Submitted by Vinicius de Assis null (deassis.vinicius@gmail.com) on 2016-07-29T14:46:59Z No. of bitstreams: 2 THANGKA A PINTURA SAGRADA TIBETANA.docx: 18848509 bytes, checksum: 0f3bea4566b0c4667ffea6f21ff1af6f (MD5) THANGKA A PINTURA SAGRADA TIBETANA.pdf: 8432818 bytes, checksum: f357a28d3e4d03a1d5eb7cb6ce23a613 (MD5) / Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-08-01T14:18:49Z (GMT) No. of bitstreams: 1 assis_v_me_ia.pdf: 8432818 bytes, checksum: f357a28d3e4d03a1d5eb7cb6ce23a613 (MD5) / Made available in DSpace on 2016-08-01T14:18:49Z (GMT). No. of bitstreams: 1 assis_v_me_ia.pdf: 8432818 bytes, checksum: f357a28d3e4d03a1d5eb7cb6ce23a613 (MD5) Previous issue date: 2016-06-17 / O presente estudo intenta apresentar os princípios básicos, históricos e processuais, da pintura tradicional tibetana, thangka. Tal objetivo se justifica pela escassez de estudos em língua portuguesa sobre o assunto. Ainda que seja perceptível nos tempos atuais uma expansão dos estudos asiáticos no Brasil, em confluência com uma crescente aproximação e interesse pela cultura oriental na contemporaneidade; esta pesquisa, por meio de estudo de campo, levantamento bibliográfico e histórico, busca a investigação e exposição do profundo e específico âmbito do simbólico, sagrado e tradicional na pintura tibetana. Acreditando que o reconhecimento das artes e teorias estéticas não eurocêntricas corroboram a cognição e produção da inestimável diversidade cultural humana. / The following study intends to present the basic, historical and procedural principles of the traditional Tibetan painting, thangka. This objective is justified by the lack of studies in Portuguese on the subject. Although it is noticeable nowadays an expansion of Asian studies in Brazil, in confluence with a growing approach and interest in Eastern culture in contemporary society; this dissertation, by field research, literature and history, wishes to investigate, explain and expose the deep and specific scope of the symbolic, sacred and traditional in Tibetan painting. Believing that the recognition of the arts and non eurocentric aesthetic theories corroborate the cognition and production of the invaluable human cultural diversity.

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<p>Thanka är en tibetansk konsttradition som består av religiösa bilder föreställande en rad gudar och heliga personer ur den buddhistiska tron. Motiven är starkt symbolistiska och strängt traditionsbetingade. Detta arbete beskriver denna företeelse i tre delar där den första är hämtad ur litteratur, jag redogör här för uppkomsten, motiven, tekniken, de religiösa aspekterna och dagens plats. Den andra parten består av intervjuer och den tredje delen sammanfattar processen i den tavlan jag själv målat. Slutsatsen blir att denna konst är mycket komplex och tidskrävande, samt att den i sin lugna precision kontrasterar till den västerländska stressen. Kunskapen om thanka går att applicera i flera av skolans ämnen, så som Historia, Religion och Bild, på grund av sin av tradition befästa plats i det tibetanska samhället.</p> / <p>Thanka is a Tibetan art tradition which consists of religious pictures that portrays several gods, goddesses and holy individuals from the Buddhist faith. The motives are strongly symbolist and strictly traditional. This work describes this occurrence in three parts were the first is taken from literature; I give here an account of the origin, the motives, the technique, the religious aspects and its place today. The second part includes interviews and the third part summarizes the working process in my self-made painting. The conclusion is that this art is very complex and time-demanding, and that its calm precision is contrasting to the Western stress. The knowledge about Thanka is possible to apply in several school subjects such as History, Religion and Art, because of its traditional emplacement in the Tibetan society.</p>

Thanka är en tibetansk konsttradition som består av religiösa bilder föreställande en rad gudar och heliga personer ur den buddhistiska tron. Motiven är starkt symbolistiska och strängt traditionsbetingade. Detta arbete beskriver denna företeelse i tre delar där den första är hämtad ur litteratur, jag redogör här för uppkomsten, motiven, tekniken, de religiösa aspekterna och dagens plats. Den andra parten består av intervjuer och den tredje delen sammanfattar processen i den tavlan jag själv målat. Slutsatsen blir att denna konst är mycket komplex och tidskrävande, samt att den i sin lugna precision kontrasterar till den västerländska stressen. Kunskapen om thanka går att applicera i flera av skolans ämnen, så som Historia, Religion och Bild, på grund av sin av tradition befästa plats i det tibetanska samhället. / Thanka is a Tibetan art tradition which consists of religious pictures that portrays several gods, goddesses and holy individuals from the Buddhist faith. The motives are strongly symbolist and strictly traditional. This work describes this occurrence in three parts were the first is taken from literature; I give here an account of the origin, the motives, the technique, the religious aspects and its place today. The second part includes interviews and the third part summarizes the working process in my self-made painting. The conclusion is that this art is very complex and time-demanding, and that its calm precision is contrasting to the Western stress. The knowledge about Thanka is possible to apply in several school subjects such as History, Religion and Art, because of its traditional emplacement in the Tibetan society.