Internal communication is very important in organizations as it has many advantages. Communicators such as marketers should have an internal market in mind and not just the external as it could be a key to success. Media channels that are used to communicate internally also play a big role in what the company is trying to convey to the internal market. Print communication plays a minor role, if any, in smaller companies now that electronic communication is making it easier for businesses to coordinate, educate and motivate internally. However, face-to-face was seen as the most effective tool in internal communication. Finally, there were no findings that the economic crisis in Spain 2013 was affecting the internal communication.

Seventeenth-century Seville, one of early modern Spain's most populous cities and the mercantile hub of its imperial trade, endured repeated and severe flooding of the Guadalquivir River, events that have been largely overlooked by historians. Additionally, Seville's boom-then-bust history and the allure of the 'decline of Spain' thesis have ensured that the second half of the seventeenth century for both the urban and the national context remains similarly neglected. This thesis, by conducting research into the city's flooding from 1621 to 1700 presents an alternative narrative of continuity, at the same time as asserting the value to be gained from a historical study of the environment and disasters. I argue that urban responses - political and cultural - to disaster provide fundamental evidence of the impact of wider historical processes and structures. The asistente - the royal governor - of Seville likewise lacks sustained or detailed study. These men, as the king's appointees, had a vital role in the performance of the government of the Habsburg monarchy. The city's equivalent of the corregidor in other Spanish cities and towns, and previously understood as a legal and administrative official, the asistente was, I argue, responded to a broader set of political attitudes, which prioritised conservation and discouraged novelty. I also stress the hands-on and practical aspects to the post, which demanded a working appreciation of urban space. By connecting a study of royal government in one of the most significant of early modern Spanish cities to an environmental history of flooding, I address important gaps in the scholarship and suggest new avenues of research into the history of environmental disaster. Spanish 'decline' might be reinterpreted as a failure to deal with specific local environmental issues, and environmental disaster acknowledged as an issue of central political importance.

Made available in DSpace on 2014-06-11T19:26:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-29Bitstream added on 2014-06-13T18:54:51Z : No. of bitstreams: 1 michelette_pt_me_assis.pdf: 584904 bytes, checksum: ed3d2b656689ffdea69530d225d2e8b6 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta dissertação teve como objetivo compreender a elaboração da concepção da Realeza católica a partir das ideias políticas do bispo Isidoro de Sevilha (560-636). Prelado que viveu na passagem do século VI para o VII na Hispânia Visigoda, um período de mudanças, onde se buscava a unidade religiosa, política, legal, administrativa e de identidade deste reino. Coube a Isidoro de Sevilha traçar-lhe a doutrina. Assim analisamos as perspectivas deste prelado em relação ao reinado de Recaredo, rei que apareceu diante do III Concílio de Toledo (589) como o autor da conversão de seu povo e defensor dos interesses da única Igreja oficial do reino, bem como de seus sucessores. Contudo, apesar da conversão de Recaredo ter dado um novo caráter à Monarquia esta ainda não conseguiu consolidar totalmente o reino. Isidoro, por meio de suas obras desenvolveu um importante papel na tarefa de fortalecimento da Monarquia. Assim na maior parte de seus escritos não apenas apresentou as preocupações e anseios de um indivíduo isolado, mas os desejos e temores também do restante do corpo que, em sua maioria, compunham a Igreja hispano-visigoda e a instituição monárquica / This dissertation aimed to understands the elaboration of the conception of the Catholic Royalty starting from the bishop's Isidoro of Seville political ideas (560-636). Prelate that lived in the passage of the century VI for VII in Visigothic Hispania, a period of changes, where the religious unit, politics, was looked for legal, administrative and of identity of this kingdom. Isidoro of Seville fit to draw the doctrine. We analyzed the prospects of this prelate in relation to the reign of Recaredo, king that appeared before III Council of Toledo (589) as the author of the conversion of his people and defender of the interests of the only official Church of the kingdom, as well as of their successors. However, in spite of the conversion of Recaredo to have given a new character to the Monarchy this still didn't get to consolidate the kingdom totally. Isidoro, through their works developed an important paper in the task of invigoration of the Monarchy. Like this in most of their writings it didn't just present the concerns and an isolated individual's longings, but the desires and fears also of the remaining of the body that, in majority, composed the hispano-Visigothic Church and the monarchic institution

