The thesis is focused on medieval mural defined period 13th and 14th century in selected churches former settlements near Prague, which became a part of it in the course of the following centurie. In the introductory part I pursue the mural itself, its technology, mission and function in the space of a medieval church (cap. 2.). I did not forget outline stylish currents that came through from neighboring countries and were absorbed into the painter's developement in our country during 13th and 14th century (cap. 2.2.). The next section is devoted each painting decoration in selected churches. Most attention was directed to the former church of St. Lawrence bellow Petrin hill, which thanks to the unique preservation of several layers of time and style mural lets as show the developement of painting in selected two centurie (cap. 3.). Followes the paintings in the church of the Beheading of st. John the Baptist in Dolní Chabry, in the church of St. John and Paul in Krteň, in the church of St. Bartholomew in Kyje, in the church of the Assumption in Dolní Počernice, in the church of the Beheading of St. John the Baptist in Hostivař and in the church of the Birth of the Virgin Mary in Průhonice (cap. 4.-9.). Powered by TCPDF (www.tcpdf.org)

This Master Thesis "The animals in the cathedral. Architectural sculpture of animals and fantastical creatures by parlerian lodge in the St. Vitus Cathedral, their symbols and iconography" looks into the architectural sculpture of animal's motifs and motifs of fantastical Creatures. The goal of this work is to summarize recent aspects of research about this theme, explain in more detail individually motifs of animal's and their Iconography and their meaning for Cathedral of St. Vitus. Also this thesis want to explain how could this special animal's motifs fit into the places, where are they have been situated. Their Iconography is taken with larger perspective, by literature's reception from antique over czech medieval age. Concerning animals and fantastic Creatures in the southern vestibule - pelican and phoenix; an owl in the Crown Chamber; gryphon and fight between cat and dog in the inner triforium; an eagle, an unicorn, a horse with bird's legs, a phoenix, a pelican, a stag, a lion, a gryphon, a lioness, a bear, a "cat" and three chimera in the outer triforium; a lion, a dog, a dragon and an eagle in buttresses and at least a dragon and a goat on the Big Tower. Keywords Cathedral st. Vitus, animal's motifs, symbols, iconography, architektonical sculpture, sculptures, console, relief, gothic...

Monastery library of Order of Hermits of Saint Augustin in Prague is an outstanding book collection of considerable scientific and historical value. Nowadays, it consists of more than 18 000 volumes. Saint Thomas monastery was founded by Wenceslaus II. in 1278 and had, from the very beginning,, a leading role among other monasteries of this order in Bohemia. From the early 14th century an Augustinian university was run there - as the only one in vast province of Bavaria, to which Bohemia belonged. In the 17th century, an independent Bohemian province was established and Saint Thomas monastery became a natural centre of it. This diploma thesis aims to provide an overview of a history of library and to introduce significant members of Augustinian order, who contributed to development (in time of prosperity) of library. Author is particularly focused on early modern period, to which scholars have not paid attention yet, and events connected to the end of the Thirty Years War, when, as it was assumed in the past, the library sustained big damage. Apart from that, everyday interest and care for books and libraries inside the order will be characterised and the cultural and historical impact of the library of Saint Thomas convent will also be emphasized. Origins and medieval period of the library is...

This master's thesis concerns the extant masses of Jan František Novák (died 1771), kapellmeister of the cathedral of St. Vitus in Prague from 1737-1758. These masses and their copies are critically examined and subsequently analyzed by focusing on particular types of arrangement as well as in summary. Aspects of musical practice and of the collection of notated music of the metropolitan chapter during Novak's era are also discussed in this thesis.

This thesis is presenting the church of St. Wenceslas in Prague-Smíchov and also the issues of historicism and Neo-Renaissance, which are directly connected to this religious building. The introductory chapter of the thesis is depicting the historical and urban development of Prague historical suburb Smíchov that contributed to the creation of its church. The main part of the thesis is dedicated to the matter of selecting the architect. This part observes the circumstances of the architectural competition and compares the projects of participating architects. Following part of the thesis is consecrated to the decoration programme of the church of St. Wenceslas. Applied art is included only marginally. The conclusion has the objective of classifying the building of the church of St. Wenceslas into the wider context of central European architecture and religion painting. This thesis would not have been achieved without archival materials and historical sources, including especially architectural plans and the documentation administrated once by the parish office of the church of St. Wenceslas in Smíchov.

