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Wer sagen die Leute, wer ich bin? Eine qualitative Erhebung zur Gottesvorstellung bei Jugendlichen in Deutschland. Eine Studie aus der sicht empirischer Missionswissenschaft = Who do people say that I am? A qualitative research of the image of God among German youth. A study from the perspective of empirical MissiologyFaix, Tobias 30 June 2006 (has links)
Zusammenfassung
Die vorliegende Forschungsarbeit unternimmt den Versuch, einen konzeptionellen
Entwurf einer empirischen Missionswissenschaft als Grundlagenforschung zu
entwickeln, der im Praxisfeld durchgeführt wird. Dabei soll die intradisziplinäre
Vorgehensweise einen methodologischen Zugang sozialwissenschaftlicher
Methoden zur Missionswissenschaft möglich machen. Als Grundlage wird ein
Einblick in die sozialwissenschaftliche und missionswissenschaftliche Forschung
gegeben und daraus ein eigener, empirisch-theologischer Praxiszyklus entwickelt,
der die Methodologie der Untersuchung darstellt. Die inhaltliche Forschungsarbeit
fragt nach Gottesvorstellungen von Jugendlichen aus missionswissenschaftlicher
Sicht. Dabei wird die Möglichkeit missionarischer Begegnung und Ansprechbarkeit
von Jugendlichen im Kontext der kulturellen Veränderungen des postmodernen
Paradigmemwechsels beleuchtet. Die Frage, wie Gottesvorstellungen von
Jugendlichen gesellschaftlich geprägt und wie sich dies auf ihre Religiosität in
ihrem Alltag auswirkt, spielt in diesem Zusammenhang eine wichtige Rolle.
Deshalb wird nicht nur der aktuelle Forschungsstand zur Thematik untersucht,
sondern 18 Jugendliche werden in Form von halbstandardisierten Interviews
qualitativ befragt und ihre Aussagen empirisch-missiologisch ausgewertet.
Die Thesis hat somit zweierlei Zielsetzungen: Zum einen geht es um eine
empirisch-theologische Studie zur Erforschung von Gottesvorstellung bei
Jugendlichen im Hinblick auf ihre missionarische Ansprechbarkeit. Zum anderen
zielt sie darauf ab, durch Umsetzung des empirisch-theologischen Praxiszyklus
einen Typus zu entwickeln, der auch künftig in der Missionswissenschaft für
empirisch-theologische Erhebungen eingesetzt werden kann.
Summary
The intention of this research project is to evolve a concept for empirical
missiology as a method of fundamental research and to apply it in practice.
Through the usage of an intradisciplinary approach, access to missiology via the
methodology of the social sciences is rendered possible. To establish a basis, an
insight into social as well as missiological research will be given, and an inherent,
empirical-theological praxis cycle will be developed. This praxis cycle is the
methodology of this research paper. Concerning content, this research paper
scrutinises the image of God held by juveniles from a missiological point of view. It
considers the missionary receptiveness of juveniles in the context of cultural
change in the postmodernist shift of paradigm.
In how far are juvenile concepts of God marked by the correspondent social
environment and does that have an impact on their everyday religious behaviour?
Consequently not only the current state of research will be evaluated but,
furthermore, the half-standardised qualitative interviews of 18 juveniles will be
enclosed and their answers analysed on an empirical- missiological basis.
Hence, this thesis has a twofold aim; one considers empirical-theological research
as a way of evaluating concepts of God among juveniles with regard to their
missionary receptiveness. The other implements the empirical-theological praxis
cycle aiming to develop a type which enables further empirical-theological
investigation in missilogy. / Missiology / D.Th.
