La presente investigación aborda la problemática de los factores que perjudican la existencia de la imparcialidad en el ejercicio profesional del periodismo. Para el desarrollo de la presente temática se toman dos casos representativos. El primero de ellos, concierne a la entrevista televisiva realizada en Canal N por el periodista peruano, Augusto Thorndike, al otrora abogado de los expulsados comerciantes del entonces mercado “La Parada”, Malzon Urbina, durante el 2014. Un segundo caso tomado como referencia es la también entrevista televisiva realizada en RPP por la periodista peruana Patricia Del Río a los escritores argentinos Agustín Laje y Nicolás Márquez, a razón del entonces lanzamiento de “El libro negro de la nueva izquierda” y su alusión a la ideología de género y el feminismo, durante el 2017. / This research includes the problematic of the factors that damage the existence of objectivity, or impartiality, in the professional practice of journalism. To illustrate this problem, it has been taken as a reference two specific cases. The first of them, is the television interview made on Canal N by the peruvian journalist, Augusto Thorndike, to the former lawyer of the traders expelled from the market "La Parada", Malzon Urbina, during 2014. A second case is the interview in RPP by the peruvian journalist Patricia Del Río to the argentine writers Agustín Laje and Nicolás Márquez, for the launch of "The black book of the new left" and its allusion to the ideology of gender and feminism, during 2017. / Tesis

It has been shown that popular crime television series can have an impact in the behavior and perception of viewers. Forensic evidence, or evidence that is gathered through scientific methods, is often central to the plot of these shows. Exposure to forensic evidence in these shows has impacted the legal system by changing perceptions and opinions towards evidence presented in courtrooms, a consequence termed the CSI effect. A subset of the CSI effect named the Police Chief's Effect refers to the ability of criminals to learn about forensic evidence from these shows. Although understudied, the Police Chief's effect has the potential to increase the difficulty of criminal investigations if criminals are better able to plan their actions and conceal evidence. The intent of this thesis is to explore a relationship between forensic techniques portrayed in television and the forensic knowledge an individual obtains from it. Previous studies have looked at the Police Chief's effect in the context of a non-violent crime, even though most of the television shows highlight crime of a violent nature. The present study evaluates the ability of participants to consider forensic evidence when planning a murder, taking into account their crime show viewing history. The results revealed that the overall number of crime shows, percentage of those episodes and involvement in the shows was not associated with forensic evidence. However, a moderate correlation was found between the number of crime shows watched and forensic evidence in female participants.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-04-06T12:50:58Z No. of bitstreams: 1 Rafael Fonseca de Araújo.pdf: 9767748 bytes, checksum: 9ba35e483f432ff6315a1d92099ab469 (MD5) / Made available in DSpace on 2017-04-06T12:50:58Z (GMT). No. of bitstreams: 1 Rafael Fonseca de Araújo.pdf: 9767748 bytes, checksum: 9ba35e483f432ff6315a1d92099ab469 (MD5) Previous issue date: 2017-03-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis presents a Multi-­dimensional (MD) analysis (Biber, 1988 et seq.) of a Corpus of American Reality TV Shows (CARTS). Reality television can be described as unscripted television shows with non-­professional actors being observed by cameras in preconfigured environments (Kavka, 2012) and despite of being a relatively new TV genre is a cornerstone of contemporary US television programming, since according to some critics it has remade television culture (Murray and Quellette 2004). The major goal of the study was to provide a lexical-­grammatical description of the verbal language of Reality TV shows by investigating a corpus of 780 texts taken from 39 popular American Reality TV shows, totaling over 6 million tokens. The specific goals were to compare CARTS against the four dimensions of general English register variation as well as against the five dimensions of American television register variation (Berber Sardinha;; Veirano Pinto, in press). CARTS texts were classified into four main program types (Competition, Documentary, Talent and Professional, and Transformation) and into 13 sub-­program types, namely, celebrities, dating, gamedoc, docusoap, hidden cameras, reality sitcoms, business, cooking, fashion, performing, expert guidance, self-­improvement and social experimental. The corpus was balanced so that each major category had the same number of texts. CARTS was tagged for part of speech with the Biber Tagger and analyzed by the Bibber Tag Count which calculated the normalized frequencies of the 128 linguistics features considered in the research. The results present the additive MD analysis by showing how reality TV shows are similar or different from others spoken and written English registers (from Biber seminal 1988 study), as well as how the various manifestations of Reality TV compare to television registers on US. Since there is no precedent for studies within Corpus Linguistics dedicated to researching the lexical-­grammatical profile of Reality TV Shows in a multidimensional perspective, this research intends to fill this gap / O presente trabalho apresenta uma Análise Multidimensional (BIBER, 1988 et seq.) do Corpus of American Reality TV Shows (CARTS). Reality TV shows podem ser descritos como programas de televisão sem roteiro, com atores não profissionais sendo observados por câmeras em ambiente pré-­configurados (KAVKA, 2012) e apesar de ser um gênero de televisão relativamente novo é considerado um marco na programação da televisão nos EUA, uma vez que reinventou a cultura da televisão (MURRAY e QUELLETTE, 2004). O principal objetivo do estudo é fornecer uma descrição dos padrões léxico-­gramaticais da linguagem verbal dos Reality TV shows. Os objetivos específicos foram comparar o CARTS com as cinco principais dimensões de variação da Língua Inglesa (BIBER, 1988 et seq.), bem como em contraste com as quatro dimensões de variação de registro da televisão norte-­americana (BERBER SARDINHA e VEIRANO PINTO, no prelo). O CARTS é formado por 780 textos extraídos de 39 reality TV shows norte-­americanos populares, totalizando cerca de 6 milhões de palavras. Os textos do corpus foram classificados em quatro principais categorias Competição, Documentário, Talento e Profissão, e Transformação que, por sua vez, foram subdivididas em 13 subcategorias nomeadas: celebridades, namoro, jogo-­documentário, novela-­documentário, câmeras escondidas e portáteis, reality sitcom, business, culinária, moda, artistas de palco, orientação de especialistas, melhoria pessoal e experimento social. O corpus foi balanceado para que cada categoria tivesse a mesma quantidade de textos, etiquetado gramaticalmente com o Biber Tagger e processado pelo Biber Tag Count que calcula a frequência normalizada das 128 variáveis linguísticas consideradas no estudo. Os resultados da Análise Multidimensional demonstram como os reality TV shows se assemelham ou se diferenciam dos demais registros da Língua Inglesa propostos por Biber (1988) em seu estudo seminal, tal como as várias manifestações de Reality TV se comparam aos registros da televisão norte-­americana. Uma vez que não há precedentes de estudos, dentro da Linguística de Corpus, dedicados à investigação do perfil léxico-­ gramatical dos reality TV shows em uma perspectiva multidimensional, a presente pesquisa pretende preencher esta lacuna

