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1	The Schizoid Subject : Filth and Desire in Samuel R. Delany's Hogg Fredriksson, Sophia January 2015 (has links) This thesis investigates in which ways Samuel R. Delany’s novel Hogg challenge the discourse of normality as stipulated, supported and maintained by the capitalist Oedipal repression of desire. Drawing from Deleuze and Guattari’s theory of the Anti-Oedipus, this thesis explores how Deleuze and Guattari’s notion of desire as a free and productive force can be seen as a disruptive element in a society that relies on repression of the subject for its stability. Furthermore, this thesis explores how the novel questions the understanding of civilisation being dependent on the individual’s submission to the Oedipus triangulation and in extension the Oedipal capitalist separation between the public and the private sphere. Ultimately, the main argument claims that Oedipal repression of desire only allows desire to invest in a restricted number of representations, making other identities than the heteronormative suspicious or invisible. Hogg depicts a society where capitalism commodifies everything, and need the Oedipal subject to ensure its stability. The characters in the novel that do not subject themselves to the capitalist discourse escape the subjection to the Oedipal triangulation, and are thus free to invest their desire in any way they choose, primarily in non-heterosexual and salirophiliac activities. These characters can be seen as schizoid subjects that are constantly threatening to expose the fragility of the social structure by embodying a contrast to the hegemonic discourse and therefore constantly question its authority as main creator of reason and reality. Gilles Deleuze Félix Guattari Samuel R. Delany Hogg Anti-Oedipus Schizoanalysis Transgressive fiction
2	"Nam-Shub versus the Big Other: Revising the Language that Binds Us in Philip K. Dick, Neal Stephenson, Samuel R. Delany, and Chuck Palahniuk" Embry, Jason Michael 21 April 2009 (has links) Within the science fiction genre, utopian as well as dystopian experiments have found equal representation. This balanced treatment of two diametrically opposed social constructs results from a focus on the future for which this particular genre is well known. Philip K. Dick’s VALIS, Neal Stephenson’s Snow Crash, Samuel R. Delany’s Babel-17, and Chuck Palahniuk’s Lullaby, more aptly characterized as speculative fiction because of its use of magic against scientific social subjugation, each tackle dystopian qualities of contemporary society by analyzing the power that language possesses in the formation of the self and propagation of ideology. The utopian goals of these texts advocate for a return to the modernist metanarrative and a revision of postmodern cynicism because the authors look to the future for hopeful solutions to the social and ideological problems of today. Using Slavoj Žižek’s readings of Jacques Lacan and Theodor Adorno’s readings of Karl Marx for critical insight, I argue these four novels imagine language as the key to personal empowerment and social change. While not all of the novels achieve their utopian goals, they each evince a belief that the attempt belies a return to the modernist metanarrative and a rejection of postmodern helplessness. Thus, each novel imagines the revision of Žižek’s big Other through the remainders of Adorno’s inevitably failed revolutions, injecting hope in a literary period that had long since lost it. Logos Gnosticism Utopia Metanarrative Postmodernism Philip K. Dick American literature Lullaby Babel-17 Snow Crash VALIS Slavoj Žižek Modernism Science fiction Chuck Palahniuk Neal Stephenson Samuel R. Delany Jacques Lacan Theodor Adorno English Language and Literature
3	Informationist Science Fiction Theory and Informationist Science Fiction Long, Bruce Raymond January 2009 (has links) Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information. Science Fiction Information Theory Informationism Anti-simulacra Simulacra Information Types Veridical information Literary theory Pseudo-information William Gibson Iain M Banks Neal Stephenson Alastair Reynolds Science Fiction Theory Novum Pseudo-novum Character-novum Auto-novum Pseudo novum character novum Darko Suvin N. Katherine Hayles William Paulson High information Claude E Shannon Adrian Moles Hyperreal Hyperreality Hyperreal information Samuel R Delany Damien Broderick David Lewis Transrealism Transrealist Manifesto SF Mega-text SF Codon Thomas Pynchon Information Synthesis Synthesis Multivariate nexus Heterogeneous information profile Cognitive Aesthetic Complexity Aesthetic of Complexity
4	Informationist Science Fiction Theory and Informationist Science Fiction Long, Bruce Raymond January 2009 (has links) Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information. Science Fiction Information Theory Informationism Anti-simulacra Simulacra Information Types Veridical information Literary theory Pseudo-information William Gibson Iain M Banks Neal Stephenson Alastair Reynolds Science Fiction Theory Novum Pseudo-novum Character-novum Auto-novum Pseudo novum character novum Darko Suvin N. Katherine Hayles William Paulson High information Claude E Shannon Adrian Moles Hyperreal Hyperreality Hyperreal information Samuel R Delany Damien Broderick David Lewis Transrealism Transrealist Manifesto SF Mega-text SF Codon Thomas Pynchon Information Synthesis Synthesis Multivariate nexus Heterogeneous information profile Cognitive Aesthetic Complexity Aesthetic of Complexity

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