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Postkolonialiteit in die twintigste- en een-en-twintigste-eeuse Afrikaanse drama met klem op die na-sestigers / Postkolonialiteit in 20ste- en 21ste-eeuse Afrikaanse drama met klem op die na-sestigersVan der Merwe, Anna Susanna Petronella 30 November 2003 (has links)
Text in Afrikaans / In this thesis the term post-colonialism in the Afrikaans drama is investigated, focussing on the post-sixties. The term post-colonialism is difficult to define. Not only are theories of post-colonialism in a state of continuous flux and shifting emphasis, but as a result of different colonial dominations, separate identities have been constructed in South-Africa; so that defining the terms colonial, post colonial and post-colonial proves to be even more problematic.
The purpose of this study is to determine to what extent the Afrikaans drama fits into these discourses. The basic point of departure is the fact that post-colonialism played a considerable role in the development of the Afrikaans drama, at the same time providing a more varied scope.
The research covers several aspects of post-colonialism in Afrikaans drama; each dealt with in a separate chapter. A multitude of perspectives are featured within the broader discourse in order to obtain multiple norms and standards in a phase of self-criticism. The focus falls mainly on themes and not on performance aspects.
New perspectives on issues such as canon texts, silence, hero-worship, the portrayal of woman, patriarchy, and neo-colonialism are presented (chapter 1). In chapter 2 focus falls on the period before 1960, and notably the question of nationalism (associated with apartheid) and the portrayal of the Afrikaner. The literary canon, forms of violence and the position of the super-Afrikaner are viewed in a new light during the re-writing of post-colonial history and the resulting paradigm shifts after 1960. Renewed emphasis is placed on discourse concerning land (chapter 3). Contrasting concepts regarding race, class, language, gender and religion are reconsidered in order to contribute towards the heterogeneous nature of post-colonialism (chapter 4). The function of theatre is to re-evaluate in the context of a post-1994 democratic system. Texts now focus especially on empowerment, re-discovery and re-ordering of history, reconciliation, inter-cultural contact and a post-apartheid syndrome (chapter 5).
Anti-hegemonic resistance in Afrikaans literature since the sixties has confronted writers with the challenge of depicting or creating a larger post-colonial reality through their texts. / Afrikaans & Theory of Literature / D. Litt. et Phil. (Afrikaans)
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Wer sagen die Leute, wer ich bin? Eine qualitative Erhebung zur Gottesvorstellung bei Jugendlichen in Deutschland. Eine Studie aus der sicht empirischer Missionswissenschaft = Who do people say that I am? A qualitative research of the image of God among German youth. A study from the perspective of empirical MissiologyFaix, Tobias 30 June 2006 (has links)
Zusammenfassung
Die vorliegende Forschungsarbeit unternimmt den Versuch, einen konzeptionellen
Entwurf einer empirischen Missionswissenschaft als Grundlagenforschung zu
entwickeln, der im Praxisfeld durchgeführt wird. Dabei soll die intradisziplinäre
Vorgehensweise einen methodologischen Zugang sozialwissenschaftlicher
Methoden zur Missionswissenschaft möglich machen. Als Grundlage wird ein
Einblick in die sozialwissenschaftliche und missionswissenschaftliche Forschung
gegeben und daraus ein eigener, empirisch-theologischer Praxiszyklus entwickelt,
der die Methodologie der Untersuchung darstellt. Die inhaltliche Forschungsarbeit
fragt nach Gottesvorstellungen von Jugendlichen aus missionswissenschaftlicher
Sicht. Dabei wird die Möglichkeit missionarischer Begegnung und Ansprechbarkeit
von Jugendlichen im Kontext der kulturellen Veränderungen des postmodernen
Paradigmemwechsels beleuchtet. Die Frage, wie Gottesvorstellungen von
Jugendlichen gesellschaftlich geprägt und wie sich dies auf ihre Religiosität in
ihrem Alltag auswirkt, spielt in diesem Zusammenhang eine wichtige Rolle.
Deshalb wird nicht nur der aktuelle Forschungsstand zur Thematik untersucht,
sondern 18 Jugendliche werden in Form von halbstandardisierten Interviews
qualitativ befragt und ihre Aussagen empirisch-missiologisch ausgewertet.