My thesis is focused on construction of gender roles in Czech TV shows of the year 2012. First part of the thesis consists of theoretical background, where the principle of feminine and masculine roles, which are constructed by media too, is presented. The thematic foreign and domestic studies, which are introduced there, show how the experts look at this issue. Other chapters are formed by this view and present the most frequented image of women and men on TV or the media principles. Last sections of the theoretical frame are about consumers' everyday habits of watching TV and about impact, which this programmes could have. Second part of this thesis has metodological character. The objective to decode which gender roles are formed by selected programmes Sama doma, Top Star Magazín, menZONE or Těžká dřina and which signs participate on this constructions are described in this part. The research method is semiotic analysis with description of the narrative, thanks to which the hidden myth is revealed more precisely. The quantitative content analysis is also used in analytic part, however, only in a prototypical form. This probe refers to the other possibilities of further extensions of this thesis. All the results demonstrate that the programmes of current domestic production construct women and...

The TV show is a central focus of American life, one that not only reflects but also produces social imaginaries for the American audience that support the way people interact and engage with reality. It is the nation’s most influential storyteller, which dominates the nation’s imagination and understanding of reality. This dissertation explores the political and cultural meanings of four TV shows from the George W. Bush era: The West Wing (1999-2007), Deadwood (2004-06), The Wire (2002-08) and Heroes (2006-10). In examining these TV shows, this dissertation aims to shed light on both the origins of the state of exception, its conduct, its purpose, and the possibility of meaningful critique of or resistance to the state of exception. Chapter I discusses The West Wing, focusing on President Bartlet’s decision-making process regarding the assassination of Abdul Shareef, so as to elucidate the decisive actions of a sovereign figure in a state of exception. Chapter II explores Deadwood’s resurrection of the nineteenth-century mining camp in our twenty-first century, in terms of the capitalist state of exception. In discussing the show’s portrayal of the conflicts among the main characters, this chapter reveals that the same sovereign logic of exception is innate in the expansion of capitalism. Chapter III examines The Wire’s depiction of rebellious petty-sovereigns such as Major Colvin, Detectives McNulty and Freamon. According to The Wire, the claims of equality are deeply urgent in the bleak reality of contemporary America. With their commitment to equality and justice, the petty-sovereigns intervene in the bleak reality in their subversive ways. Chapter IV explores Heroes’s rendering of the main characters’ struggles against a fictional national emergency, the Company’s conspiracy to blow up half of New York City. In this chapter, I argue that Heroes portrays a political subject that attempts to constitute itself outside biopolitical sovereign power—what Hardt and Negri would call the advent of the multitude. While explicating the struggles of the main characters, I argue that its limitation in envisioning a new world underscores how contemporary critics fail to see past sovereign politics when they imagine another world. / English

