Published by the Tennessee Valley Authority- Department of Forestry Relations in 1941, this map displays areas characterized by principal forest types in the Tennessee Valley. The legend denotes specific species of trees as well a description of each. Handwritten numbers were added to the legend at an unspecified date post publication. Cartography provided by Maps and Surveys Division. Minimum area classified by field survey - 100 acres. Minimum area delimited on this maps - 750 acres. Cleared lands are not delineated. Physical copy resides in the Government Information, Law and Maps Department of East Tennessee State University’s Sherrod Library. Scale - 1" = 10 miles / https://dc.etsu.edu/rare-maps/1041/thumbnail.jpg

Thesis(M.A.)--Auburn University, 2005. / Abstract. Vita. Includes bibliographic references (p.147-152).

Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript. Sponsor: H. A. Scott. Dissertation Committee: F. W. Cyr, J. L. Hutchinson, . Type C project. Includes bibliographical references.

This work intervenes in the complex relationship between the large-scale management and exploitation of water in the United States and its impact on the bioregional literary imagination in the Tennessee Valley between 1933-1963. It shows through site-based environmental criticism and literary analysis that the “dam” becomes a material and symbolic place of convergence where one can examine the relationship between humans and their biospheres. As interdisciplinary rhetorical, literary, historical, archival and cultural analysis, this work engages writers such as David E. Lilienthal, William Bradford Huie, Robert Penn Warren, and Madison Jones in order to reveal the inherently conflicted realities of environmental conservation, individual identity, and displaced regional imaginations in American literature. / English

This investigation is an analysis of the social or economic effects of TVA electricity. It is the purpose of this endeavor to present a well-documented case supporting the thesis that the development of our water resources is a public function.

In this dissertation project, I examine the ways in which a grassroots environmental organization, the Upper French Broad Defense Association (UFBDA), was able to contribute knowledge and voice concerns regarding a Tennessee Valley Authority (TVA) proposal between 1961 and 1972. The TVA proposal included a plan for comprehensive water resource development in western North Carolina which would have required in the implementation of 14 dams, flooding of more than 18,000 fertile agricultural acres and displacing 600 families from their ancestral homes. Employing archival research methods, in this dissertation I analyze the UFBDA's everyday rhetorical tactics which contributed to their overall success in preventing the implementation of the TVA project. I situate archival sources alongside contemporary scholarship in democratic practice, environmental rhetoric, rhetorical citizenship, and ethos, as discussed in rhetoric and writing studies. Overall, this dissertation demonstrates the ways in which the UFBDA case study offers a generative model for future environmental controversies, providing specific techniques which can contribute to the success of grassroots organizations mired in environmental controversies and contentious decisions. / Doctor of Philosophy / In this dissertation project, I examine the ways in which a grassroots environmental organization, the Upper French Broad Defense Association (UFBDA), was able to contribute knowledge and voice concerns regarding a Tennessee Valley Authority (TVA) proposal between 1961 and 1972. The TVA proposal included a plan for comprehensive water resource development in western North Carolina which would have required in the implementation of 14 dams, flooding of more than 18,000 fertile agricultural acres and displacing 600 families from their ancestral homes. In order to complete this dissertation project, I explored two archival collections pertaining to the UFBDA. Based on my findings in the archives, I provide new understandings of how grassroots environmentalism works, particularly in terms of how environmentalists use language in order to participate in decisions about the environment. More specifically, this dissertation documents how members of the UFBDA were able to describe the western North Carolina landscape as a commons and not a wilderness, work together across counties to create new opportunities to share their concerns over the TVA project, and establish their own credibility as knowledgeable citizens about their local environment. By highlighting specific components of the UFBDA's work, this dissertation provides examples that can be used by future grassroots environmental organization facing similar challenges regarding environmental controversies.

