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1	FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Spirina, Mariia 01 January 2017 (has links) Rock’n’roll has specific aesthetic — a set of invisible rules that each young rock musician accepts as a given. If one examines the history of rock’n’roll starting from 1950s, one will notice that there was a clear division in rock that separates the rock’n’roll of 1950s from rock of the second half of the 1960s and beyond—the rock that we know today. This thesis investigates how the visual aesthetic of rock’n’roll evolved from its origins in the 1950s blues tradition, how it was formed in the second half of the 1960s, and how it was modified in the first half of the 1970s. In particular, it focuses on the role played by the British band Rolling Stones as mediators between the 1950s early rock aesthetics rooted in the blues tradition and the Beats’ ideology and the subsequent generations of American rockers who emerged in the 1970s, such as the band New York Dolls. The final section of the thesis investigates how the New York Dolls adopted and transmitted the aesthetics of authenticity pioneered by the Stones to the new wave of punk and grunge bands. Although the thesis considers the music produced within this milieu, its primary focus is on the visual presentation and promotion of the new aesthetic through stage performances, publicity and the medium of television. Rock’n’roll rock aesthetics the Rolling Stones the New York Dolls aesthetic model authenticity American Popular Culture
2	A construção das imagens das bandas The Beatles e The Rolling Stones através dos jornais The Times e The Guardian Paulin, Bruna do Amaral January 2010 (has links) Made available in DSpace on 2013-08-07T18:47:10Z (GMT). No. of bitstreams: 1 000422971-Texto+Completo-0.pdf: 11451859 bytes, checksum: 44bc7be3ae741cfa3dea015f7c22c587 (MD5) Previous issue date: 2010 / This present paper presents an analisys and history of the emergence, in British Media, of the bands The Beatles and The Rolling Stones, using the agenda-setting hypothesis, framing and construction of imaginary. This study is fixed in time during the years 1963 to 1967, in England – period of emergence and media explosion of the two groups – through the covering of The Times and The Guardian. This research has the objective of finding facts in newspapers articles, based in the construction of their images, through the publication of these articles. / Análise e história do surgimento, na mídia britânica, das bandas The Beatles e The Rolling Stones, utilizando as hipóteses de agenda setting, enquadramento e construção do imaginário. O estudo fixou-se entre os anos 1963 e 1967, na Inglaterra – período de surgimento e explosão midiática dos dois grupos – vista pela cobertura dos jornais The Times e The Guardian. A pesquisa busca fatos em artigos e matérias jornalísticas da imprensa britânica, baseadas na construção de suas imagens, através da publicação dessas reportagens. COMUNICAÇÃO SOCIAL IMPRENSA - GRÃ-BRETANHA - HISTÓRIA JORNALISMO - INGLATERRA - HISTÓRIA BEATLES, THE - HISTÓRIA E CRÍTICA IMAGEM AGENDA SETTING
3	Lucifer och den performativa filmkonsten : En studie kring sataniska visioner i den kaliforniska filmvärlden Ljung, Peter January 2019 (has links) This study regards the influence of ’modern’ satanism on performative art in the nineteen sixties- and seventies. The methodological framework consists of performativity theory, religious visual culture and aesthetics of experimental film. The material consists mainly of cinematic work by Kenneth Anger and Alejandro Jodorowsky, as well as musical performances by the likes of Mick Jagger, the Rolling Stones and David Bowie. In addition to this material I also use academic texts, dissertations and books written about the subjects themselves as a foundation for my own further analysis and discussions. By looking closely at a selection of cinnematic work of foremost Kenneth Anger, I try to show how his own esoteric and occult interests are present as a fundamental part of his creative process and the following filmworks/artworks themselves. This is also put into relationship with Anton Szandor Lavey, founder of the Church of Satan, and their common thoughts concerning ritually performed magic. By using performativity theory I trie to emphasise the interlocking structures of these two worlds in the artwork of Kenneth Anger and other artists active in the culturual ’milieu’ of the sixties- and seventies. The results indicate that the religious sphere of satanism, occultism and esotericism (and alternative modes of religion in general) was closeley inflicted with counterculture-infused film and music (as represented by the selection of material). Satanism performativity performance ritual black mass Kenneth Anger Anton LaVey Satan Lucifer Anton Szandor LaVey Church of Satan Aleister Crowley magick Mick Jagger Alejandro Jodorowsky Rolling Stones David Bowie film experimental film art film art satanism performativitet performativitetsteori Kenneth Anger Anton LaVey Anton Szandor LaVey Church of Satan Alejandro Jodorowsky Mick Jagger David Bowie Rolling Stones Lucifer Svart mässa Aleister Crowley magick film experimentell film filmkonst konst Religious Studies Religionsvetenskap
4	A constru??o das imagens das bandas The Beatles e The Rolling Stones atrav?s dos jornais The Times e The Guardian Paulin, Bruna do Amaral 31 March 2010 (has links) Made available in DSpace on 2015-04-14T14:41:08Z (GMT). No. of bitstreams: 1 422971.pdf: 11451859 bytes, checksum: 44bc7be3ae741cfa3dea015f7c22c587 (MD5) Previous issue date: 2010-03-31 / An?lise e hist?ria do surgimento, na m?dia brit?nica, das bandas The Beatles e The Rolling Stones, utilizando as hip?teses de agenda setting, enquadramento e constru??o do imagin?rio. O estudo fixou-se entre os anos 1963 e 1967, na Inglaterra per?odo de surgimento e explos?o midi?tica dos dois grupos vista pela cobertura dos jornais The Times e The Guardian. A pesquisa busca fatos em artigos e mat?rias jornal?sticas da imprensa brit?nica, baseadas na constru??o de suas imagens, atrav?s da publica??o dessas reportagens. COMUNICA??O SOCIAL IMPRENSA - GR?-BRETANHA - HIST?RIA JORNALISMO - INGLATERRA - HIST?RIA THE BEATLES - HIST?RIA E CR?TICA THE ROLLING STONES - HIST?RIA E CR?TICA IMAGEM AGENDA SETTING

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