In this work are described detail manuals of creating animations in two ways. 1. By means of presentation of breaking up the constraints. 2. By means of application Inventor Studio. Furthermore, there is described the principle functions of the DC motor. There is the procedure which can simulate the transient with Matlab Simulink. There is also explained how to measure engine parameters needed to calculate the transient.

This thesis deals with designing a business plan for the establishment of dance studio providing a diverse range of the many kinds of acrobatics lessons. The company is a rather minor character breakdown by size of enterprise. The work is divided into three parts. In the theoretical section - the theoretical basis for second part is explained and that is analysis of the current state and next is design part.

Assignment of master project was find a solution of new entrance to Vejvanovského street in Kroměříž. The location is situated on the edge of the historic center. The proposal define new function to this location and there is a gallery, art studio, bicycle depository, atd.

В данной работе изучены ИТ-технологии в ресторанном бизнесе, изучены виды и особенности электронных меню, представленных на рынке, сравнены их функционалы, построена полная модель ресторана «Дубровин», проанализированы существующие бизнес-процессы на рассматриваемом предприятии, построены модели as-is, to-be, разработан календарный план-график внедрения электронного меню, построена системно-динамическую модель обслуживания гостей в ресторане, оценена экономическая эффективность внедрения электронного меню. Практическая значимость исследования заключается в возможности применения спроектированного электронного меню в качестве эффективного инструмента автоматизации заказов в ресторане. / In this master's thesis, IT technologies in the restaurant business were studied, the types and features of electronic menus presented on the market were studied, their functionals were compared, the full model of the Dubrovin restaurant was built, existing business processes at the enterprise under consideration were analyzed, models as-is, to –be were built, a calendar schedule for introducing an e-menu has been developed, a system-dynamic model of serving guests in a restaurant has been built, and the economic efficiency of introducing an e-menu has been evaluated. The practical significance of the study lies in the possibility of using the designed electronic menu as an effective tool for automating orders in a restaurant.

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No description available.

This diploma theses deals with the issues of music in movies. However, it is mainly focused on the life of Varhan Orchestrovič Bauer, one of the temporary Czech film music composer. I approached his life through a biography and an interview. Then I developed the matters of film music upon his work. First, I discussed the historic point of view and than the practical one - three interviewees helped me with that. Futher, I described the process of recording in Smecky Music Studio and I also analysed two parts of soundtrack from the movie Against the Wild which was composed by Varhan Orchestrovič Bauer. Last but not least, the results of a questionare are introduced to show how people perceive film music and its composers.

This work is devoted to the problems of algorithms graphical presentation, ways of execution such presentations and instruments enabling conversion of programming code to the above form. The aim of this work is designing and implementing tool enabling to kopenogram graphical presentation of programming codes, developed on the Microsoft.Net framework. The work contains of theoretical and practical parts. Theoretical part contains an introduction into the algorithm graphical presentation theory, methods of providing such presentation and an introduction to the graphical presentation using kopenograms. Practical part includes the design and implementing of a tool for kopenogram presentation based on an analysis of the programming code. The resulting tool is an extension of Microsoft Visual Studio development environment. Also practical part contains implementing guide and a briefing of technologies where used in a current implementation and user manuals with instructions on how to handle.

