This dissertation argues that friendship can enliven the revolutionary humanist politics of twentieth century anticolonial movements. Twenty-first century nationalism, including that of former colonies, extends the violence of empire and breaks from the visions of anticolonial revolutionaries, such as Frantz Fanon, who sought to overthrow imperial domination by also progressing beyond the nation-state. Through a study of friendships that emerge in the context of anticolonial struggle and form across racial, class, caste, national, gendered, and religious differences, I argue that friendship is crucial to the development of a politics rooted in the wellbeing of the global collective and oppositional to both colonialism and nationalism. The main focus of this project is South Asia. Taking the fortification of Hindu nationalism in postcolonial India as a departure point, I read a set of literary texts situated in the South Asian anticolonial context that depict friendships formed across racial, class, caste, national, gendered, and religious difference. I demonstrate how many of these friendships contest strict divisions between self and Other and the colonial, class, and nationalist structures that keep these divisions intact. I organize each chapter according to three spaces that recur in South Asian literature as crucial to the creation and mobilization of friendship across difference: the ship, the home, and the ashram. Moving between these three spaces, I argue that in the emotional bonds of friendship, we can trace the emergence of a collective politics—one that refuses the divisions of self and Other central to the projects of empire and the basis upon which contemporary nationalisms thrive. / Thesis / Candidate in Philosophy / This project explores the anti-nationalist possibilities of friendship. Anticolonial revolutionaries of the twentieth century, such as Frantz Fanon, envisioned a humanist politics that refused the violence of both empire and the nation-state. Such a politics, rooted in the wellbeing of the global collective, has been lost in the proliferation of nationalisms in both former empires and colonies; however, I argue that the study of friendship can help enliven these collective politics. This project focuses on the political possibilities of friendships formed in the specific context of South Asian Independence movements. I read a set of South Asian literary texts that depict friendships established across racial, class, caste, religious, gendered, and national difference. Tracing these friendships as they take shape on the ship, in the home, and in the ashram, I ask: how might these depictions of friendships help reinvigorate a revolutionary, anticolonial politics that seeks to progress beyond the violence of the nation-state?

This dissertation is about the formations of the king as knowledge of the political in early eighteenth-century Brahmaputra Valley, in present day northeast India. Here, I identify three areas as the sites of the political: courtly-monastic politics, pleasure, and law. Each chapter of the dissertation presents a contemporary iteration of the king that contributed to the understanding of the political in early eighteenth-century Brahmaputra Valley. In doing so, I propose an understanding of kingship founded in the person of the king. Drawing on expressive literature, epigraphs, and visual sources written in the first few decades of the eighteenth century in the court of the Tungkhungia kings of Brahmaputra Valley and the Vaiṣṇava monasteries in the region, I argue that the person (and the body) of the king was the site of the political in the courtly-monastic spaces. This understanding of a personalised kingship in the courtly-monastic spaces was in dialogue with transregional political imaginations of kingship, both imperial Mughal and subimperial Rajput of early modern South Asia. In the dissertation, I bring together sources in Assamese, Persian, Sanskrit, and Tai-Ahom towards revealing the ways in which a distinct local articulation of the king in areas of politics, pleasure, and law was located within translocal and transregional networks of learning stretching across the regions lying to the western and southern borders of the territories of the Tungkhungia kings. Through a conceptualisation of early eighteenth-century Brahmaputra Valley as a “contact zone” between Mughal-Rajput, Tai-Ahom, and Burmese cultural forms that clashed and grappled in the wake of Brahman arrival in the court of the Tungkhungia kings I historicise the multiple iterations of the king towards understanding the intellectual conditions that emerged as foundations of a new political imagination. Moving away from cultural histories of kingship in early modern South Asia where studies of cultural productions have remained the lens for analysis of kingship; in this dissertation I look at the formations of the king within specific areas of intellectual inquiry towards writing a history of the multiple iterations of the king, across institutions, in early eighteenth-century Brahmaputra Valley. The dissertation, thus, intervenes in the study of kingship in early modern South Asia and the World, demonstrating the centrality of the person of the king, in contemporary understandings of the political, rather than the “body politic” that is immutable and imperishable. The dissertation, thus, with its focus on early eighteenth-century Brahmaputra Valley, brings to light theories of the political emerging from the margins of imperial histories of early modern South Asia and the World.

Embedded in the socio-political milieu of the country Anglophone Pakistani fiction provides a critical perspective on some of the important contemporary issues facing the country like feminism, class struggle, misuse of religious discourse, sectarianism, terrorism and the fragmentation of the Pakistani society. By contextualizing the works of four Pakistani fiction writers, Sara Suleri, Kamila Shamsie, Mohsin Hamid and Mohammed Hanif, in the theoretical paradigms of modernism, postmodernism and postcolonialism, this research identifies salient facets and characteristics of Pakistani Anglophone fiction produced during the last three decades. This thesis argues that Pakistani Anglophone fiction is Janus-faced in nature. On the one hand it specifically deconstructs various indigenous issues which are destabilizing Pakistani society and politics, while on the other hand it challenges the discursive construction of Pakistan as a terrorist country through international discourse. By doing so, these writers not only adopt the role of political commentators and interveners but also create a counter-narrative to Western hegemonic discourse and represent a case for a liberal and democratic Pakistan. Moreover the textual analysis of this fiction indicates a shift from traditional postcolonial literature. Instead of contextualizing their work in the colonial experience of the British Raj or its aftermath, these writers dissociate themselves from it and use this dissociation as a narrative strategy to hold the political and military leadership accountable for the socio-political chaos in Pakistan. The thesis argues that this characteristic of Anglophone Pakistani fiction indicates the emergence of a new phase, ‘Paracolonialism’ or ‘Paracolonial fiction’ which rejects the influence of colonialism on the socio-economic and political crisis of Third World countries and deconstructs various factors which led to their post-independence unstable economy and social fragmentation.