Die Thesis hat somit zweierlei Zielsetzungen: Zum einen geht es um eine
empirisch-theologische Studie zur Erforschung von Gottesvorstellung bei
Jugendlichen im Hinblick auf ihre missionarische Ansprechbarkeit. Zum anderen
zielt sie darauf ab, durch Umsetzung des empirisch-theologischen Praxiszyklus
einen Typus zu entwickeln, der auch künftig in der Missionswissenschaft für
empirisch-theologische Erhebungen eingesetzt werden kann.
Summary
The intention of this research project is to evolve a concept for empirical
missiology as a method of fundamental research and to apply it in practice.
Through the usage of an intradisciplinary approach, access to missiology via the
methodology of the social sciences is rendered possible. To establish a basis, an
insight into social as well as missiological research will be given, and an inherent,
empirical-theological praxis cycle will be developed. This praxis cycle is the
methodology of this research paper. Concerning content, this research paper
scrutinises the image of God held by juveniles from a missiological point of view. It
considers the missionary receptiveness of juveniles in the context of cultural
change in the postmodernist shift of paradigm.
In how far are juvenile concepts of God marked by the correspondent social
environment and does that have an impact on their everyday religious behaviour?
Consequently not only the current state of research will be evaluated but,
furthermore, the half-standardised qualitative interviews of 18 juveniles will be
enclosed and their answers analysed on an empirical- missiological basis.
Hence, this thesis has a twofold aim; one considers empirical-theological research
as a way of evaluating concepts of God among juveniles with regard to their
missionary receptiveness. The other implements the empirical-theological praxis
cycle aiming to develop a type which enables further empirical-theological
investigation in missilogy. / Christian Spirituality, Church History and Missiology / D.Th.
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Postkolonialiteit in die twintigste- en een-en-twintigste-eeuse Afrikaanse drama met klem op die na-sestigers / Postkolonialiteit in 20ste- en 21ste-eeuse Afrikaanse drama met klem op die na-sestigersVan der Merwe, Anna Susanna Petronella 30 November 2003 (has links)
Text in Afrikaans / In this thesis the term post-colonialism in the Afrikaans drama is investigated, focussing on the post-sixties. The term post-colonialism is difficult to define. Not only are theories of post-colonialism in a state of continuous flux and shifting emphasis, but as a result of different colonial dominations, separate identities have been constructed in South-Africa; so that defining the terms colonial, post colonial and post-colonial proves to be even more problematic.
The purpose of this study is to determine to what extent the Afrikaans drama fits into these discourses. The basic point of departure is the fact that post-colonialism played a considerable role in the development of the Afrikaans drama, at the same time providing a more varied scope.
The research covers several aspects of post-colonialism in Afrikaans drama; each dealt with in a separate chapter. A multitude of perspectives are featured within the broader discourse in order to obtain multiple norms and standards in a phase of self-criticism. The focus falls mainly on themes and not on performance aspects.
New perspectives on issues such as canon texts, silence, hero-worship, the portrayal of woman, patriarchy, and neo-colonialism are presented (chapter 1). In chapter 2 focus falls on the period before 1960, and notably the question of nationalism (associated with apartheid) and the portrayal of the Afrikaner. The literary canon, forms of violence and the position of the super-Afrikaner are viewed in a new light during the re-writing of post-colonial history and the resulting paradigm shifts after 1960. Renewed emphasis is placed on discourse concerning land (chapter 3). Contrasting concepts regarding race, class, language, gender and religion are reconsidered in order to contribute towards the heterogeneous nature of post-colonialism (chapter 4). The function of theatre is to re-evaluate in the context of a post-1994 democratic system. Texts now focus especially on empowerment, re-discovery and re-ordering of history, reconciliation, inter-cultural contact and a post-apartheid syndrome (chapter 5).
Anti-hegemonic resistance in Afrikaans literature since the sixties has confronted writers with the challenge of depicting or creating a larger post-colonial reality through their texts. / Afrikaans and Theory of Literature / D. Litt. et Phil. (Afrikaans)
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