La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU). / Genre né de la rencontre (imposée par l’exil) au XIXe siècle entre les Garinagu et des populations hispaniques centraméricaines, la paranda connaît aujourd’hui un regain d’intérêt chez les acteurs de la production discographique garifuna. Depuis son apparition dans les studios d’enregistrement, elle a évolué vers une forme modernisée, faisant appel à des instruments électriques et des procédés de traitement du son caractéristiques des musiques « populaires ». Devenue en 2000 (avec la compilation Paranda; Africa in Central America, produite par Ivan Duran et distribuée par Warner/Elektra) une « musique du monde » sur le marché discographique international, cette nouvelle forme de paranda connaît un succès conséquent dans les palmarès de world music – popularité qui se déploie après coup chez les Garinagu centraméricains, qui redécouvrent un genre jusqu’alors quasiment disparu dans sa version villageoise. À partir de l’exemple de la « récupération », à des fins commerciales, d’un genre musical « traditionnel » par un label indépendant centraméricain, cette thèse montre comment un producteur de world music a su se servir du studio d’enregistrement comme d’un outil créatif susceptible de lui ouvrir les portes de l’internationalisation. Utilisant le studio comme laboratoire expérimental, Ivan Duran est ainsi parvenu à réaliser des disques qui – tout en atteignant un succès critique international – allaient lui permettre d’établir son label, Stonetree Records, en tant que standard pour l’ensemble de l’industrie musicale régionale. Afin de comprendre quels mécanismes sont activés (et selon quelles modalités) dans le cadre spatio-temporel spécifique au studio d’enregistrement, cette recherche doctorale prend pour principale étude de cas la réalisation de Laru Beya – dernier album du parandero Aurelio Martinez, réalisé par Ivan Duran et distribué internationalement. Les trois chapitres centraux sont donc consacrés à l’analyse sémiologique de ce disque, avec d’abord une étude 1) des stratégies créatrices en présence (à travers une ethnographie de sessions d’enregistrement, sur une plage du Honduras), puis 2) de l’objet musical tel qu’il a été commercialisé (l’« œuvre » en elle-même) et enfin 3) de différentes conduites d’écoute d’auditeurs-consommateurs garinagu ou non. Tandis que le premier chapitre de cette thèse propose une contextualisation de notre objet de recherche (allant « du village au studio »), le cinquième et dernier chapitre s’attache – après avoir élargi les résultats de notre étude de cas à d’autres phénomènes similaires – à évaluer l’impact des processus d’internationalisation sur la production musicale locale (opérant un retour « du studio au village »). / Born from a critical encounter (imposed in exile) between Garifuna people and Spanish-speaking Central American populations, Paranda is currently experiencing a resurgence of interest among stakeholders of the garifuna record production. Since its arrival in the recording studios, it has evolved into a modernized form, using electric instruments and sound treatment techniques taken from popular music. In 2000 (with the release of Paranda; Africa in Central America, produced by Ivan Duran and distributed by Warner/Elektra), Paranda became a world music, thus experiencing a substantial success in world music charts – popularity that unfolds afterwards in Garifuna communities, rediscovering a musical genre that had virtually disappeared in the village. From the example of a “recuperation”, for commercial purposes, of a traditional musical genre by an independent Central American label, this dissertation shows how a world music producer has been able to use the recording studio as a creative tool that opened the doors of internationalization. Using the studio as an experimental lab, Ivan Duran succeeded in making records that, while reaching an international critical success, would also allow him to establish his own label, Stonetree Records, as a standard within the whole regional music industry. To understand which mechanisms are activated (and how) within the spatio-temporal framework defined by the recording studio, this doctoral research will focus on the production of Laru Beya – parandero Aurelio Martinez’s latest album, produced by Ivan Duran and internationally distributed. The three central chapters are devoted to the semiotic analysis of this record, with a study of 1) creative strategies developed in the studio (through an ethnography of recording sessions, which took place on a beach in Honduras), then 2) the musical object as it was marketed (the "work" itself) and finally 3) different listeners’ (Garifuna or not) reactions. While the first chapter of this dissertation provides a contextualization of our research object (from "the studio to the village"), the fifth and final chapter – after extending the results of our case study to other phenomena – focuses on assessing the impact of Paranda’s internationalization on local music production (going back from “the studio to the village”).

[pt] Esta dissertação apresenta a forma como foi desenvolvida uma arquitetura de desenvolvimento dirigida por modelos combinada com um ambiente de desenvolvimento para dar apoio ao desenvolvimento de aplicações Web, utilizando SHDM/OOHDM como métodos de desenvolvimento. Os modelos, descritos através de uma interface gráfica, são processados pela ferramenta. A interface da aplicação também é descrita utilizando modelos, e a interface produzida é definida por uma ontologia de interface concreta, especificada em RDFS, que faz o mapeamento entre os elementos de interface concretos e alguma tecnologia de destino como ASP.Net e XAML. O principal objetivo é tornar mais fácil o desenvolvimento de uma aplicação Web utilizando Visual Studio 2005 como IDE e SHDM como método de desenvolvimento, permitindo que o arquiteto de software concentre seus esforços na modelagem da aplicação. O SHDM .Net produz uma aplicação completa, criando linguagens específicas de domínio para cada modelo desenvolvido. A principal funcionalidade do SHDM .Net é a integração entre as fases de análise e de desenvolvimento de um projeto. / [en] This dissertation presents how a model driven development architecture and environment framework to support Web application development are being developed using SHDM/OOHDM as development methods. The models are described through graphical diagrams that are processed by the environment. The application interface is also produced using models, and the interface produced is defined by concrete interface ontologies, specified in RDFS, that maps the concrete widgets to some target technology such as ASP.Net and XAML. The main purpose is to ease the development of a web application using Visual Studio .Net 2005 as an IDE and SHDM as the development method, allowing the application architect to focus on the application modeling. SHDM .Net generates a complete runnable application; also producing domain- specific languages for each application modeled, resulting in a programming model much more concise and natural. The main feature of SHDM .Net is the integration between the analysis and development phases of a project.