Orientador: Marcio Aurelio Pires de Almeida / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T23:11:31Z (GMT). No. of bitstreams: 1 Canhameiro_CarlosEduardo_M.pdf: 4022831 bytes, checksum: 57a384e83a2f52a1be9289dfa41ac2df (MD5) Previous issue date: 2009 / Resumo: Não informado / Abstract: This research examined the creation process from the play CHALAÇA a peça, directed by Mareio Aurelio, based on the novel "O Chalaça" by Jose Roberto Torero, with actors from the Les Commediens Tropicales Theater Company. The analysis begun with the conception of the project coniemplated by award "Prêmio Estímulo Flávio Rangel-20Q5"\ granted by Secretary of State for Culture from the Government of São Paulo, made an overview on rehearses process until the premiere of the play and its circulation - and maintenance - since 2006. The focus has been given the relations of production set by a theater company newly created by graduating students of the Performing Arts by UNJCAMP, supported by public funds to create a spectacle and, consequently, the importance of these funds on the company path's. Ultimately the research effort here was to build a genetic critical over the play CHALAÇA a peça, where the generating process of the work and its relations of production were more significant than the final result to obtain the critical mentioned / Mestrado / Mestre em Artes

Orientador: Suzi Frankl Sperber / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-15T00:32:59Z (GMT). No. of bitstreams: 1 Okamoto_Eduardo_D.pdf: 767422 bytes, checksum: 3435c1e2b3abd022ab7ce7af78b89a23 (MD5) Previous issue date: 2009 / Resumo: O objetivo deste trabalho foi localizar, em experiência prática, como criação cênica, a chamada dramaturgia de ator no contexto brasileiro. Isto se deu a partir da interação, observação e imitação (Mimese Corpórea tal qual sistematizada pelo Lume Teatro) de construtores e tocadores de rabeca - instrumento de arco e cordas, como o violino, presente em muitas manifestações da tradição popular do Brasil. Esta tese corresponde ao paralelo teórico de uma pesquisa da arte de ator que resultou no espetáculo "Eldorado". A dramaturgia de ator é uma possibilidade de criação teatral em que a narrativa do espetáculo tem seu fundamento na organização de um repertório físico e vocal previamente codificado pelo ator. Até aqui, esta dramaturgia de ator é bastante influenciada pelas pesquisas transculturais da Antropologia Teatral. Este campo de estudo se detém em reconhecer o bios cênico do ator estudando diferentes tradições teatrais em diferentes épocas e geografias. Diferentemente desta análise transcultural, este trabalho propõe uma dramaturgia de ator fundada na pesquisa de circunstâncias locais: uma dramaturgia de ator na intracultura. Desenvolveu-se, assim, a face complementar àquela proposta pela Antropologia Teatral: em vez do estudo de princípios gerais do trabalho de ator, buscou-se a criação desta dramaturgia na vivência de especificidades. / Abstract: The objective of the present work is to localize actor's dramaturgy in the Brazilian context. Its realization was possible departing from the interaction with, observation and imitation (Lume - The Interdisciplinary Nucleus of Theatrical Research of the State University of Campinas has named and systematized these procedures as Body Mimesis) of manufacturers (luthiers) and players of rabeca - Brazilian fiddles: an instrument with bow and string, as the violin, present in several manifestations of popular tradition in Brazil. This thesis is the theoretical synthesis of an actor's research, wich resulted in the performance "Eldorado". Actor's dramaturgy is a possibility of theatre's creation in which the narrative of the show is based on the organization of a physical and vocal repertoire previously encrypted by the actor. Today, this actor's dramaturgy is strongly influenced by cross-cultural principles studied by Theatre Anthropology. This field of research recognizes the actor's bios scenic studying various theatrical traditions in different seasons and geographies. Instead of this cross-cultural examination, this thesis proposes an actor's dramaturgy based on the local circumstances: an actor's dramaturgy in the intracultural research. This study has developed the complementary face of the Theatre Anthropology: instead of the research of general principles of the actor's work, it intends to create this dramaturgy based on the experience of specific features - and its specific dialogue with the general principles. / Doutorado / Doutor em Artes