of madness in Margaret Atwood's Alias Grace

Kreuiter, Allyson 01 1900 (has links)
The central tenet of the study is that language and madness are bound together, language both including madness and perpetuating the exclusion of madness as 'other'. The first chapter considers the representation of madness in Atwood's novels The Edible Woman, Surfacing and Alias Grace from the perspective ofFoucauldian and Kristevan theories oflanguage and madness. Alias Grace becomes the focus in the second chapter. Here the syntax of madness is traced during Grace's stay in the mental asylum. Language, madness and sexuality are revealed as a palimpsest written on Grace's body. The final chapter looks at Grace's incarceration in the penitentiary and her dealings with the psychologist Dr. Simon Jordan where Grace's narrative tightly threads language and madness together. Underlying each chapter is a concern with how language and madness are in permanent interaction and opposition writing themselves onto society and onto Grace. / English Studies / M.A. (English)
140

Exploding the lie : 'angelic womanhood' in selected works by Harriet Martineau, Anne Bronte, Charlotte Bronte and George Eliot

Du Plessis, Sandra Elizabeth 11 1900 (has links)
Each of these novelists, in her own way, presents a critique of the idealised woman of the nineteenth-century. My aim in this dissertation is to reveal the degree to which each is successful in her mission to 'explode the lie' of angelic womanhood, and, in so doing, free her long-incarcerated Victorian sisters. It took great courage and fortitude to utter at times a lone dissenting voice; and female writers of the present owe a great debt of gratitude to their pioneering Victorian counterparts, who cleared the way for them to take up the banner and continue the march towards female liberation from a stifling ideology. / English Studies / M.A. (English)

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