This thesis analyses the commercial relations between Scotland and the geo-political area known as the Iberian world in the early modern period. Despite being geographically one of the largest areas of Europe, as well as arguably the politically most weighty, there has, until this thesis, been no scholarly research on Scottish trade relations with this area. Though the archives suggest regular and sustained contact, very little is known about Scottish-Iberian connections beyond the overtly political. When compared to northern Europe the region of Iberia and its dominions differed significantly, not only due to a different branch of Christianity being practised there but also due to the influence of the Habsburg empire and the power it was perceived to give the Spanish Habsburgs. Looking predominantly at Scottish commercial contacts with Spain, the Spanish Netherlands and Portugal, this project considers a number of angles such as England's impact on Scottish commercial relations with Iberia. For example, very little would be known about Scottish commercial relations with Iberia in the late-sixteenth century if it were not for the Anglo-Spanish war of that period. The central role of conflict in Scottish-Iberian relations continues into the seventeenth century, with the Cromwellian/Stuart struggles with the Dutch Republic and later disputes between the new state of Great Britain and Habsburg Spain all affecting trade. This thesis demonstrates the important role of triangular and entrepôt trade, which was popular with Scottish merchants who wished to obtain Iberian goods without the risks of sailing into North African corsair territory. Scots did not merely pick up Iberian goods from the entrepôt markets of London and the Dutch Republic they also organised trade to Iberia and its dominions via other Scots, providing evidence of a complex trade network. Further, this thesis has sought to ascertain that, despite the lack of a large Scottish community such as those seen in Poland-Lithuania and Scandinavia, Scottish commercial relations with Iberia were valuable both to the Scottish economy and its merchants. This thesis which continues the work of the Scotland and the Wider World Project, addresses a lack of scholarly work regarding Scottish commercial connections with this key geo-political area.

In the past the works of Isidorus Hispalensis have been regarded as nothing more than a rehashing of the works of earlier ecclesiastical authors, with no direct reference to Roman sources. He has been called at best a compiler and at worst a plagiarist. However, a greater understanding of the historical context shows that it is likely that Isidorus Hispalensis was working directly from Roman sources. In addition, by studying the historical context within which Isidorus is writing, evidence of his originality is seen in his ability to cater specific works to his specific context. By outlining Rome’s presence in Spain from the very beginning, as well as the changing understanding of the barbarian invasions, I show through a study of the astronomical chapters of Isidorus Hispalensis’ De Natura Rerum that Roman traditions in Spain persisted well into the Visigothic period, and that Isidorus Hispalensis is a perfect symbol of the survival of Roman culture after the fall of the western Empire. / Thesis (Master, Classics) -- Queen's University, 2013-04-12 17:33:29.356

The Seville Cancionero is a manuscript collection of songs from late fiftennth-century Spain and is preserved today in the Biblioteca Colombina of Seville with the number 7-1-28. This dissertation describes the document and provides commentary and transcriptions of the Seville Cancionero.

The purpose of this thesis is to question the art historical notion of influences, specifically in the case of the seventeenth century Spanish Baroque artist Diego Velázquez. His work is often seen as an extension of the realist movements in Flanders and Italy at the turn of the seventeenth century, but that view is extremely reductive. Velázquez strove to depict the world around him as he saw it, attempting to incorporate the transient nature of the scenes before him into his works. The city of Seville, in which Velázquez lived and worked, provided the setting and cultural elements that would orient his work He was able to simultaneously break free of the conventions that had been placed on artists in the early seventeenth century and embrace his proto-impressionistic artistic style while developing himself as an artist. His paintings, especially his bodegones, showcase the low-class culture and citizens of Seville. Velázquez's subjective representation of these low class subjects and scenes allow him to re-create the city of Seville on his canvas, allowing the modern-day viewer to experience the represented environment. Velázquez's artwork allows his viewers to be immersed Interweltsien (in-the-world) and experience the world that he was depicting. This thesis will use both Place Theory and Phenomenology to better understand the works that Velázquez created while he was living in Seville.

