Thesis (M.A.P.S.)--Catholic Theological Union at Chicago, 2000. / Vita. Includes bibliographical references (leaves 77-79).

M.A. (Afrikaans) / The women's liberation movement, which had its origins in the seventies, produced a number of intellectuals who have been actively campaigning for the eradication of sexism in especially the American society ever since. In terms of this movement, language is deemed to provide the very paradigm within which gender inequality is set to flourish unchecked. One of the principal aims of the movement is, therefore, to eliminate all grammatical forms in terms of which women, trapped in a traditionally male-dominated world, are being ignored, slighted, degraded and stereotyped. Soon, several publishers started introducing and organising women's study series and workshops on sexism at conferences on language and sociology. In the wake of that, a great number of publications, in which language inequalities are scientifically described, have appeared already. In addition, many articles and books were published in which guide-lines were laid down for the avoidance of sexist lexical items in the English language, which has since gained the unfortunate distinction of being labelled the most sexist language. The emphasis in the present study will, however, not fall on the ideology underlying the women's liberation movement, but on the many publications on language sexisms that had been prompted by it. Language planning and change naturally play a crucial part in all publicatlons on language sexisms. The general sociolinguistic supposition about language change is that it is prompted by change in the social structure of a society. The advocates of the development of a non-sexist language, however, appeal to the Whorf hypothesis, in terms of which the language structure of a society is deemed to reflect and facilitate its world view. According to the champions of the said hypothesis, however, the reverse of this argument should also hold good, namely that a change in the language structure of a society should bring about an inevitable change in its world view. On the strength of the latter hypothesis, alternatives are suggested for all sexist lexical items, so that v the new-found non-sexist language could help society to create a non-sexist social structure. A definition of the term language sexism has been formulated in the present study, based on the conclusions reached in research articles. The conclusion drawn is that the term sexism could only be applied in respect of language usage relating to women. Although feminists have even coined such phrases as male chauvinist pig, the literature that was taken into study (with the possible exception of that generated by Hauptfleisch, 1989), made no mention whatsoever of the possibility that male terms' could also be considered sexist. Current research projects and existing publications on language sexisms are mainly in English. With the exception of Liebenberg (1976), the few existing research studies in Afrikaans deal with specific topics, such as sexisms in translation practice or teaching material. In the present study, however, the researcher has endeavoured to describe the specific nature of those sexisms found in the Afrikaans lexicon.

No description available.

Studies have shown that people are opposed to writing in nonsexist language and that attempts to teach nonsexist language have been unsuccessful in causing people to change their writing styles. Previous studies focused on how to write in nonsexist language, but did not focus on why using nonsexist language is important. In the present study an attempt was made to change attitudes toward sexist language, as well as to teach how to write in nonsexist language by comparing two methods of teaching nonsexist language. All participants completed an interactive computer program that taught nonsexist language. The experimental group then discussed/role played the importance of writing in nonsexist language whereas the control group discussed/role played ethical issues involved in experimental research. Groups were compared on their attitudes towards sexist language using the Hawken Sexist Language Questionnaire, designed for this study. Groups were also compared on how well they recognized sexist language using the Gender-Specific Language Scale and wrote in nonsexist language when answering six short essay questions. Results showed no difference between the experimental group and the control group on any of the dependent measures post-intervention or during a 3-week follow-up. Implications for future research are discussed.

No description available.

published_or_final_version / English Studies / Master / Master of Arts

A love ethic is the ground of agency and subjectivity for both men and women, and mutuality is the heart of love. Many feminist scholars are working to articulate and understand love by examining women's identity and language. In this thesis, I explore a language used for love and desire through theoretical examination and poetic expression. Using a dialectical relationship between the text and the reader, this project demonstrates that mutual love depends on access to language that can express love and sexuality. Three central texts are used: 'All About Love: New Visions' by bell hooks, 'I Love to You: Sketch of a Possible Felicity in History' by Luce Irigaray and 'Love Lyrics from the Bible: The Song of Songs, a New Translation' by Marcia Falk. In six sections of theoretic analysis and poetry, I show that female subjectivity and agency are conditions for mutuality in both love and sexuality.

The purpose of my graduate thesis creative project, Girl Is a Four-Letter Word: Gender Biased Imaqe and Language is to call attention to the subliminal messages about stereotypical female qualities and female role expectations transmitted through the use of our language. My focus is on classroom visuals and reading textbooks used in the 1950s and 1960s, which illustrate very separate paths of gender social development. I have created a series of twenty-two paintings, in which I have juxtaposed images inspired from old textbooks and mild four-letter words to illustrate double-entendre associations and implied sexual innuendoes in everyday language.The creative project began with extensive research to find examples of textbooks from the 1950s, to review the textbooks in the historical context of America's educational goals and to study artists who have investigated themes of language and meaning of images in their work. Specific artists researched who have explored these ideas historically include Rene Magritte, Jasper Johns and Barbara Kruger. The actual artworks of several abstract expressionists were examined closely because of a similarity in painting technique and style.The paintings produced for this thesis project were executed with oil paint on recycled stretched canvases. Thick paints were applied straight from the tube and layered in thick impasto. The composition of all paintings include a vignetted image or isolated object in the center of the canvas with a label placed below, similar to the format of flashcards used for learning to read. The image and words together create a relationship pointing out blatant gender-biased associations, displayed with tongue-in-cheek humor. / Department of Art

Thesis (M.A. (Translation and Linguistics)) --University of Limpopo, 2007 / Refer to the document

The problem of linguistic and structural bias in the subject vocabularies used by libraries has been the subject of varying degrees of scrutiny in the cataloging literature of the past several decades. This study examines the Library of Congress subject headings involving sex and gender from 1988, 1993, and 2003. Changes to the headings are tracked and analyzed. Comparisons are made between recommendations made in the literature and changes to the subject vocabulary; the impact of the changes on the appearance of bias on the basis of sex and gender in library catalogs is discussed.