SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF HISTORY, UNIVERSITY OF ZULULAND, 2002 / I have long since been interested in the Anglo-Zulu War of 1879. I have come to realise that the many British versions need to be balanced by a more Zulu oriented approach. Therefore the purpose of this thesis is to attempt to present a Zulu perspective which I hope will encourage a popular Zulu involvement both in research and tourism. What is prominent in my thinking is bringing to the foreground the lesser known, but nevertheless, significant, coastal campaign of the Zulu War of 1879. As the campaign unfolds I will attempt to see the developments from the Zulu position as they defended their homeland from British aggfe3sion. They, especially the younger warriors, were prepared to die for their King and traditional way of life. They had a proud military tradition and were intent on victory once war broke out on 11th January.

A Research Report submitted in partial fulfilment of the Degree of Master of Economic Science in the School of Economic and Business Sciences, University of the Witwatersrand / The objective of the study is to analyse the effect former homeland status on poverty in South Africa. The study uses 2011 Census community profiles data from Statistics South Africa and cartographic data. Two methodologies are used in order to identify the effect of former homeland status on poverty, i.e., Ordinary Least Squares (OLS) and Regression Discontinuity Design (RDD). Notably, the RDD model is the main model as it formally identifies the treatment effect by comparing former and non-former homelands within a quasi-experimental framework. The results indicate that former homeland areas experience higher poverty levels relative to non-former homeland areas. The analysis shows that a large portion of the “raw” poverty differential is explained by differences in observed characteristics between former and non-former homeland areas. The remaining difference is attributable to former homeland status. The ‘scarring effect’ is small but statistically significant. Thus, the results call for government intervention aimed at reducing differences in observed characteristics of former and non-former homeland areas. The study notes that such mechanisms will narrow the difference in poverty rates but might not close it entirely since part of the difference is structural and depends on the rate at which the ‘scarring effect’ fades overtime. / NG (2020)

This dissertation is an account of the response to the needs of the 19th century Afrikaner - for patriotic music and for national anthems, particularly a Transvaal Volkslied. The response came not only from the Transvaal (Zuid-Afrikaansche Republiek) and the rest of South Africa, but from the whole of the Western world including America and Russia. A corpus of 695 editions of pro-Afrikaner patriotic music has been compiled in Appendices AI and A2, representing around 350 compositions. This large figure shows that with each War of Independence waged by the burgers against Britain (1880-1881 and 1899-1902) there was a surge of music inspired by the Afrikaner cause. In fact, these wars of independence were chronicled in music - perhaps more so than any other war in world history. Attempts by Transvalers, Hollanders and South Africans in general to compose works aspiring to the accolade of Transvaal Volkslied are highlighted in the early chapters of this survey. It is shown how the national anthem of thc Orange Free State ('Heft, Burgers') was the incentive for the Transvaal to find an officially acceptable anthem of its own. Twenty seven early South African and Dutch works, each aimed at becoming a national anthem for the Transvaal, or for the whole of South Africa including the Transvaal, are dealt with. In particular, four compositions by J.S. de Villiers (two settings for "'n Ider nasie', and one each for 'De Vierkleur van ons dierbaar land' and 'Op, Op met de Vierkleur'), one by W.J. van Gorkom ('Een ieder nasie') and one by Catharina van Rees ('Kent gij dat Volk?') are highlighted. Chapter VI deals with 24 colourful patriotic compositions from all over the world. Some, like Les Boers by Jules Mulder, are treated in some detail. These works form a cross-section through 19th century music inspired by the Afrikaner cause. They range from the sad to the satirical, from the furious to the funny, and very few live on to this day - almost all have proved to be musical ephemera. But one song -- 'Kent gij dat volk vol heldemoed?' by the noble Dutch woman Catharina Felicia van Rees - rose above all opposition, and was finally accepted as the official Transvaal Volkslied. It stands supreme as an inspired work. Five chapters of the dissertation are devoted to the birth, lifespan and impact of this song (Chapters VII to XI). These chapters tell of 'Kent gij dat volk?', the song that soared through the world, inspired by the Afrikaner cause and by Pres. Thomas Burgers, created by Van Rees with a great love for the Boer people - inspiring others to such an extent that she and her song became the centre of a veritable cult. A Dutch song and a Dutch woman had become the epitome of the Afrikaner cause. Of the corpus of 695 items in Appendix AI, over 180 are editions and versions of 'Kent gij dat volk? '. These versions and all the music that could be traced during my research are incorporated in Chapter VIII - whether as sheet music or in albums, incorporations or variations, also indicate where she was acknowledged as composer and where not. For the piracy of her song, not only in the Western world but in South Africa as well, caused Catharina van Rees profound sadness. A great deal of confusion surrounded Cato and her song (Chapter X) and she also gave many people a great deal of pleasure (Chapter Xl). With over 180 known editions of the music and at least 35 poems written to this music (Chapter IX) one cannot but realize that here is music indeed. And by means of Appendix A1 one has a composite picture of the musical and emotional milieu into which 'Kent gij dat volk?'was born, gave battle and was victorious. This attempt to lift pro-Afrikaner music and especially the Transvaal Volkslied out of the general musical background, for scrutiny and comparison, has, in my opinion, revealed a wealth of interesting and useful information. And, could well lead to much needed further research into and documentation of Africana music. / Art history, Visual arts & Musicology / M.A. (Musicology)