Cette étude porte sur les expositions photographiques produites par le gouvernement américain entre 1935 et 1942. Ces expositions avaient pour but de promouvoir les activités entreprises par l’administration Roosevelt dans le cadre de son programme de relance économique. L’étude est constituée de trois grandes parties : la première présente les enjeux politiques et sociaux du New Deal et éclaire les défis auxquels les propagandistes du gouvernement Roosevelt ont été confrontés. Elle montre alors l’intérêt et la fonction que la photographie et l’exposition ont eu dans le programme de propagande. La seconde présente le rôle joué par les expositions universelles dans le développement des techniques scénographiques employées par l’administration. La dernière porte sur les expositions artistiques du gouvernement et sur leur valeur propagandiste. / This study focuses on photographic exhibitions produced by the US government between 1935 and 1942. These exhibitions aimed to publicize the Roosevelt administration’s economic stimulus program. The study is divided into three parts. The first part outlines the political and social issues of the New Deal while shedding light on the challenges faced by the propagandists in the Roosevelt administration, as well as the appeal and function of photography and exhibitions in its propaganda program. The second part considers the role played by world fairsin the development of design techniques employed by the administration. The final section addresses the government’s artistic exhibitions and their value as propaganda.

Thesis (M. En.)--Miami University, Institute of Environmental Sciences, 2004. / Title from first page of PDF document. Includes bibliographical references (p. 32-34).

Master of Arts / Department of History / Donald J. Mrozek / In the 1960s, modernization theory became an important analytical tool to conceptualize change in the Third World. As opposed to rebuilding societies that had already attained industrialization as was done with the Marshall Plan, modernization theorists focused on creating a total theory that encapsulated the entire arc of development from a traditional agricultural society to a modern industrial society. Aware that a colonial relationship subordinating nations on the periphery to the West was impossible, modernization theorists sought to create an amicable bond based on consent. Modernization theory served as the underlying logic of the Alliance for Progress, Peace Corps, and the Strategic Hamlet Program in Vietnam. This thesis argues that although modernization theory certainly had novel aspects, notably its social and psychological elements, much of the theory simply consisted of the coalesced logic, assumptions, and methods acquired from three previous American experiences with development, particularly the Tennessee Valley Authority (TVA), Point Four Program, and occupation of Japan after World War II. I argue that thought concerning development from the 1930s through the 1960s should be seen as a continuum rather than view modernization theory in the 1950s and 1960s as completely novel. Modernization theorists both intentionally and unknowingly incorporated into modernization theory the logic, assumptions, and methods developed in previous development schemes. Chapter Two examines how the democratic decentralized structure of the TVA became embedded in post-World War II thought about development as an alternative to communist models of development. The chapter also explores TVA director David Lilienthal’s and modernization theorists’ emphasis on technology as both harbingers of modernization and evidence of modernity. Chapter Three investigates how Chester Bowles, the director of the Point Four Program in India, and modernization theorists used Keynesian economics in their development model, arguing that modernization could be induced by government spending in agriculture, education, infrastructure, and health and sanitation. Chapter Three also explores how Bowles and modernization theorists used an evolutionary theory of development derived from America’s past to guide their development in the Third World. Chapter Four examines the similarity between what officials of the Japanese occupation and modernization theorists considered traditional and modern. The chapter also explains that both groups believed in the universal applicability of the principles of American society.

"The Tennessee Valley Authority is a world example of the full development of a river basin in soil conservation, flood control, navigation, electric power, afforestation, and recreation... Many river basin areas in the United States have created planning commissions to further develop the advancement of their own watershed problems. The Trinity Improvement Association is the planning commission for the Trinity River watershed area... In Chapter II a factual resume of the Tennessee Valley Authority will be given, and this chapter will be used as a basis of comparison for the development of the Trinity River Basin. Chapter III covers the problem of soil conservation and flood control within the watershed area; Chapter IV deals with the industrial and municipal use of water and the resources of the tributary area; Chapter V contains a brief history of the canal movement on the Trinity, the feasibility of such a canal, and miscellaneous developments; and Chapter VI contains the conclusions that it seems appropriate to draw. " -- leaf 1.