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Contra-Dictory: Threat Perception and U.S. Policy toward Nicaragua, 1979-1990Burton-Vulovic, Nicholas 12 August 2013 (has links)
This article examines the perception of threat in the creation of a discourse by the administration of President Ronald Reagan in relation to the Sandinista government of Nicaragua. It emphasizes the importance of a parallel with Cuba and the verifiable nature of Nicaraguan armed forces and concludes that, in order to construct its discourse, the Reagan administration made use of legitimate concerns that had previously been dismissed as fallacious by critics. / Graduate / 0336 / nburtonv@uvic.ca
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Contra-Dictory: Threat Perception and U.S. Policy toward Nicaragua, 1979-1990Burton-Vulovic, Nicholas 12 August 2013 (has links)
This article examines the perception of threat in the creation of a discourse by the administration of President Ronald Reagan in relation to the Sandinista government of Nicaragua. It emphasizes the importance of a parallel with Cuba and the verifiable nature of Nicaraguan armed forces and concludes that, in order to construct its discourse, the Reagan administration made use of legitimate concerns that had previously been dismissed as fallacious by critics. / Graduate / 0336 / nburtonv@uvic.ca
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Interpretation als Integration : Dworkins Philosophie der Rechtsprechung /Lien, Lieh. January 1997 (has links) (PDF)
Univ., Diss.--Trier, 1996.
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The implications of the writings of Ronald Goldman for evangelical Christian educationGlucklich, Walter. January 1975 (has links)
Thesis (M.A.)--Trinity Evangelical Divinity School, 1975. / Abstract. Includes bibliographical references (leaves 73-78).
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The religious epistemology of Dr. Ronald H. NashWall, F. Sam January 1993 (has links)
Thesis (M.A.)--Denver Seminary, 1993. / Includes bibliographical references (leaves 84-86).
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Brasilien - ett modernt men religiöst land : En fallstudie av Brasilien utifrån Pippa Norris och Ronald Ingleharts teori om sekularisering och religiositet / Brazil - a modern but religious country : A case study of Brazil based on the theory of secularisation and religiosity by Pippa Norris and Ronald InglehartSjögren, Elin January 2015 (has links)
The aim of this study is to examine the religious landscape of Brazil, and based on the theory of secularization by Pippa Norris and Ronald Inglehart to explain why Brazilians are religious and not secular. The study is a secondary analysis that uses existing statistics to examine different units of analysis of Brazil’s religious landscape, economics and equality, etc. Based on their theory I find that Brazil is still religious due to the lack of security in the country. Brazil is insecure in terms of measures of socioeconomic equality, stable politics without corruption, and physical safety of the citizens in Brazil. The theory of Norris and Inglehart is applicable to Brazil and the study shows that their theory is plausible.
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Reagan, Rambo, and the Red DawnRossi, Samuel E. January 2007 (has links)
Thesis (M.A.)--Ohio University, June, 2007. / Title from PDF t.p. Includes bibliographical references.
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An editor, a state and community, and a progressive era the first fifteen years of the career of W.R. Ronald with the Mitchell Re̲p̲u̲b̲l̲i̲c̲a̲n̲.̲Evenson, Elizabeth N. January 1964 (has links)
Thesis (M.A.)--Dept. of Journalism, University of Wisconsin. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 150-152).
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Reconstructing poverty discourseMcCullough, Ryan Phillip. January 2005 (has links)
Theses (M.A.)--Marshall University, 2005. / Title from document title page. Includes abstract. Document formatted into pages: contains vi, 63 p. Bibliography: p. 62-63.
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Imagen, tiempo, memoria — sobre la crítica a la experiencia cronológica y al aspecto unívoco del tiempo presente en la obra de Ronald KayLópez Chaves, Paz January 2011 (has links)
El curso de este trabajo se concentra en el estudio y análisis del problema de la
imagen en los escritos que el crítico chileno-alemán Ronald Kay desarrolló durante la
década de los ochenta, sobre todo en dos textos fundamentales: Del espacio de acá y
v.i.s.u.a.l.. Si bien esta noción no alcanza una definición precisa en los trabajos del
autor1, nuestra hipótesis consiste en suponerle a ella una matriz de desciframiento de
la
historia de las artes visuales en el Chile de postdictadura y una crítica radical a la
precedencia de cierta narrativa que la ha organizado. Crítica, podríamos resumir, a una
historiografía de la representación comprendida bajo los conceptos de periodicidad y
temporalidad causal
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