Global ETD Search

1	"Brown eyed children of the sun" the cultural politics of El Teatro Campesino / Diamond, Betty Ann. January 1977 (has links) Thesis (Ph. D)--University of Wisconsin-Madison, 1977. / Typescript. Photocopy. Ann Arbor, Mich. : University Microfilms International, 1981. 22 cm. Includes bibliographical references (leaves 241-247). Teatro Campesino (theatrical Company)
2	El Teatro Campesino de Luis Valdez, 1965-1980 Flores, Arturo C. January 1986 (has links) Thesis (Ph. D.)--University of Arizona, 1986. / Text in Spanish, with abstract in English. Includes bibliographical references (leaves 157-165).
3	El Teatro Campesino: Experiências formais e reflexões políticas em cena / El Teatro Campesino: formal experiences and political thoughts on stage Pinheiro, Graziela Maria Lisboa 04 March 2009 (has links) Essa pesquisa constrói uma reflexão sobre o trabalho de El Teatro Campesino, grupo fundado em 1965 na Califórnia com o objetivo de criar peças de agit-prop, chamadas de actos, que propunham discutir temas pertinentes à sociedade camponesa chicana. Dois actos, formulados a partir de criações coletivas, são analisados nessa tese: Quinta Temporada cujo tema central são as greves organizadas na década de 1960 pelo sindicato United Farm Workers (Trabalhadores Agrários Unidos), liderado por César Chávez, militante de enorme importância ao Mexican American Civil Rights Movement (Movimento pelos Direitos Civis dos Mexicano-Americanos) e Vietnam Campesino, marco do teatro militante norte-americano, que discute temas não só relativos à Guerra do Vietnã, mas também a inúmeras outras questões caras à comunidade chicana. Além dos actos, nossa pesquisa também analisa o musical Zoot Suit, de autoria individual de Luis Valdez, fundador do Teatro Campesino, e que alcançou grande projeção ao se tornar a primeira peça de temática chicana escrita por um chicano a ser produzida na Broadway. / This research analyses the work of El Teatro Campesino, a theater group founded in 1965 in California, in order to perform agit-prop plays, called actos. The actos aimed at discussing themes which were relevant to rural chicano society. Two collectivelly created actos are analyzed in this thesis: Quinta Temporada in which the central theme is the strikes organized in the 1960s by the United Farm Workers, conducted by César Chávez, a militant of great importance to the Mexican American Civil Rights Movement and Vietnam Campesino, a milestone of the North-American political theater, which discusses themes related not only to the Vietnam War, but also many other pertinent issues to chicano society. Besides the actos, our research also analyses the musical Zoot Suit, written by Luis Valdez, founder of the Teatro Campesino, which became widely known as the first play concerning chicano themes written by a chicano to be produced on Broadway. Actos Actos El Teatro Campesino El Teatro Campesino Luis Valdez Luis Valdez North-American theater Teatro Norte-Americano Zoot Suit Zoot Suit
4	Teatro Campesino & Black Revolutionary Theatre: ruptura, inovação e transformação / Teatro Campesino & Black Revolutionary Theatre: rupture, innovation and transformation Oliveira, Ronaldo Alves de 17 December 2009 (has links) Este trabalho examina a forma estética sob os tópicos ruptura, inovação e transformação de 5 peças no contexto de reivindicações sócio-políticas da década de 1960 nos Estados Unidos por parte de dois grupos teatrais extremamente significativos em suas propostas e atuação, a saber: o Teatro Campesino (TC), feito por e para chicanos na Califórnia, e o Black Revolutionary Theatre (BRT - Teatro Negro Revolucionário), feito por e para afro-americanos em Nova York. / This paper reviews the aesthetic form under the topics rupture, innovation and transformations in 5 plays in the context of social political demands in the 1960s in the United States by two extremely significant theatre groups concerning their goals and performance, to wit: Teatro Campesino (TC), made by and for Chicanos in California, and Black Revolutionary Theatre (BRT), made by and for Afro-Americans in New York. Amiri Baraka Amiri Baraka Black Revolutionary Theatre Black Revolutionary Theatre Luis Valdez Luis Valdez North-american theatre Teatro Campesino Teatro Campesino Teatro norte-americano
5	Teatro Campesino & Black Revolutionary Theatre: ruptura, inovação e transformação / Teatro Campesino & Black Revolutionary Theatre: rupture, innovation and transformation Ronaldo Alves de Oliveira 17 December 2009 (has links) Este trabalho examina a forma estética sob os tópicos ruptura, inovação e transformação de 5 peças no contexto de reivindicações sócio-políticas da década de 1960 nos Estados Unidos por parte de dois grupos teatrais extremamente significativos em suas propostas e atuação, a saber: o Teatro Campesino (TC), feito por e para chicanos na Califórnia, e o Black Revolutionary Theatre (BRT - Teatro Negro Revolucionário), feito por e para afro-americanos em Nova York. / This paper reviews the aesthetic form under the topics rupture, innovation and transformations in 5 plays in the context of social political demands in the 1960s in the United States by two extremely significant theatre groups concerning their goals and performance, to wit: Teatro Campesino (TC), made by and for Chicanos in California, and Black Revolutionary Theatre (BRT), made by and for Afro-Americans in New York. Amiri Baraka Black Revolutionary Theatre Luis Valdez Teatro Campesino Teatro norte-americano Amiri Baraka Black Revolutionary Theatre Luis Valdez North-american theatre Teatro Campesino