Educational Studies / M. Ed. (History of Education)

Dissertation (PhD)--Stellenbosch University, 2002. / ENGLISH ABSTRACT: The history of the trust companies and boards of executors of Boland Bank Limited represents a case study of the process through which these rural institutions, as part of the broader trust movement in South Africa, established themselves as an integral and respected part of the local financial and social structure of the communities in which they operated. It also represents a case study of the pressures to which these local rural trust companies were subjected by the changing South African financial environment of the 20th century and of the way they reacted to absorb and counter these pressures. Their reactions and counter-measures were attempts, on the one hand, to hold on to and promote, and on the other hand, to get rid of and discard their pasts. The history of Boland Bank Limited to 1971 represents a case study of the trials and tnbulations; the successes and failures of this process. Paarl African Trust Company Limited (PAT) and African Mutual Trust and Assurance Company Limited (AMT), the two leading role players in the establishment of Boland Bank Limited, was founded in 1900 as a result of the anti- British feelings generated among a section of the Afrikaners in the Cape Colony during the Anglo Boer War. These feelings of nationalism manifested in the Afrikaners' aspiration towards greater economic self-reliance which in the case of PAT and AMT led to the establishment of two Afrikaner-controlled local rural trust companies. These two institutions laid the foundation of a mainly Cape based tradition oflocal rural trust companies with a predominantly Afrikaans character. In the first half of the 20th century these institutions established themselves as dynamic local rural financial institutions serving the financial needs of the predominantly agricultural economies in which they functioned. As an integral part of their local communities, they were respected as stabilizing economic and social agents, -a respect demonstrated by the local inhabitants refering to these institutions as "my Kamer" (my Board). The changed nature of the economic system and climate of the post war (Second World War) period in tandem with the tendency towards stricter state control over the monetary and financial system and institutions, pressurized small local :financial institutions like trust companies and boards of executors to show a profit. In this regard PAT and AMT were no exception and together with other similar trust companies were in danger of becoming outdated financialnational monuments. Against this background PAT and AMT took the lead in the early sixties in a successful amalgamation initiative which eventually culminated in the formation of Boland Bank Limited. This process included 17 institutions of which 16 were local rural trust companies and boards of executors and created the potential for regaining their lost dynamic nature. These dynamics would eventually carry them into the 21st century. / AFRIKAANSE OPSOMMING: Die geskiedenis van die trustmaatskappye en eksekuteurskamers van Boland Bank Beperk