Spelling suggestions: "subject:"shakespeare, william 156461616. hamlet."" "subject:"shakespeare, william 156461616. samlet.""
11 |
Interpretations of Hamlet's DelayLiles, Bruce L. 08 1900 (has links)
Perhaps the most universally discussed problem in the interpretation of the character of Hamlet is the reason for his delay in carrying out the Ghost's commands and revenging the murder of his father. Certainly Shakespeare makes no mention of the reason for Hamlet's delay. The fact that critics have never been able to untangle this mystery proves that the solution is not presented in an obvious form in the play.
|
12 |
La contemporaneidad del teatro de William Shakespeare en el Perú : el caso de Hamlet de Alberto IsolaMayurí Granados, María Elena 17 November 2011 (has links)
William Shakespeare es, sin lugar a dudas, uno de los dramaturgos más brillantes y
más representados del teatro universal. Su obra es ampliamente reconocida y considerada
en la literatura y las artes escénicas por la riqueza temática que guarda y las múltiples
posibilidades interpretativas que alberga, según el punto de vista de cada director.
El reto de montar un Shakespeare no es sencillo, pues hay que combatir cierta
resistencia del público hacia los llamados autores clásicos. El hecho de pretender acercar
a Shakespeare al espectador de hoy conlleva siempre riesgos. Muchas veces se pretende
actualizar a Shakespeare empleando recursos escénicos modernos, como vestuario,
escenografia, modismos al hablar, etcétera. Pero sólo se consigue una modernización
artificial que no cumple con la misión de revelar la verdadera esencia de la obra. La pieza,
entonces, se puede convertir en el mejor de los casos, en una buena crónica moderna
pero su temática pasará desapercibida, descontextualizada. Ante el problema de la
modernización superficial, surge la invitación a realizar el montaje shakespeareano bajo la
perspectiva de una verdadera contemporaneidad, la cual buscará compenetrar la temática de la obra con el contexto social del público. La coincidencia se vuelve un resultado feliz
cuando el público encuentra en escena una problemática en la cual se reconoce y se
identifica. / Tesis
|
13 |
Hamlet : the design as processBarrus, David W January 2012 (has links)
This thesis represents the written portion of the Degree Requirements of
the Master of Fine Arts in Theatre Design.
The Thesis production of HAMLET, by Wm. Shakespeare (edited by Brian
C. Parkinson), was the University of Lethbridge Department of Theatre and
Dramatic Arts third show of the 2011 – 2012 Mainstage Theatre season,
running February 14 – 18, 2012, performed at the University Theatre in the
University of Lethbridge Centre for the Arts, Lethbridge, Alberta. HAMLET
was directed by Brian C. Parkinson, with the assistant direction of L. Jay
Whitehead and Yvonne Mandel.
Contained within this written portion of the thesis is a discussion of the
design concepts for this production, along with photographic records of
models, technical drawings, and other pertinent information. / viii, 176 leaves : col. ill. ; 29 cm
|
14 |
Hamlet haven [electronic resource] : an online, annotated bibliography / by Harmonie Anne Haag Loberg.Loberg, Harmonie Anne Haag. January 2002 (has links)
Winner of the 2003 Outstanding Thesis prize. / Title from PDF of title page. / Document formatted into pages; / Thesis (M.A.)--University of South Florida, 2002. / Includes bibliographical references. / Text (Electronic thesis) in PDF format. / ABSTRACT: The Challenge: Today a daunting quantity of scholarship relating to Hamlet exists. While databases and electronic catalogues aid research, these directories present a virtual wall of minimal bibliographic data. Sorting through lists still takes eons. Meanwhile, new publications are constantly added to the academic stacks that ever threaten to tumble over. The Solution: A web site that groups together scholarly publications using similar approaches and treating similar subjects will translate the overwhelming into the maneuverable. The online medium will provide accessibility to everyone--student, research assistant, instructor, scholar--and will guarantee the opportunity to update this resource on a regular basis. Scope: Listings will span materials published between 1991and 2001. The bibliography will exclude notes, reviews, abstracts, and treatments of theatre and film performances as well as certain forums (e.g., newsletters, bulletins, electronic journals). / ABSTRACT: Scholarship focusing on the Folio/Quartos debate seems relevant but requires specific and technical specialization and will thus be omitted. Pedagogical studies and comparisons of Hamlet to other literary works will also be excluded. Research: IAC Expanded Academic Index, 1982-1995, IAC Expanded Academic Index, 1996-, and MLA Bibliography databases, as well as Dr. Sara Deats?private bibliography on Hamlet, will be combed for applicable scholarship. Organization: The bibliography will categorize publications by theoretical approach (e.g., feminism, new historicism) and subject focus (e.g., characters, themes). It will arrange individual works alphabetically by author within each subsection, using the MLA format. / System requirements: World Wide Web browser and PDF reader. / Mode of access: World Wide Web.
