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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Music From the Soul of Woman: The Influence of the African American Presbyterian and Methodist Traditions on the Classical Compositions of Florence Price and Dorothy Rudd Moore

Mashego, Shana Thomas January 2010 (has links)
Since its inception, the African American Church has played a vital role in the African American community. During the late eighteenth and early nineteenth centuries, the black Methodist movement began. Methodism was the first separate denomination formed by African Americans in the United States and remains one of the largest denominations populated by African Americans. Presbyterianism became a part of African American culture during the mid nineteenth century. Within many black Methodist and Presbyterian churches, the tradition of the musical liturgy, which included the music of European classical composers, was expected to remain unchanged, and even today many of the churches within these denominations have held fast to a traditional music liturgy.For many black women coming of age during the late eighteenth through to the twentieth centuries, the time of the composers Florence Price (1887-1953) and Dorothy Rudd Moore (b.1940), the music liturgy of the African American Presbyterian and Methodist church aided them in their exposure to European classical composers and their compositions. This document explores the premise that exposure during their formative years to European classical music within their Presbyterian and Methodist churches helped to nurture Price and Moore's approaches to classical music composition. Included in Appendix A and B are works lists of Florence B. Price and Dorothy Rudd Moore. These works lists were organized by the author from various sources and should prove helpful to those interested in the research and performance of the composers' works.
2

'MISOGONUS': EDITED WITH AN INTRODUCTION

Barber, Lester E., 1938- January 1967 (has links)
No description available.
3

Why Is The Little Girl Missing? : A descriptive study on the cause and effect of translation shifts in the Swedish translation of Enid Blyton’s <em>Five on a Treasure Island. </em>

Almgren, Anders January 2010 (has links)
<p>This essay will investigate the cause of <em>shifts – changes made when translating – in the Swedish version of Enid Blyton‟s <em>Five on a Treasure Island. It should be seen as a direct sequel to <em>The Little Girl is Missing – a bachelor degree project written at Stockholm University. In said degree project the methods used when making the shifts was described, but now the reasons <em>why the shifts were made and <em>how they have affected the plot will be presented. To do so a number of theories concerning both gender studies and translation studies will be used. </em></em></em></em></em></p><p>The working hypothesis is that the shifts were made to rid the translated text of the original text‟s sexist content – to create "equality between women and men" (Lpo 94: 3) and making the translation fit the target culture i.e. today‟s Sweden. This claimed sexist content will be determined mainly with the help of the Swedish compulsory school system‟s curriculum, Lpo94, and Berit Ås‟s master suppression techniques. The intention is to bring the translation phenomenon of ideologically influenced translations into the limelight and start a debate. Besides that, this essay will also provide a didactic model for teachers wanting to work with translation dilemmas in class.</p>
4

Why Is The Little Girl Missing? : A descriptive study on the cause and effect of translation shifts in the Swedish translation of Enid Blyton’s Five on a Treasure Island.

Almgren, Anders January 2010 (has links)
This essay will investigate the cause of shifts – changes made when translating – in the Swedish version of Enid Blyton‟s Five on a Treasure Island. It should be seen as a direct sequel to The Little Girl is Missing – a bachelor degree project written at Stockholm University. In said degree project the methods used when making the shifts was described, but now the reasons why the shifts were made and how they have affected the plot will be presented. To do so a number of theories concerning both gender studies and translation studies will be used. The working hypothesis is that the shifts were made to rid the translated text of the original text‟s sexist content – to create "equality between women and men" (Lpo 94: 3) and making the translation fit the target culture i.e. today‟s Sweden. This claimed sexist content will be determined mainly with the help of the Swedish compulsory school system‟s curriculum, Lpo94, and Berit Ås‟s master suppression techniques. The intention is to bring the translation phenomenon of ideologically influenced translations into the limelight and start a debate. Besides that, this essay will also provide a didactic model for teachers wanting to work with translation dilemmas in class.
5

“A Cry for Justice:” Daniel A. Rudd’s Ecclesiologically-Centered Vision of Justice in the <i>American Catholic Tribune</i>

Agee, Gary Bruce 13 November 2008 (has links)
No description available.

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