The thesis brings a global insight into the Prague's suburb of Bohnice. Captures the appearance since the first settlements until nowadays. Focusing mainly on both historical and socio-economical milestones, which created the city. According to the lack of written resources for the historical part of the theses and to the fact, that Bohnice are often reduced to the activities of the famous mental institution, the main target is the forming of Bohnice city in the 20th century. Concentrates on institutions of both social and health care, which can compete the famous mental institution. The thesis also supplies materials about the urban concept of the housing estate of Bohnice including the traffic solutions through the past century. Points out also outstanding architectural solitaires.

The diploma thesis describes the development of St. Anne and St. Lawrence Dominican convents in The Old Town of Prague during early modern period (mainly in the 17th and the 18th centuries). Both the indoor life and contacts with outside world are included in the description. Only three topics of the above-mentioned specialization could be seamlessly elaborated due to fragmentary sources. The introduction and first three chapters constitute a summary of sources and literature. Furthermore, they chronologically depict the history of the Dominican order and the particular convents. The fourth chapter deals with the relationship between the nuns and their dependants in the municipality of Radlice. The system of servile taxes withdrawals and visitations of the monastic farms are emphasized. The chapter finally records a concrete discord between the convent and Barbora Wlaška in the 16th century. The fifth chapter focuses on baroque sermon that were held during ceremonies of admission aspirants among the other nuns. The preachments were analyzed in light of their contents and spiritual thoughts. The last chapter studies the performance of the archiepiscopal authority to the convents in the 18th century and the relationships between the Dominican nuns and aristocratic families or bourgeoisie in the...

The thesis focuses on Aristotelian-Thomist ethics system. In mainly deals with the differences in concept of beatitude, good and related issues, like the science of virtues. The emphasis is placed on understanding and covering the differences in aproach of St. Thomas Aquinas and Aristotele to these ethical topics. Firs the thesis characterises the main issue in Nicomachean Ethics, then outlines the thoughts and ideas of St. Thomas Aquinas in his Commentary, with emphasis on its diference from Aristoteles teachings. First three chapters are therefore the more descriptive part of the thesis, which is based on both primary and secondary textual sources. The fourth chapter is, then, the crucial, practical part, that summarizes St. Thomas theses and ideas concerning beatitude, good and happiness, coming from his unrivaled Commentary on the Ethics.

The thesis deals with the questions, how the Christians in the Liturgy of Saint John Chrysostom remind themselves the history of salvation and how they make the history of salvation present (i. e. anamnesis of the history of salvation) trough the symbols followed by the word. In the first part the author deals with the Christians symbolic acts in the liturgy as the symbolic acts express their relation to God. In the next part he pays attention to the process of the celebration of the liturgy of Saint John Chrisostom. These themes that describe symbolic acts of celebration are followed by the chapter that deals with the spiritual aspects of the liturgy. For a better orientation in the next text he closes the introductory part with the theological conception of the selected authors of the liturgical commentaries. In the main part of the thesis the author focuses on the history of the liturgy and on the liturgical commentaries of the selected authors of the Orthodox Christianity, who influenced the development of the Byzantine liturgy. Further, he focuses on the analysis of the present text of the liturgy of Saint John Chrysostom, where he searches for the ways the anamnesis of the history of salvation is reached. In the final part of the work he presents the results of the analysis and concludes that the Jesus life is really reminded and made present in the particular parts of the Byzantine liturgy.

The thesis in its first part outlines in general the iconographical type of pietà and its genesis from the very beginning of the representation of this type until the end of the 14th century. Furthermore the work interprets the literary sources and its impact on the form of medieval pietàs. The emphasis in all chapters of this work will be put in the first place on the type of the so called Beautiful pietàs of the Beautiful Style. In the first, theoretical part of the work the author presents, among others, an interpretation of Beautiful pietàs' gestures. The second part of the thesis treats seven concrete Beautiful pietàs chosen as illustrative representatives of the iconographical type they belong to. The attention will be devoted to the Pietà of Marburg, Pietà of Baden, Pietà of St. Elisabeth in Wrocław, Pietà of the Kreuzenstein Castle, K ivák's Pietà, Pietà from the Hermitage Museum in Petersburg and Pietà of Celje. In the case of these concrete examples will be summarized and interpreted the existing research outputs. Subsequently the author will attempt to solve some of the problems and questions relating to the concrete sculptures concerning in particular the time of their creation, provenance, the original placement and authorship.