This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates, through close readings and comparative frameworks, that an overarching pattern of common aesthetic elements is deployed in this literature. This deployment is regarded as a transnational feminist practice.

This project delineates a cultural history of modern Hinduism in conversation with contemporary Indian literature. Its central focus is literary adaptations of the Sanskrit epic the Mahābhārata, in English, Hindi, and Bengali. Among Hindu religious texts, this epic has been most persistently reproduced in literary and popular discourses because its scale matches the grandeur of the Indian national imagining. Further, many epic adaptations explicitly invite devotion to the nation, often emboldening conservative Hindu nationalism. This interdisciplinary project draws its methodology from literary theory, history, gender, and religious studies. Little scholarship has put Indian Anglophone literatures in conversation with other Indian literary traditions. To fill this gap, I chart a history of literary and cultural transactions between both India and Britain and among numerous vernacular, classical, and Anglophone traditions within India. Paying attention to gender, caste, and cultural hegemony, I demostrate how epic adaptations both narrate and contest the contours of the Indian nation.

<p>    </p> <p>These short stories began as reimaginings – I wondered what would come if I took Islamic myths of churail, oracular trees, and jinn and considered them in the half-light of diaspora, where the monsters are familiar but newly cultured to a globalized world. The stories in <em>Distance, the Midnight</em>, both flash and long-form, are loosely linked by themes of alienation, physical displacement, and grief. They ask questions about questions, which in the world of the book are best left unanswered, and the possession of the spirit, which, normally feared as a loss of control of the body, is here depicted as a necessary escape to a different sort of embodiment. </p> <p><br></p> <p>In “Antipode,” Paro, a churail living in Houston, marks the ten year anniversary of her husband’s death and the loss of her connection to the divine with her first real exorcism in over a decade. In “No Blood in the Creek,” Mallika, who was once possessed looks for her jinn in a desperate attempt to be displaced from her body once more. In “Admiring Myself Sideways,” a woman grown accustomed to her split personality searches for a lost self in mirrors. In “Hard Work,” an unemployed person gives up on the job market and turns to a life of crime and communes. These stories and the rest point to a singular interrogative: what if giving up on the being we’re born into is a better alternative to accepting it. </p> <p><br></p> <p>I could not have written this manuscript without having read Leonora Carrington, Helen Oyeyemi, Sabrina Orah Mark, Clarice Lispector and Ludmilla Petrushevskaya alongside folktales from the global south. From these writers, I’ve learned that the surreal can lend a story more than diversion and quirk. It can be a vehicle for tenderness, can leave a reader raw, unsure at what point the text peeled away a scab. I hope this collection is a movement towards that tenderness. </p>

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<p dir="ltr">Violent death that violates the ontological dignity of the body and the disappeared corpse often results in a crisis of mourning for those left behind, with the matter made all the more complicated when it comes to instances of politically motivated violence in the context of war. What follows such death/disappearance are issues of identification, collection of remains and, ultimately, an inability to enact necessary death rituals such as washing, shrouding and burial, leading to a separation between the dislocated soul and the corporeal form on part of the dead and the issue of incomplete mourning on part of the bereaved. Both the living and the dead, thus, come to occupy a liminal space (<i>barzakh</i>) where the boundaries between past/present, human/non-human, and dead/alive fall away. This paper argues that this in-between state helps the mourner gain access to a radical state of bearing witness outside of the oppressive binaries of the modern world. This work makes use of Middle Eastern (Iraq, Palestine, Egypt) and South Asian (Kashmir) literatures dealing with dehumanization and violent death in the context of what Achille Mbembe refers to as “death-worlds,” inhabitants of which are deemed “living-dead.”</p>

This thesis constructs a history of reading for South Asia (1857-1914) through an examination of the eccentric relationships that marginal colonial agents and subjects - soldiers, peasants, office clerks and women - developed with everyday forms of writing. Drawing on the methodologies of the history of the book, and literary and cultural histories, it creates a counterpoint to the dominant view of imperial self-fashioning as built on reading intensively and at length. Instead, it contends that the formation of identities in colonial South Asia, whether compliant or dissenting, was predicated on superficial forms of textual engagement, leaving the documents of empire most likely misread, unread, or simply read in part. I illustrate this argument through four chapters, each of which brings together extensive archival material and nonliterary texts, as well as both canonical and little-known literary works. The first two discuss the circulation of unread texts in colonial institutions: the army and the government office. I study Garnet Wolseley's pioneering war manual, The Soldier's Pocket-book for Field Service, a book that soldiers refused to read. This is juxtaposed, in the second study, with an examination of the reception of the bureaucratic document in illiterate peasant communities, explored through the colonial archive and ethnographic novels. In the third and fourth chapters, I focus on texts consumed in part. I turn to the Bengali Hindu almanac, a form that made the transition from manuscript to print in this period, and examine how it trained its new-found readership of English-educated office clerks to oscillate smoothly between British-bureaucratic and local forms of time, as well as to read quickly and selectively. I end with a study of The Indian Ladies' Magazine, and suggest that the cosmopolitan form of the periodical and editorial practices of extracting and summarising gave women unprecedented access to a network of global print.

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