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11	The Waltz on the Seine Kang, Jennifer J. 10 November 2000 (has links) The desire to recognize and celebrate a forgotten artist and her work presents an opportunity for an investigation into the meeting of art and architecture. The dialogue between these two entities highlights the complexity of exhibiting works of art within a space of architectural integrity. The challenge is to successfully address both the art and the architecture in order to achieve a relationship that is mutually beneficial and equally powerful. This thesis investigates the transcendent themes created in such a dialogue. An innovative approach creates opportunities for extraordinary spatial experiences of the architecture and the artwork itself while addressing the challenges proposed by the site, one that has tremendous historical and cultural significance. The ultimate goal is a place where the architectural conditions provide a canvas for the acknowledgment and celebration of the artistic endeavors. / Master of Architecture artist Camille Claudel sculpture Paris art exhibit gallery sculptor France Seine River Ile Saint-Louis LD5655.V855 2000.K364
12	An Automated Method for Hot-to-Cold Geometry Mapping Doolin, Brandon Levi 01 May 2015 (has links) An Automated Method for Hot-to-Cold Geometry Mapping. hot-to-cold cold-to-hot running un-running rotor blade geometry mapping kriging radial basis function Sculptor arbitrary shape deformation Mechanical Engineering
13	Tři (čtyři) generace sochařské rodiny Kitzingerů / Three (four) generations of sculpture family Kitzinger Loub, Kryštof January 2021 (has links) Kryštof Loub, Tři (čtyři) generace sochařské rodiny Kitzingerů (diplomová práce), ÚDU FF UK Abstract This MA thesis aims to investigate and verify the current resources and literature about the Kitzinger family of sculptors, who created art in Litoměřice, Milešov, Prague, and Osek for three (even four) generations. Following the first chapter, which aims to critically evaluate the existing research about the family, comes a chapter entirely devoted to archival sources which reference the Kitzinger family. Through these archival sources, including not only contracts for specific works of art and the like, but also registry entries and others, I intend to present the family in their wider socio-cultural context. The greater part of the work is in the chapter focused on the so-called Milešov sculpture workshop (sometime before 1672-1688), founded by Abrahám Kitzinger, of the first generation of sculptors. This text describes and examines individual sculpture commissions conntected to the Kitzingers in northern Bohemia. Two more detailed chapters then focus on the sculpture commissions of Abrahám Felix Kitzinger, representing the middle generation in Prague (1691-1695/6) and then Osek (1696- sometime after 1701). The work concludes with a chapter of transcriptions of the archival documents I worked with in...
14	Sigrid Blomberg och altargruppen i Oskarshamns kyrka : en kvinnas verk / Sigrid Blomberg and the altarpiece in the church of Oskarshamn : a woman’s work of art Andersson, Anna-Malin January 2020 (has links) Sigrid Blomberg and the altarpiece in the church of Oskarshamn – a woman’s work of art, is an essay with the aim to describe, analyse and to discuss the gypsum altarpiece in the city church of Oskarshamn and its artist, the Swedish sculptor Sigrid Blomberg. The essay begins with a brief historical description of the situation for female artists in Sweden at the turn of the 20th century and a comment on the material chosen for the altarpiece – gypsum. This is followed by a short summary of the life of Sigrid Blomberg and two other examples of her work to illustrate and discuss similarities with the altarpiece in the church of Oskarshamn. This is followed by a description of the church and its interior, as well as the altarpiece’s history, creation process and problems. The essay then focuses on an analysis of the different parts, as well as the whole, of the altarpiece – characters, meanings and interpretations. The essay ends in a discussion of the findings and the author’s conclusions regarding the altarpiece and the artist’s place in the art history. Central in the essay is the apparent lack of female artists in the art canon and the reasons and effect due to this. The author uses a semiotic method and a feminist theory premiss to find the answers to questions such as: why was a female artist chosen for the assignment; how does the artwork compare to other, equivalent and contemporary artworks; how may the placing of the work have effected the perception of the altarpiece; have the perception changed over time; and finally what’s characteristic for the artist Sigrid Blombergs idiom? Altarpiece Gypsum Oskarshamn Sigrid Blomberg Sculptor Female artist Crucifixion Church Altargrupp altarprydnad kalvariegrupp skulptur skulptör skulptris Sigrid Blomberg Oskarshamn Oskarshamns kyrka gips kvinnlig konstnär krucifix Joh. 19:25-27 kyrka Bebådelsen Nationalmuseum konstnärlig kanon kvinna kvinnlig skulptör 1800-1900 motljusproblematik Kungliga medaljen Blomman Oskarshamns församling. Humanities and the Arts Humaniora och konst

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