verteenwoordig 'n gevallestudie van die proses waardeur die plattelandse instellings as deel van die breer trustbeweging in Suid-Afrika hulself as 'n integrale en gerespekteerde deel van die plaaslike finansiele en sosiale struktuur van die gemeenskappe waarbinne hulle opgetree het, gevestig het. Dit verteenwoordig ook 'n gevallestudie van die druk waaraan die veranderende Suid-Afrikaanse finansiele omgewing van die 20ste eeu die plaaslike plattelandse trustmaatskappye onderwerp het en die wyse waarop hulle gereageer het in 'n poging om die druk te absorbeer en te opponeer. Hulle reaksies en teenmaatreels was 'n mengsel van pogings om enersyds die status quo ten opsigte van hulle manier van dink en doen te handhaaf en andersyds dit te verwerp of van ontslae te raak. Die geskiedenis van Boland Bank tot 1971 verteenwoordig 'n gevallestudie van die ervaringe en wedervaringe, die suksesse en ook die mislukkings van die proses. Paarl African Trust Company Limited (PAT) en die African Mutual Trust and Assurance Company Limited (AMT) , die twee hoofspelers in die daarstelling van Boland Bank Beperk, is in 1900 gestig as die resultaat van die anti-Britse gevoel wat deur die Anglo-Boereoorlog onder 'n deel van die Afrikaners in die Kaapkolonie gegenereer is. Hierdie gevoel van nasionalisme het gemanifesteer in die Afrikaners se strewe na groter ekonomiese selfstandigheid wat in die geval van PAT en AMT gelei het tot die stigting van twee Afrikanerbeheerde plaaslike plattelandse trustmaatskappye. Die twee instellings het die grondslag van 'n hoofsaaklik Kaaps gebaseerde tradisie van plaaslike plattelandse trustmaatskappye en eksekuteurskamers met 'n oorwegende Afrikaanse karakter gele. In die eerste helfte van die 20ste eeu het die instellings hulself as dinamiese plaaslike plattelandse finansiele instellings gevestig, wat voorsien het in die finansiele behoeftes van die oorheersend primere landbou-ekonomie waarbinne hulle gefunksioneer het. As 'n integrale deel van hulle plaaslike gemeenskappe is bulle as stabiliserende ekonomiese en sosiale agente gerespekteer. Dit was 'n respek wat gedemonstreer is deur die plaaslike inwoners se verwysing na die instellings as "my Kamer". Die veranderde aard van die ekonomiese stelsel en klimaat van die naoorlogse (Tweede Wereldoorlog) periode in tandem met die tendens van strenger staatsbeheer oor die monetere en finansiele stelsel en instellings het druk geplaas op die windsgewendheid van klein plaaslike finansiele instellings soos trustmaatskappye en eksekuteurskamers. In die verband was PAT en AMT geen uitsondering nie en het hulIe saam met ander soortgelyke trustmaatskappye die gevaar geloop om oudmodiese finansiele nasionale monumente te word. Teen hierdie agtergrond het PAT en AMT in die vroee sestigerjare die leiding geneem in 'n suksesvolle amalgamasie-inisiatief wat uiteindelik in die stigting van Boland Bank Beperk gekulmineer het. In die proses is 17 instellings, waarvan 16 plaaslike plattelandse trustmaatskappye en eksekuteurskamers was, ingesluit en daardeur die potensiaal geskep om hulle verlore dinamika te herwin, Dit was 'n dinamika wat hulle uiteindelik tot in die 21ste eeu sou dra.