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nÃo hà / Esta pesquisa tem como objetivo investigar a relaÃÃo das pessoas com a sÃrie televisiva The Big Bang Theory e sua percepÃÃo a respeito de se considerarem ou serem consideradas nerds. Este grupo, durante muito tempo visto e retratado como pÃria da sociedade, vem ganhando fama nos Ãltimos anos e tem sua imagem reformulada nos meios midiÃticos. Este trabalho, em um primeiro momento, procura traÃar o perfil do nerd, analisando seu histÃrico, caracterÃsticas e representaÃÃes midiÃticas, em produtos como sÃries e filmes, para fazer uma reflexÃo sobre o que à ser nerd atualmente. Para esta avaliaÃÃo, os autores Nugent (2008), Goffman (1988), Fernando e Rios (2001) e Bourdieu (1983) sÃo usados para identificar as caracterÃsticas distintivas do grupo, sua estigmatizaÃÃo perante a sociedade e sua relaÃÃo com o consumo e a mÃdia. Em seguida, levanta-se uma discussÃo a respeito da conexÃo entre comunicaÃÃo e cultura, utilizando autores como Caune (2004), Thompson (2001), Schulman (2004) e Morley (1996), dentre outros, para ressaltar a importÃncia dos Estudos Culturais dentro do Ãmbito desta pesquisa. ProduÃÃo e consumo estÃo interligados quando analisamos produtos culturais veiculados em meios de comunicaÃÃo de massa, por isso sÃo analisados as sÃries televisivas, sua classificaÃÃo, relaÃÃo com o pÃblico e a importÃncia dos personagens que as compÃem como elementos de conexÃo entre produto e audiÃncia. Jost (2012), Esquenazi (2010), Seger (2006), Davis (2001) e Field (2001) sÃo utilizados para explanar os processos de produÃÃo de sÃries e de criaÃÃo de personagens, fundamentais para entender o sucesso da sÃrie televisiva americana The Big Bang Theory, exibida pela CBS (EUA) e pela Warner Channel (Brasil). ApÃs uma anÃlise detalha dos personagens destas sitcom, apresenta-se os resultados da pesquisa realizada para este trabalho. Como metodologia, um questionÃrio estruturado, com abordagem quantitativa e qualitativa, foi aplicado em uma amostra aleatÃria de 600 pessoas, com o objetivo de investigar seus hÃbitos de consumo, sÃries favoritas, conexÃo com os personagens, percepÃÃes acerca da sÃrie The Big Bang Theory e sua visÃo sobre considerarem-se ou serem considerados nerds por outras pessoas. Na conclusÃo desta pesquisa, relata-se que a relaÃÃo das pessoas com os produtos culturais que consomem à baseada por afetos e identificaÃÃo com o enredo e personagens da histÃria. Em relaÃÃo à sÃrie The Big Bang Theory, opiniÃes diversas sÃo apresentadas sobre a estereotipificaÃÃo dos personagens e evoluÃÃo da narrativa. Por fim, conclui-se que ser nerd, ou ser considerado assim, hoje em dia ainda à algo que carrega bastante negatividade para quem nÃo se insere no grupo, mas se torna um fator de empoderamento para quem se inclui. Esta identidade à construÃda atravÃs do alto consumo de produtos culturais que visam estabelecer uma conexÃo afetiva com essas pessoas e oferecer uma projeÃÃo da narrativa de suas vidas. / This research aims to investigate the relationship of people with the TV show The Big Bang Theory and their perception as to whether they consider themselves or are considered nerds. This group, which has long been seen and treated as a pariah of society, has gained fame in recent years and had his image reformulated in the media. This work, in a first moment, seeks to address the nerd profile, analyzing their history, characteristics and media representations in products as TV series and movies, to make a reflection about what means to be nerd currently. For this analysis, the authors Nugent (2008), Goffman (1988), Fernando and Rios (2001) and Bourdieu (1983) are used to identify the group's distinguishing characteristics, their stigmatization in society and its relationship with consumption and the media. Then, a discussion about the connection between communication and culture is aroused, using authors like Caune (2004), Thompson (2001), Schulman (2004) and Morley (1996), among others, to highlight the importance of cultural studies within the scope of this research. Production and consumption are intertwined when we look conveyed cultural products in mass media, so TV series, their classification, public relationship and the importance of the characters that make them up are analyzed as elements connecting product and audience. Jost (2012), Esquenazi (2010), Seger (2006), Davis (2001) and Field (2001) are used to explain the production processes of TV series and character creation, fundamentals to understand the success of an American TV show The Big Bang Theory, displayed on CBS (EUA) and Warner Channel (Brazil). After a detailed analyze of this sitcom's characters, the results of the research carried out for this job are presented. As methodology, a structured survey, with a quantitative and a qualitative approach was applied in a random sample of 600 person, with the purpose of investigate their consuming habits, favorite TV series, connection with characters, perceptions about The Big Bang Theory and their vision about consider themselves or be considered nerd by others. At the conclusion of this research, it is reported that the relationship between people and cultural products they consume is based on affect and identification with the plot and characters in the story. Regarding The Big Bang Theory series, different opinions are presented on the character stereotyping and narrative evolution. Finally, it's concluded that being a nerd, or be considered as well, nowadays it is still something that carries a lot of negativity for those who do not fall within the group, but becomes a empowering factor for who is included. This identity is constructed through the high consumption of cultural products aimed at establishing an emotional connection with these people and offering a projection of the narrative of their lives.

