// F - E- G // // F - E- G // is the title of my independent degree project, for the Master program New Performative Practices at Stockholm University of the Arts. The project was intended as a means for  presenting and understanding my artistic practice and its various aspects. It was a public presentation in the university’s theatre hall. The format chosen was a 50 minute solo performance with a 10 minute participatory section at the beginning of the show. I was the performer, as well as the music and recordings' editor, text writer, and project coordinator in collaboration with SKH's producer and staff. My aim with the project was to fit together the various themes and practices that I had been exploring during the two years of the course: a somatic sci-fi based practice, clown technique, the use of voice, the relationship of the performer to the audience, finding honesty and repeatability in performance, the use of chance and randomness in creation and performing, the use of language in guiding others toward physical and personal insights and experiences, what kind of social impact performance art can have, Nonviolent Communication (NVC) as a choice of life and, finally,  reconnecting to my ageing dancing body. I call the method chosen to explore these various interests and curiosities a personal-experiential method: the ideas were tried out physically and concretely, over a span of time that allowed for reflection and introspection. The outcome of the project was rich in personal learnings and challenges, as well as a milestone in my development as an artist and a person. I hope it served as a moment of poetry and enjoyment to those who visited and participated in the performances: that they might recognise themselves in similar situations and feelings and that they might be either relieved or comforted or somehow get the chance to witness their experience through the dramaturgy of the performance. For more on the project please find an brief expansion on this abstract in the uploaded pdf file. For a more comprehensive view of my artistic practice during the two years at SKH please visit my Research Catalogue site at https://www.researchcatalogue.net/shared/82db91825a5ca2dcf19ae6b16f28d33a (to navigate the site once exposition is open: hover cursor on the top left of the page for a menu).

Denna rapport undersöker ändringarna i bekantskap och upplevda känslor av fiktiva och realistiska landskap när landskapens färgschema förändras. Rapporten går över anledningar till varför landskap har de färger de har, känslomässiga samband till färger, känslomässiga skalor över olika kulturer och symbolismen av färg i olika kulturer. Problemformuleringen av rapporten är “Hur påverkas bekantskapen och den känslomässiga reaktionen till drastiska och subtila ändringar i färg på fiktiva och realistiska världar?”. Metoden är en kvantitativ enkät med kvalitativa aspekter som frågade 78 respondenter om bekantskapen och deras känslor i relation till 14 bilder, 7 av ett bukoliskt landskap och 7 av ett sci fi-landskap. Resultatet påvisade att både bekantskapen och respondenternas känslor ändras när färgschemat ändras, subtila färgförändringar leder till subtila ändringar i bekantskap och känslor medans drastiska färgförändringar leder till drastiska ändringar i bekantskap och känslor. Vissa färgförändringar skapade samma reaktion i båda olika landskapen.

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