Thesis (M.S. - Hydrology and Water Resources)--University of Arizona. / Includes bibliographical references (leaves 126-129).

Thesis (M.S.)--University of Wisconsin--Madison, 1981. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Orientador: Jose Eduardo Ribeiro de Paiva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-09T06:23:51Z (GMT). No. of bitstreams: 1 Perez_Valmir_M.pdf: 3256712 bytes, checksum: af7a3be4447b9d05a7409629d2408327 (MD5) Previous issue date: 2007 / Resumo: Esta pesquisa tem por finalidade estudar o desenho de iluminação de palco. O trabalho está divido em três partes: pesquisa, criação e execução do desenho. Na fase da pesquisa, estudo tanto os elementos técnicos como os elementos estéticos que devem ser coletados para contribuir para a criação artística através da luz e, ao mesmo tempo, criar condições materiais para que se dê essa criação. Na fase da criação, discuto a importância da visão do design de iluminação como processo artístico, assim como, faço um paralelo entre esse e a criação em arte pictórica, ensejando determinar o valor estético da luz sobre os palcos e as semelhanças e diferenças que se estabelecem entre essas duas artes. Na terceira e última fase, faço uma apresentação do software LabLux versão beta 1.01, criado, especialmente, para demonstrar os processos lógicos de criação de mapas e planilhas de projetos de iluminação cênica. Conjuntamente, discuto os elementos principais do desenho técnico de um projeto e sua importância como ferramenta de comunicação entre criadores e executores de uma obra de iluminação de palco / Abstract: This research intends to study the stage lighting design which is divided in three parts: research, creation, and execution of the drawing. In the research phase, I studied the technical and aesthetic elements that must be collected in order to contribute to the artistic creation through light. They also provide the necessary material condition to facilitate the creation process itself. During the creation phase, I discuss the importance of the visualization of the lighting design as an artistic process. In addition, I trace a parallel between this and the creation of pictorial art so as to determine the aesthetic value of the light over the stage, including the similarities and differences between the two arts. At the third and last phase, I present the LabLux software, beta version 1.01 which was specially developed to demonstrate the logical creating process of maps and stage lighting project spreadsheets. At the same time, I discuss the main elements of the technical drawing of a project and its importance as a tool of communication between creators and executors of a stage lighting production / Mestrado / Mestre em Multimeios

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This thesis will document the design process and execution of the scenery for Temple University's Fall 2017 production of Guys and Dolls. We will discuss the production process through analysis, research and communication of the design. / Theater

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This document will journal the theatre scenic design work of Nicholas Wilson at the University of Iowa from August 2014 through the spring of 2017. Largely, the images included will be production photos of realized productions put on at the University of Iowa. Both large scale mainstage shows as well as smaller, low budget productions will be showcased as well as digital renderings and scale models to illuminate the design process.

Thesis (M.S.)--Oregon State University, 1989. / Typescript (photocopy). Includes bibliographical references. Also available on the World Wide Web.

AN ABSTRACT OF THE THESIS OF Logan Thomas Reagan, for the Master of Fine Arts degree in Theater, presented on December 5, 2015, at Southern Illinois University. TITLE: RAGTIME: A SCENIC DESIGN MAJOR PROFESSOR: Dr. Ronald Naversen This document covers the process of scenic design for the Southern Illinois University Department of Theater production of Ragtime. The productions were held on the following dates: October 24-27, 2013. The first chapter provides an in depth analysis of the script. The second Chapter focuses on the design process leading into the third chapter which focuses on the build process. The final chapter focuses on an evaluation and reflection of the previous chapters processes. Included in the Appendices are further documentation used throughout the design and build processes. These include charts, research images, models, storyboards, draftings, paint elevations and production photos.

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