Au cours des dernières années, de nouveaux challenges ont émergé avec la transformation très significative du paysage audiovisuel due à l'émergence de la télévision sur Internet. La décision de ce qui est regardé et dans quel ordre n'appartient en effet plus à la chaîne TV concernée mais à l'utilisateur. De nouveaux moyens facilitant l'accès précis et rapide à l'information souhaitée au sein des quantités toujours croissantes de contenus audiovisuels doivent donc être proposés aux utilisateurs : par exemple, pour repérer un événement spécifique, un fragment d'émission contenant une certaine personnalité ou abordant un sujet particulier, voire pour naviguer successivement entre tous les segments de vidéos abordant ce sujet. Ces fonctionnalités nouvelles et variées impliquent le développement de méthodes novatrices de structuration et d'exploitation des contenus audiovisuels, sujet abordé dans cette thèse. Nous proposons d'une part des techniques automatiques de structuration thématique des données audiovisuelles permettant de révéler l'organisation interne de chaque programme. Nous étudions également les implications de la structure produite sur diverses tâches telles que la création d'hyperliens entre vidéos (afin de permettre une navigation entre fragments d'émissions thématiquement proches) ou la création de résumés automatiques. L'ensemble des travaux menés est effectué sur les transcriptions automatiques de la parole prononcée dans les émissions, afin d'obtenir des solutions génériques, non dédiées à un type de programme particulier. / New challenges emerged in the past years as the audiovisual landscape significantly transformed with the emergence of Internet-based TV. The decision of what to watch and in what order no longer belongs to the TV station but the user. New solutions must be offered to users in order to facilitate precise and quick access to the desired information contained in the ever increasing amounts of audiovisual content: for example, to identify a specific event, a TV show fragment containing a certain public person or addressing a particular topic, or to browse sequentially across all segments of videos addressing this topic. These new and varied features imply the development of innovative methods for structuring and exploiting the audiovisual content, which represent the focus of this thesis. We offer automatic topic structuring techniques of audiovisual data to reveal the internal organization of each program. We also study the implications of the structure produced on various tasks such as creating hyperlinks between videos (to allow navigation between TV show fragments that are thematically related) or creating automatic summaries. All the work is carried out on automatic transcripts of the speech pronounced in TV shows, to achieve generic solutions, not dedicated to a particular kind of show.

Many environmental organisations are trying to counter the negative effects of climate change. The film- and television industry are increasingly becoming the focus of attention, because, although it repeatedly advocates sustainability, it often gets lost in its own productions. The presentation of sustainability is often not visible or clearly recognizable by the viewer. Cooking shows are often criticised by the public for being environmentally friendly in terms of food waste.The goal of this research is to determine how sustainability is presented in cooking shows in Germany and the USA. For this purpose, the following research question is asked: How is sustainability framed in the television cooking series MasterChef US and Germany? And is there a difference between those two countries?The theoretical framework is presented by the framing theory of Erving Goffmann (1974), with the use of this approach sustainability was framed in TV shows and used for the analysis and its results. To answer the research question, a qualitative content analysis was carried out, which analyses both the German and the American version of MasterChef in 2018/2019. The research was divided into indirect and direct events. The results of the study show that the German MasterChef included significantly more sustainable topics than the American one. This confirms that there is a significant difference in the cooking shows between the two countries.

El presente trabajo de investigación está enfocado en analizar los reportajes televisivos de inmersión sobre la representación de la discapacidad en los segmentos televisivos: Cincox24 y En carne Propia. En ese sentido se busca conocer cómo se realizó el proceso de producción informativa. Asimismo, detectar las estrategias y tácticas que posee el género periodístico de inmersión para que se pueda emplear de manera correcta en los reportajes periodísticos, sin dejar de lado los principios básicos del periodismo. / The present research work focuses on analyzing immersive television reports on the representation of disability in television segments: Cincox24 and In Own Flesh. The aim is to find out how the information production process was carried out. Also, to detect the strategies and tactics that the journalistic immersion genre possesses so that it can be used correctly in journalistic reporting, without neglecting the basic principles of journalism. / Trabajo de investigación