Thesis (PhD)--Stellenbosch University, 2013. / This investigation is aimed at providing a better understanding of William Milton’s influence on society in southern Africa over a period of more than thirty years. In the absence of any previous detailed work, it will serve to demonstrate Milton’s importance in restructuring the administration, formulating policy and imposing social barriers in early Rhodesia – factors that will contribute to the research undertaken by revisionist writers. It will also go some way towards answering Lord Blake’s call to discover exactly what the Administrator did and how he did it. Milton’s experiences at the Cape are seen as being essential to an understanding of the administration he established in Rhodesia. Through examining this link – referred to by historians but not as yet explored in detail – new knowledge will be provided on Rhodesia’s government in the pre-First World War period. The Cape years will offer insight into Milton’s working relationship with Rhodes and his involvement in the latter’s vision of the region’s social form and future. They will also shed light on Milton’s attitude towards people of colour. Cricket and rugby are key themes running through Milton’s life. The study will illuminate much about the creation of South African sport at a time when the public school games ethic was important in the nature of empire. Milton made an enormous but controversial contribution to the playing of the games, club culture, facilities, administration, international competition and who was eligible to represent South Africa.

A research report submitted in partial satisfaction of the requirements of the degree Master of Arts in Anthropology, March 2017 / In this research report I construct an intellectual history of anthropology at the University of the Witwatersrand. Adopting a conjunctural approach, the report thinks through four moments in the genealogy of anthropology at Wits, from the establishment of the Bantu Studies Department in the 1920s, the neo-Marxist turn in the 1970s, the cultural turn in the 1990s, to the contemporary Department of Social Anthropology. At each moment, I trace the ways in which African thought and critique has been and is silenced to reproduce colonial unknowing in and the intellectual enclaving of anthropology in South Africa. / XL2018

Thesis (MA)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: After 1880 more and more Jews (mostly of East European descent) moved into the rural areas of South Africa. Initially they travelled across the country as hawkers but later settled permanently in many of the smaller towns. In most cases they opened shops or started businesses of another kind. Due to the nature of their work the Jews mostly came into contact with the Afrikaans speaking community. Although these two groups differed considerably in many ways, especially as regards language and religion, the Jews adapted and integrated fairly quickly. They became involved with the Afrikaans speaking community in various ways and made a substantial contribution. Although their involvement in and contribution to the economy can be considered as the most important, they also played a considerable role in other areas such as politics, education, language, sport and recreation. The presence of the Jews in rural South Africa was important not only because of their integration with the Afrikaans speaking community and the contribution they made as a group, but also because of the extent to which the two groups influenced each other. Both groups were culturally enriched and the South African country town developed a unique character due to the presence or the Jews and their involvement in the life and activities of the townspeople. Although the Jews were influenced by the Afrikaans speaking community and thus acquired new cultural assets, they still to a large extent retained their Jewish identity. On the whole there was a very good relationship between the Afrikaans speaking rural population and the Jews. After 1950 an increasingly large number of Jews moved to the cities. The depopulation of the rural areas, as regards to Jews, took place to such an extent that today only a few Jewish families remain in rural areas. / AFRIKAANSE OPSOMMING: Na 1880 is Jode (hoofsaaklik van Oos-Europese afkoms) toenemend op die Suid- Afrikaanse platteland aangetref. Aanvanklik het hulle as smouse die landelike gebiede deurkruis. Later het hulle hulle egter permanent op die plattelandse dorpe gevestig - in die meeste gevalle het hulle 'n winkel of ander soort besigheid begin. Die Jode het uit die aard van hulle werk oorwegend met die Afrikaanssprekende gemeenskap in aanraking gekom. Alhoewel daar definitiewe verskille tussen dié twee groepe was, veral ten opsigte van godsdiens en taal, het die Jode redelik gou aangepas en ingeskakel. Hulle het op verskillende terreine by die Afrikaanssprekende gemeenskap betrokke geraak en 'n substansiële bydrae gelewer. Hoewel hulle betrokkenheid en bydrae tot die ekonomiese terrein as die belangrikste beskou kan word, het hulle ook op baie ander gebiede soos byvoorbeeld politiek, opvoeding, taal, sport en ontspanning belangrike bydraes gelewer. Die Jode se teenwoordigheid op die Suid-Afrikaanse platteland was nie slegs belangrik as gevolg van hulle inskakeling by die Afrikaanssprekende gemeenskap of die bydrae wat hulle as groep gelewer het nie, maar ook as gevolg van die mate waarin albei groepe mekaar beïnvloed het. Die Jode se aanwesigheid en hulle betrokkenheid by die dorp se bedrywighede en mense het meegebring dat albei groepe kultureel verryk is en dat die Suid-Afrikaanse platteland 'n unieke karakter verkry het. Hoewel die Jode deur die Afrikaanssprekende gemeenskap beïnvloed is en hulle as groep nuwe kultuurgoedere bygekry het, het hulle steeds in 'n groot mate hulle Joodse identiteit behou. Daar was oor die algemeen 'n baie goeie verhouding tussen die Afrikaanssprekende plattelanders en die Jode. Na ongeveer 1950 het daar geleidelik 'n toenemende getal Jode na die stede verhuis. Die ontvolking van die platteland met betrekking tot die Jode het in so 'n mate plaasgevind dat daar vandag slegs enkele Joodse gesinne op die meeste plattelandse dorpe oor is.

