Magistro darbo objektas – sociologiniai visuomenės tyrimai. Darbo tikslas Apžvelgti Lietuvoje atliktus sociologinius tyrimus. Išanalizuoti visuomeninės Lietuvos televizijos (toliau LTV) autorinėse laidose rodomų visuomenės atstovų socialinius ryšius, remiantis stratifikacijos modeliais suskirstyti juos į klases. Atlikti socialinį ekrano žmonių pjūvį, atskleisti šiandieninės Lietuvos visuomenės portretą – vystymosi, kaitos, lūžio etapų aspektus, nustatyti prielaidas, lėmusias vienokią ar kitokią visuomenės stratifikaciją. Palyginti realybėje egzistuojantį visuomenės modelį su tuo, kuris atsispindi televizijos laidose. Darbo uždaviniai: Sužinoti kokie yra atlikti sociologiniai tyrimai, ką, remdamiesi jais, galime sužinoti apie Lietuvos visuomenę, jos struktūrą, modelius ir kitus segmentus. Ištirti bei apžvelgti atliktų sociologinių tyrimų medžiagą, statistinius duomenis, LTV laidų archyvinę medžiagą, susisteminti, suklasifikuoti laidų dalyvius, taip pat išnagrinėti kitą, socialinius aspektus nagrinėjančią, medžiagą, padėsiančią patvirtinti arba paneigti keliamą hipotezę. Išsiaiškinti, ar egzistuoja skirtumas tarp Lietuvos televizijos laidose formuojamos visuomenės modelio ir modelio, kuris pagrįstas atliktų sociologinių tyrimų duomenimis bei išvadomis. Naudojantis mokslinės literatūros analize, tiriant televizijos laidų dalyvius, buvo prieita išvados, kad Lietuvos visuomenės modelis neatitinka to modelio, kurį sukuria televizijos. Darbe kelta hipotezė pasitvirtino. Darbe... [toliau žr. visą tekstą] / Theme actuality. Television like phenomenon has been analyzed and explored since it had begun. Television has become an usual discussion object because it has positive aspects (information, discovery opportunities) and also for negative (irresponsible view into facts, law defiance, bad influence for youngest users groups, too big commerciality).Finding parallels by comparing television public model with model which was made by social public analysis will help to find and understand what we see in TV screen. It is important to study persons types who we see in TV like separate public model. My work aim is to overlook the social analysis which was made in Lithuania, also to research public representative from LTV who have them own copyrighted shows social links according stratification models and separate them into groups. Also to perform sociological shows heads cut, to reveal today’s Lithuanian public portrait-development, changing, fracture stage aspects, to set presumptions which has determined public stratification. Compare public model which exists in reality with model which reflects in TV shows. Research object. The newest Social research institute, Lithuania Statistic Department accomplished analysis, statistical data, others whose department’s social analysis which can be found in them database also LTV archives ant documents converged with LTV work. I will try to examine the hypothesis that persons who take part in LTV shows social reality doesn’t mach Lithuanian... [to full text]

Treize Etudes Pour L?Orchestre is a thirteen-movement symphonic work for full contemporary orchestra. The purpose of this work has been to develop a sonic exploration of textural possibilities through the orchestral medium. The motivic materials of the whole piece were first utilized in pieces for one piano, piano and cello and two pianos combinations These smaller pieces ahs been included in the appendix section of this work. The orchestral work does not represent an orchestration of the smaller pieces, but an expansion of the material into different textural studies. Preparation for this work includes the study of twelve different bird sounds, first recorded and later musically transcribed to create thematic materials and secondary materials for this work; the study of production of fabric of sounds representing color spectrums and intensity through sound tapestries, and the sonic representation of water, a starry dark night and the jungle. The Treize Etudes Pour L?Orchestre is formally a through-composed work. The different musical materials created as motive unity of the whole work have been developed throughout it by means of using a variety of compositional devices and techniques including Schoenberg?s Klangfarbenmelodie, Messiaen?s ?Language Musicale?, Ives? quadraphonic effect, and Samuel Adler?s sound curtain technique, and, the use of folk-like materials; all within the parameters of acoustic instrumentation.