6	El Teatro Campesino: Experiências formais e reflexões políticas em cena / El Teatro Campesino: formal experiences and political thoughts on stage Graziela Maria Lisboa Pinheiro 04 March 2009 (has links) Essa pesquisa constrói uma reflexão sobre o trabalho de El Teatro Campesino, grupo fundado em 1965 na Califórnia com o objetivo de criar peças de agit-prop, chamadas de actos, que propunham discutir temas pertinentes à sociedade camponesa chicana. Dois actos, formulados a partir de criações coletivas, são analisados nessa tese: Quinta Temporada cujo tema central são as greves organizadas na década de 1960 pelo sindicato United Farm Workers (Trabalhadores Agrários Unidos), liderado por César Chávez, militante de enorme importância ao Mexican American Civil Rights Movement (Movimento pelos Direitos Civis dos Mexicano-Americanos) e Vietnam Campesino, marco do teatro militante norte-americano, que discute temas não só relativos à Guerra do Vietnã, mas também a inúmeras outras questões caras à comunidade chicana. Além dos actos, nossa pesquisa também analisa o musical Zoot Suit, de autoria individual de Luis Valdez, fundador do Teatro Campesino, e que alcançou grande projeção ao se tornar a primeira peça de temática chicana escrita por um chicano a ser produzida na Broadway. / This research analyses the work of El Teatro Campesino, a theater group founded in 1965 in California, in order to perform agit-prop plays, called actos. The actos aimed at discussing themes which were relevant to rural chicano society. Two collectivelly created actos are analyzed in this thesis: Quinta Temporada in which the central theme is the strikes organized in the 1960s by the United Farm Workers, conducted by César Chávez, a militant of great importance to the Mexican American Civil Rights Movement and Vietnam Campesino, a milestone of the North-American political theater, which discusses themes related not only to the Vietnam War, but also many other pertinent issues to chicano society. Besides the actos, our research also analyses the musical Zoot Suit, written by Luis Valdez, founder of the Teatro Campesino, which became widely known as the first play concerning chicano themes written by a chicano to be produced on Broadway. Actos El Teatro Campesino Luis Valdez Teatro Norte-Americano Zoot Suit Actos El Teatro Campesino Luis Valdez North-American theater Zoot Suit
7	Canciones del Movimiento Chicano/Songs of the Chicano Movement: The Impact of Musical Traditions on the 1960s Chicano Civil Rights Movement Mendoza, Marisa B. 13 April 2012 (has links) This thesis analyzes resistance songs as key representations of the identity and political formation that took place during the 1960s Chicano movement. Examining particular musical traditions, this thesis highlights the value of placing songs of the Chicano struggle in national narratives of history as well as in the context of an enduring and thriving legacy of political and social activism that continues to allow the Chicano community to recognize and validate their current social realities. Music Chicano Movement Corridos Huelga Songs Teatro Campesino History Latin American History
8	El teatro campesino de Aztlán Delucchi, Mary Phelan 01 January 1971 (has links) (PDF) No other population has contributed more to American society and received so little in return."1 Until recently the Mexican-Americans had remained quietly in the background, apparently accepting their station in life with little or no desire to improve it--a "sleeping giant," as some politicians have called this politically potential group. Statistics show that relatively few Mexican-Americans have become acculturated and assimilated into Anglo-American society (See page 9). The great majority have retained their Spanish language and their family traditions, and have remained more or less static in their economic position and isolated from the mainstream of life in the United States. While most ethnically differentiated groups in United States have used the educational system as a "major vehicle for social mobility," Mexican-Americana either have not taken full advantage of the opportunity, or it has been inaccessible to them. Valdez Luis Mexican American drama (Spanish) El Teatro Campesino American Popular Culture American Studies Arts and Humanities
9	From la Carpa to the Classroom: The Chicano Theatre Movement and Actor Training in the United States Sloan, Dennis 14 April 2020 (has links) No description available. Theater Studies Theater History Theater Performing Arts Latin American Studies Ethnic Studies Latinx theatre Latino theatre Chicano theatre Hispanic theatre Actor training Luis Valdez Jorge Huerta El Teatro Campesino Theatre of the Sphere TENAZ Teatro Meta Old Globe Theatre UCSD
10	<i>Los Actos</i> of El Teatro Campesino and Luiz Valdéz 1965-1967: A Study with Comparison to the Early English Morality Play Neighorn, C. Allen 02 September 2008 (has links) No description available. Hispanic Americans Rhetoric Theater Valdez Chavez Juerta Huerta Teatro Campesino UFW United Farmworkers Morality Acto Mytho Latino Latina Mexican Mexicano Chicano Chicana Strike Huelga 1965 1967 1500 Medieval Cycle Plays Corpus Christi Theater

Search results