|
15 |
I.S. Turgenev, Hamlet et Don Quichotte, variations sur un même thèmeBeauregard, Josée. January 1980 (has links)
This study aims at a reassessment of Turgenev's article "Hamlet and Don Quixote" in light of the literary sources which might have inspired it, and to analyze its relevance to novels and stories most directly related to it. Thus, the main purpose of the study is to highlight Turgenev's world view as contained in his article and illustrated by his chief male protagonists, some of his heroines and their interrelationship. / We also demonstrate the way in which Turgenev's original, avant-garde interpretation of Don Quixote played a key role in his literary career and made an important contribution to the study of Cervantes in nineteenth-century Russia. The psychological ideal proposed by Turgenev in his interpretation of Don Quixote challenges the commonly-held view of Turgenev as a pessimistic writer.
|
16 |
Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of HamletDunn, John T. 08 1900 (has links)
This document's purpose is to analyze dualities found in different films of Shakespeare's Hamlet. Each version brings different ideas to it. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene's symbolism are made between the musical scores.
The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene will be analyzed independently of each other.
This work will contribute to musicology, film research, Shakespeare studies, and English scholarship.
|
17 |
I.S. Turgenev, Hamlet et Don Quichotte, variations sur un même thèmeBeauregard, Josée. January 1980 (has links)
No description available.
|
18 |
La contemporaneidad del teatro de William Shakespeare en el Perú : el caso de Hamlet de Alberto IsolaMayurí Granados, María Elena 17 November 2011 (has links)
William Shakespeare es, sin lugar a dudas, uno de los dramaturgos más brillantes y
más representados del teatro universal. Su obra es ampliamente reconocida y considerada
en la literatura y las artes escénicas por la riqueza temática que guarda y las múltiples
posibilidades interpretativas que alberga, según el punto de vista de cada director.
El reto de montar un Shakespeare no es sencillo, pues hay que combatir cierta
resistencia del público hacia los llamados autores clásicos. El hecho de pretender acercar
a Shakespeare al espectador de hoy conlleva siempre riesgos. Muchas veces se pretende
actualizar a Shakespeare empleando recursos escénicos modernos, como vestuario,
escenografia, modismos al hablar, etcétera. Pero sólo se consigue una modernización
artificial que no cumple con la misión de revelar la verdadera esencia de la obra. La pieza,
entonces, se puede convertir en el mejor de los casos, en una buena crónica moderna
pero su temática pasará desapercibida, descontextualizada. Ante el problema de la
modernización superficial, surge la invitación a realizar el montaje shakespeareano bajo la
perspectiva de una verdadera contemporaneidad, la cual buscará compenetrar la temática de la obra con el contexto social del público. La coincidencia se vuelve un resultado feliz
cuando el público encuentra en escena una problemática en la cual se reconoce y se
identifica.
|
19 |
As representações de A morte de Ofélia na obra de Eugène Delacroix / The death of Ophelia representations in Eugène Delacroix's workPaes, Luciana Lourenço, 1984- 11 October 2014 (has links)
Orientador: Cláudia Valladão de Mattos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-26T09:08:07Z (GMT). No. of bitstreams: 1
Paes_LucianaLourenco_M.pdf: 6480106 bytes, checksum: 311dc7804c3dc4fd9387ec6cc4c1d3bd (MD5)
Previous issue date: 2014 / Resumo: A presente pesquisa tem como objetivo analisar as representações da morte de Ofélia na obra do pintor francês Eugène Delacroix (1798-1863), pensando sua relação com a tradição visual ligada à representação de Vênus e do suicídio feminino, com outras obras do artista e de seus contemporâneos, com a noção de "teatral" em pintura e com o contexto da pesquisa psiquiátrica na França na primeira metade do séc. XIX / Abstract: The present paper intends to analyze the representations of Ophelia¿s death in the production of the French painter Eugène Delacroix (1798-1863), reflecting on its relationship with the visual tradition of Venus and the feminine suicide, with other works by the artist and his contemporaries, with the notion of "theatrical" in painting and with the context of psychiatric research in the first half of nineteenth-century France / Mestrado / Historia da Arte / Mestra em História
|
20 |
Act I, Scene 2 of Hamlet: a Comparison of Laurence Olivier's and Tony Richardson's Films with Shakespeare's PlayBaskin, Richard Lee 12 1900 (has links)
In act I, scene 2 of Shakespeare's Hamlet, one of the key themes presented is the theme of order versus disorder. Gertrude's hasty marriage to Claudius and their lack of grief over the recent death of King Hamlet violate Hamlet's sense of order and are the cause of Hamlet's anger and despair in 1.2. Rather than contrast Hamlet with his uncle and mother, Olivier constructs an Oedipal relationship between Hamlet and Gertrude--unsupported by the text--that undermine's the characterization of Hamlet as a man of order. In contrast, Tony Richardson presents Claudius' and Gertrude's actions as a violation of the order in which Hamlet believes.
|
Page generated in 0.0619 seconds