Thesis (M.S. - Hydrology and Water Resources)--University of Arizona. / Includes bibliographical references (leaves 126-129).

Thesis (M.S.)--University of Wisconsin--Madison, 1981. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Orientador: Jose Eduardo Ribeiro de Paiva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-09T06:23:51Z (GMT). No. of bitstreams: 1 Perez_Valmir_M.pdf: 3256712 bytes, checksum: af7a3be4447b9d05a7409629d2408327 (MD5) Previous issue date: 2007 / Resumo: Esta pesquisa tem por finalidade estudar o desenho de iluminação de palco. O trabalho está divido em três partes: pesquisa, criação e execução do desenho. Na fase da pesquisa, estudo tanto os elementos técnicos como os elementos estéticos que devem ser coletados para contribuir para a criação artística através da luz e, ao mesmo tempo, criar condições materiais para que se dê essa criação. Na fase da criação, discuto a importância da visão do design de iluminação como processo artístico, assim como, faço um paralelo entre esse e a criação em arte pictórica, ensejando determinar o valor estético da luz sobre os palcos e as semelhanças e diferenças que se estabelecem entre essas duas artes. Na terceira e última fase, faço uma apresentação do software LabLux versão beta 1.01, criado, especialmente, para demonstrar os processos lógicos de criação de mapas e planilhas de projetos de iluminação cênica. Conjuntamente, discuto os elementos principais do desenho técnico de um projeto e sua importância como ferramenta de comunicação entre criadores e executores de uma obra de iluminação de palco / Abstract: This research intends to study the stage lighting design which is divided in three parts: research, creation, and execution of the drawing. In the research phase, I studied the technical and aesthetic elements that must be collected in order to contribute to the artistic creation through light. They also provide the necessary material condition to facilitate the creation process itself. During the creation phase, I discuss the importance of the visualization of the lighting design as an artistic process. In addition, I trace a parallel between this and the creation of pictorial art so as to determine the aesthetic value of the light over the stage, including the similarities and differences between the two arts. At the third and last phase, I present the LabLux software, beta version 1.01 which was specially developed to demonstrate the logical creating process of maps and stage lighting project spreadsheets. At the same time, I discuss the main elements of the technical drawing of a project and its importance as a tool of communication between creators and executors of a stage lighting production / Mestrado / Mestre em Multimeios

No description available.

This thesis will document the design process and execution of the scenery for Temple University's Fall 2017 production of Guys and Dolls. We will discuss the production process through analysis, research and communication of the design. / Theater

No description available.

This document will journal the theatre scenic design work of Nicholas Wilson at the University of Iowa from August 2014 through the spring of 2017. Largely, the images included will be production photos of realized productions put on at the University of Iowa. Both large scale mainstage shows as well as smaller, low budget productions will be showcased as well as digital renderings and scale models to illuminate the design process.

Thesis (M.S.)--Oregon State University, 1989. / Typescript (photocopy). Includes bibliographical references. Also available on the World Wide Web.

AN ABSTRACT OF THE THESIS OF Logan Thomas Reagan, for the Master of Fine Arts degree in Theater, presented on December 5, 2015, at Southern Illinois University. TITLE: RAGTIME: A SCENIC DESIGN MAJOR PROFESSOR: Dr. Ronald Naversen This document covers the process of scenic design for the Southern Illinois University Department of Theater production of Ragtime. The productions were held on the following dates: October 24-27, 2013. The first chapter provides an in depth analysis of the script. The second Chapter focuses on the design process leading into the third chapter which focuses on the build process. The final chapter focuses on an evaluation and reflection of the previous chapters processes. Included in the Appendices are further documentation used throughout the design and build processes. These include charts, research images, models, storyboards, draftings, paint elevations and production photos.

All designers tend to have different styles and procedures that they tend to follow when they approach a design. Not only does this aid us in streamlining our process for ease and efficiency, but it also allows us to feel like we have left our individual and personal mark on the project, whether it is recognized by every individual audience member or not. In the Spring of 2023, I was informed by Professor Fred Duer that that my thesis assignment would be serving as the Scenic Designer for Temple University’s Department of Theatre Production of Choir Boy in the Fall of 2023. Furthermore, being that it was my thesis project, and that the production opened so early in the season, I was asked to begin working on the project as soon as possible, including working on said project over the summer. Choir Boy by Tarell Alvin McCraney premiered in London in 2012, and has since had runs at the collegiate level, regional theatres, as well as Off and On Broadway. Despite being about a decade old and its recent popularity, the Scenic Designs have been largely different from production to production- which typically means the audience enters the theater with no pre-conceived expectations of what they’ll be seeing in a design, which gives the production team much more flexibility in making their production their own. As a Theatrical Designer of any discipline the, the first goal should always be to work with the creative team as well as the director to create a world that best benefits the text provided to us by the playwright via the publishing company. By not working together and creating something that fits the text, productions can end up looking incoherent and disjointed. It also leads to contention in the design process, and difficulties once the team begins to implement their designs, and once the director and performers get into the space. Apart from the previously stated goal, I had individual goals that I also hoped to achieve while working on this assignment. I always strive to make a design that is unique to the show (within the bounds that are called for), this is ultimately dealt with in the initial concept and research work. I also strive to (with the team) create a world on stage that pulls the audience out of their day-to-day lives, at least for the duration of the show. If the audience is able to forget about anything going on in their head and live within the action of the play, then I believe that we did our job. Finally, and more uniquely related to this project, I had to both explore and relate to topics and motifs that I am not directly familiar with. I intended to weigh my success on my ability to accomplish these goals. / Theater