This thesis intends to examine four chronicles from fifth, sixth, and early seventh century Spain and discuss the different approaches to the history of that period that the chronicles of Hydatius of Lemica, John of Biclaro, Isidore of Seville, and the Chronicle of Zaragoza display. Firstly, each of the writers will be discussed in turn, along with the implications of their choice to use the format of a chronicle to record the past. Then, their sources of information will be examined, because all four chronicles do not have access to the same quantity of information from parts of the world other than Spain. After these matters are dealt with, we will analyse the way in which changing political and social realities affect the presentation of historical events in our chronicles, including the use of appropriate technical terms. Finally, the treatment of religious issues will be examined, and once again we will see how the changes of their times altered the style of these chronicles. In all of this, it is apparent that attitudes in Spain to the recent past changed during this period, because of the political, religious, economic, and social upheavals caused by the disappearance of the Roman Empire in Spain and the rise of the kingdom of the Visigoths.

This Thesis focuses on the history and development of the topography, layout, and facilities of the ancient port of Seville, which is located in the lower Guadalquivir River Basin. From a maritime archaeology perspective, it combines terrestrial and maritime archaeological evidence, literary and epigraphic material, as well as palaeo-geomorphological and palaeo-environmental studies. This Thesis is a longue durée or diachronic study ranging between the 1^st century BC and the 13^th century AD. The Thesis is divided into three main historical periods, and in addition to the port itself, studies the palaeo-geomorphology and palaeo-hydrology of the Guadalquivir River, as well as of the palaeo-climatology of the region during each of these eras. The first third of the Thesis examines the port of Hispalis during the Roman era. By considering the natural hydrography of the river and the meander of Hispalis, the Thesis proposes a model for the distribution of harbour facilities and their development through the Roman period. Building on this, it becomes possible to assess the extent and scale of these, as well as of the maritime commerce that the Roman port sustained. The second third of the Thesis focuses on the Late Antique period. Despite the lack of direct archaeological evidence for the port in this era, the Thesis suggests that there was a decline but continuity in the commercial activities in direct connection with the Mediterranean maritime networks. This section also examines the historical events that occurred in Hispalis from the maritime archaeology perspective, arguing that the port was at the core of all these historical episodes because of its geopolitical and strategic importance. The last third of the Thesis concentrates on the study of the port during the Islamic period. By understanding the extreme changes that occurred in the hydrography and geomorphology of the river in this epoch, the Thesis deciphers the process that led to the progressive siltation of the ancient channel of the river. The study of the archaeological material from the 1981 Plaza Nueva excavation, in combination with other proxies, allows a chronology to be proposed for the demise and subsequent disappearance of the ancient port. The transformation of the meander of the river resulted in the relocation and construction of a new port, which had a prominent role in the maritime history of the world during the centuries that followed.

abstract: From the time it was written, the aria "Largo al factotum" from Rossini's Il barbiere di Siviglia has been performed and ornamented in many different ways. The present study is an inventory and analysis of ornaments sung in 33 recordings from 1900 to 2011 and the major differences that they exhibit one from another. The singers in this study are baritones with international careers, who have performed the role of Figaro either at the Metropolitan Opera (New York) or at La Scala (Milan). The study identifies and tracks some of the changes in the ornamentation of the aria by noting common traits and new approaches across the one hundred eleven years of practice illustrated by the recordings. / Dissertation/Thesis / A Spreadsheet of the Artists and Ornaments Analyzed in Largo al factotum / March 6 2014 Andrew Briggs Lecture Recital Presentation / D.M.A. Music 2014