The Council of Advice first emerged as a constitutional device for colonial rule in colonies captured by Britain during the wars against France between 1793 and 1814. The search for some new form of government for colonies of conquest had been necessitated by the difficulty generally experienced in assimilating formerly foreign colonies into the traditional British pattern of representation. Experience in Quebec between 1764 and 1791 had led to the gradual recognition of conciliar government as a workable substitute to bridge the gap between military rule and the grant of representative institutions. Between 1794 when a Council of Advice was first introduced in the island of San Domingo, and 1825, when the Cape of Good Hope was granted a council of this type, the composition, function and scope of such councils was gradually defined and elaborated. There was a continual interplay of precedent and example from one colony to another, facilitated by the growth of the Colonial Office in London during the early decades of the 19th Century. Councils of Advice were also introduced into some a-typical colonies of settlement, notably New South Wales, where the particular circumstances of the colony gave rise to the further development of the conciliar pattern of government, influenced by the practical experience in Quebec prior to 1791. Thus the Council of Advice at the Cape of Good Hope from 1825-1834 was but one example of an instrument of government which was being widely used in the British empire, and which was still developing in form and function during the period under consideration. The Council of Advice at the Cape reflects this fluidity. The composition of the council was altered on several occasions during the nine years of its existence; the degree of independence allowed to council members was a question which arose on several occasions, especially in relation to discussion of policy decisions taken in London; moreover, the council met at the discretion of the governor and four different men held this office during the period 1825-34, each with his own individual idea of the function and value of a council of advice. Preface, p. 1-2.

This dissertation is an account of the response to the needs of the 19th century Afrikaner - for patriotic music and for national anthems, particularly a Transvaal Volkslied. The response came not only from the Transvaal (Zuid-Afrikaansche Republiek) and the rest of South Africa, but from the whole of the Western world including America and Russia. A corpus of 695 editions of pro-Afrikaner patriotic music has been compiled in Appendices AI and A2, representing around 350 compositions. This large figure shows that with each War of Independence waged by the burgers against Britain (1880-1881 and 1899-1902) there was a surge of music inspired by the Afrikaner cause. In fact, these wars of independence were chronicled in music - perhaps more so than any other war in world history. Attempts by Transvalers, Hollanders and South Africans in general to compose works aspiring to the accolade of Transvaal Volkslied are highlighted in the early chapters of this survey. It is shown how the national anthem of thc Orange Free State ('Heft, Burgers') was the incentive for the Transvaal to find an officially acceptable anthem of its own. Twenty seven early South African and Dutch works, each aimed at becoming a national anthem for the Transvaal, or for the whole of South Africa including the Transvaal, are dealt with. In particular, four compositions by J.S. de Villiers (two settings for "'n Ider nasie', and one each for 'De Vierkleur van ons dierbaar land' and 'Op, Op met de Vierkleur'), one by W.J. van Gorkom ('Een ieder nasie') and one by Catharina van Rees ('Kent gij dat Volk?') are highlighted. Chapter VI deals with 24 colourful patriotic compositions from all over the world. Some, like Les Boers by Jules Mulder, are treated in some detail. These works form a cross-section through 19th century music inspired by the Afrikaner cause. They range from the sad to the satirical, from the furious to the funny, and very few live on to this day - almost all have proved to be musical ephemera. But one song -- 'Kent gij dat volk vol heldemoed?' by the noble Dutch woman Catharina Felicia van Rees - rose above all opposition, and was finally accepted as the official Transvaal Volkslied. It stands supreme as an inspired work. Five chapters of the dissertation are devoted to the birth, lifespan and impact of this song (Chapters VII to XI). These chapters tell of 'Kent gij dat volk?', the song that soared through the world, inspired by the Afrikaner cause and by Pres. Thomas Burgers, created by Van Rees with a great love for the Boer people - inspiring others to such an extent that she and her song became the centre of a veritable cult. A Dutch song and a Dutch woman had become the epitome of the Afrikaner cause. Of the corpus of 695 items in Appendix AI, over 180 are editions and versions of 'Kent gij dat volk? '. These versions and all the music that could be traced during my research are incorporated in Chapter VIII - whether as sheet music or in albums, incorporations or variations, also indicate where she was acknowledged as composer and where not. For the piracy of her song, not only in the Western world but in South Africa as well, caused Catharina van Rees profound sadness. A great deal of confusion surrounded Cato and her song (Chapter X) and she also gave many people a great deal of pleasure (Chapter Xl). With over 180 known editions of the music and at least 35 poems written to this music (Chapter IX) one cannot but realize that here is music indeed. And by means of Appendix A1 one has a composite picture of the musical and emotional milieu into which 'Kent gij dat volk?'was born, gave battle and was victorious. This attempt to lift pro-Afrikaner music and especially the Transvaal Volkslied out of the general musical background, for scrutiny and comparison, has, in my opinion, revealed a wealth of interesting and useful information. And, could well lead to much needed further research into and documentation of Africana music. / Art history, Visual arts and Musicology / M.A. (Musicology)