Zugl.: Düsseldorf, Universiẗat, Diss., 2006.

Tesis para optar al grado de Magister en Filosofía mención en Axiología y Filosofía Política.

abstract: A strong correlation exists between the effects of bullying on a singer and his or her performance anxiety. An exhaustive literature review and a survey of classical singers were used to assess this hypothesis. The survey was compiled using standard psychological and current performance anxiety questionnaires with additional questions created by the author. The data were analyzed using a Pearson Product-Moment Correlation, a regression analysis, and an Analysis of Variance. / Dissertation/Thesis / Doctoral Dissertation Music 2017

Made available in DSpace on 2014-06-11T19:29:47Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-05-18Bitstream added on 2014-06-13T18:39:49Z : No. of bitstreams: 1 cornelian_ar_me_arafcl.pdf: 442511 bytes, checksum: 13f1458bf574de0206279fddbb85991f (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Pretende-se com esse texto contribuir ao esclarecimento sobre o entendimento e as perspectivas de Paul Israel Singer quanto à Economia Solidária (ES). No Brasil, a ES surge como um movimento social iniciado por volta dos anos de 1980 em torno de práticas cooperativistas provenientes da busca de trabalho e renda por homens e mulheres desempregados - ou ameaçados de desemprego. Singer, que além de ser um dos autores mais importantes e presentes no movimento da ES, também é o atual coordenador da Secretaria Nacional de Economia Solidária no Brasil (SENAES), secretaria esta, fruto da demanda de articulações de vários grupos e órgãos de fomento da ES junto aos Fóruns Sociais Mundiais de 2000 a 2002. Em meio a desencontros e descompassos, Singer afirma de forma pouco convincente que a economia solidária constitui um modo de produção alternativo. Todavia, ao longo de vários textos e artigos, o autor deixa transparecer que tal afirmativa é mais uma aposta utópica, uma possibilidade futura, um desejo político, do que propriamente uma realidade. Ademais, a partir das considerações de Paul Singer, nota-se a fragilidade e a inconsistência do conceito de ES dentro do movimento como um todo e dentro da própria SENAES. Por mais elementos positivos que os empreendimentos ditos solidários possam oferecer - dentre eles a democracia participativa no interior das cooperativas e o fomento à cultura democrática, ao espírito coletivo e à conscientização sobre a exploração capitalista - vemos que tais empreendimentos apenas têm conseguido, quando muito, oferecer 8 trabalho e renda temporariamente aos que deles se ocupam. No mais, a economia solidária é um campo de possibilidades. Talvez esse seja seu maior mérito concreto. / It s intended with this text contribute with the clearness about the understanding and the perspectives of Paul Israel Singer related to the Solidary Economy (SE). In Brazil, the SE appears as a social movement, which began around the 80 s through cooperative experiences deriving from the search of work and revenues by unemployed men and women - or unemployment threatened - in the country. Singer, who is one of the most important and present authors in the SE movement, is also the current Coordinator of the Brazil Solidary Economy National Secretary (BSENS), which is a result of the articulations contest of many groups and agencies from the SE advances inside the World Social Meetings from 2000 to 2002. Within disagreements and unmeasures, Singer claims in a not very persuasive form that the solidary economy constitutes an alternative way of production. However through many texts and articles, the author insinuates that such alternative is a utopian betting, a future possibility, a political desire than a proper reality. Besides, from Paul Singer s considerations, we see the fragility and the inconsistency of the SE concept inside the movement as a whole and inside the BSENS. Even with the positive elements that the enterprises, which are said to be sympathetic, can offer - among them the participative democracy inside the collectives and the incites to democratic culture, the collective spirit and to the awareness of the capitalist exploitation - we can see that such enterprises have barely, when it happen, offer job and 10 revenues temporarily to those whom they deal with. In addition, the solidary economy is a vast possibilities field. Maybe this is its biggest real merit.

Am 4. Oktober 2017 wurde die Integrierung der Privatbibliothek des österreichischen Petrochemikers Dr. Leopold Singer (1869-1942), die zwei Jahre vorher von der Wirtschaftsuniversität Wien an dessen Erben und Erbinnen restituiert worden war, in die Dauerausstellung des Technischen Museums Wien gefeiert. Erstmalig werden damit Ergebnisse bibliothekarischer Provenienzforschung in einem international renommierten Museum der Öffentlichkeit zugänglich gemacht. Zugleich wurde ein Buch restituiert, das bis zum "Anschluss" Österreichs Dr. Martin Singer (1874-1950) gehört hatte.

The purpose was to investigate attitudes of successful full-time performing classical singer-actors toward career concerns of the music profession. Five research problems were formulated to: (1) describe attitudes toward control of work conditions; (2) describe attitudes toward entrapment; (3) describe attitudes toward dependency; (4) report attitudes concerning current practices of training the solo singer; and (5) identify commonalities among the subjects regarding demographic, the attitudes described in problems one through four, and demeanor during the interviews.

American musical theater and film composer Harold Arlen is largely overshadowed by his contemporaries, such as George Gershwin, Irving Berlin, and Cole Porter. However, his music serves as a viable alternative for singers of all skill level studying a classical technique. By studying the music of Harold Arlen, singers will utilize a wide range, legato line, negotiations of register, mood shifts, and varying tessituras. The following document considers the importance of Arlen’s music by analyzing eight of his songs from three prominent decades of compositional output. The eight songs examined are grouped by the decade of their composition: the 1930s, 1940s, and 1950s. Each song is evaluated by determining the musical benefits included in each song and also the skill level required of the singer.

1996 wurden in Litauen vier musikwissenschaftliche Bücher veröffentlicht.

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