Thesis (MA)--University of Stellenbosch, 2001. / ENGLISH ABSTRACT: The aim of this study is to investigate man's use of the mollusk within selected art forms, and to use the research results to design a contemporary museum exhibition, relevant within a South African context. Two sections are presented. In section A the selected art forms, fine arts, architecture, furniture design, masks and music and other sound instruments are thoroughly investigated to determine in what way the mollusk/shell is used in or on these art forms. A large number of figures are included to illustrate the available examples, and to aid the reader in the visualization of these applications. In section B a design solution is presented, based on the research results of section A. The compilation of an exhibition team and the whole design process, from the choice of an exhibition theme to the evaluation of the exhibition, is investigated. The exhibition designer plays the important role of interpreting the research results and to compile a design solution. A wide variety of exhibition techniques are recommended for the design solution, including theatre productions, special lighting and sound effects, demonstrations and tours. A number of figures are included, where photos taken during the museum visitations and design sketches provide further insight into the design solution. From the research results it was noted that an educational subject such as the mollusk/shell, can be made timely and attractive for the museum visitor by the use of creative, contemporary and relative exhibition techniques. / AFRIKAANSE OPSOMMING: Die doel van hierdie studie is om die mens se benutting van die mollusk in geselekteerde kunsvorme te ondersoek en om die navorsingsresultate te gebruik om 'n eietydse en kreatiewe museumuitstalling, relevant binne die Suid-Afrikaanse konteks, te ontwerp. Twee afdelings word aangebied. In afdeling A word die geselekteerde kunsvorme, beeldende kunste, argitektuur, meubeIkuns, maskers en musiek- en ander kIankinstrumente deeglik ondersoek om vas te stel op watter wyse die mollusk/skulp daarin of daarop gebruik word. 'n Groot aantal figure word ingesluit om die beskikbare voorbeelde te illustreer en op so 'n wyse visuaIisasie vir die leser te vergemaklik. In afdeling B word 'n ontwerpoplossing aangebied, gebaseer op die navorsingsresultate van afdeling A Die samestelling van 'n uitstalspan en die hele ontwerpproses, vanaf die keuse van 'n uitstalterna tot die evaluering van die uitstalling, word ondersoek. Die uitstaIontwerper vertolk die belangrike rol om die navorsingsresultate te interpreteer en 'n ontwerpoplossing daaruit saam te stel. 'n Groot verskeidenheid uitstaltegnieke word vir die ontwerpoplossing aanbeveel, wat onder meer teateraanbiedings, spesiale beligting- en klankeffekte, demonstrasies en toere insluit. 'n Verskeidenheid figure word ingesluit waar foto's, geneem tydens die ter plaatse ondersoeke, en ontwerpsketse 'n aanduiding van die ontwerpoplossing gee. Uit die navorsingsresultate kon daar vasgestel word dat 'n opvoedkundige onderwerp soos die mollusk/skulp, deur die gebruik van kreatiewe, eietydse en relevante uitstaltegnieke, vir die museumbesoeker aktueel en aantreklik gemaak kan word.

Thesis (MA)--Stellenbosch University, 1986. / INDLEIDING: Ten spyte van die belangrike bydrae wat die meubelmakers oor meer as drie eeue gelewer het t.o.v. die vervaardiging van een van die belangrikste gebruiksartikels in die Kaapse huishoudings, is daar nag min aandag aan die onderwerp bestee. Slegs enkele navorsers soos H. Aucamp (1971), M. Baraitser en A. Obholzer (1971), J.L.M. Franken (1940) en J. Hoge (1946) verwys na enkele meubelmakers, timmermans, draaiers, voeërs en beeldsnyers wat meubels gemaak het. Daar is egter nog geensins 'n geheelbeeld saamgestel oor die herkoms van die Kaapse meubels en die vakmanne wat dit plaaslik vervaardig het nie. Die doel van hierdie studie is om vas te stel wie die mense was wat die Kaapse meubels sedert die volksplanting plaaslik vervaardig het. Die studie het ook ten doel om, waar moontlik, te onderskei tussen die verskillende soorte vakmanne wat meubels gemaak het, nl. kabinetmakers, stoelmakers, draaiers, voeërs, beeldsnyers en timmermans.

Thesis (MA) -- Stellenbosch University, 1990. / ENGLISH ABSTRACT: The two well-known South African agricultural journals The Farmers Weekly and the Landbouweekblad are important sources for the cultural historian. In this thesis attention is paid to a few selected aspects of post-war culture in South Africa. The period covered stretches from 1945 to 1961. In Section A an introductory background is given, concerning the cultural historian's use of agricultural journals, as well as the epoch as frame within which the information should be interpreted. Chapter 1 concentrates on journalistic sources as primary written sources, and in particular on the contemporary journal. Chapter 2 places agriculture and the agricultural journal in the correct cultural historic perspective. A criptic background is given as to the origin and development of the two journals concerned, as well as an outline of the approach necessary for the use of the different sections in the journals. lt appeared that mechanisation and urbanisation became the two transforming powers with regard to the general cultural climate in South Africa after the Second World War. Chapter 3 focusses hereupon. The theme of Section B is non-material culture. Here attention is paid to folk tales, rhymes and riddles (Chapter 4), folk science (Chapter 5), the most important times in the life cycle of people (Chapter 6) and folk festivals (Chapter 7). The folk tales dealt with are, apart from topics of discussion, true experiences, sagas, legends and jokes. A background discussion will be found, followed by the categorised examples. Folk science is divided into three main sections: folk meteorology, water-witching and folk medicine. Animal as well as human illnesses have been categorised under the latter. Customs and beliefs which evolved around the birth and christaining if a child, courtship and weddings and death and funerals belong under Chapter 6. Regarding folk festivals, a discussion of a few festivals is given with, secondly, a description of a few games, evidently played at such festivals. Material culture is the theme of Section C. Here the following aspects were selected: folk crafts and home industries (Chapter 8), architecture and house interiors and farm and werf layout (Chapter 9), food (Chapter 1 O) and clothing (Chapter 11 ). Home and farm industries are discussed in Chapter 8. Chapter 9 is concerned with the modern home - in the city as well as on the farm - and with the layout of the modern farm and farm yard (werf). A few aspects of the post-war food culture earned themselves further discussion. The rest of Chapter 1 0 is devoted to traditional South African cookery - in the form of recipes, accompanied by a discussion. In the chapter dealing with clothing, the natural phases in fashion between the years 1945 and !,.. 1961 were identified. The discussion of the doting focus'es mainly on women's fashion. / AFRIKAANSE OPSOMMING: Die twee bekende Suid-Afrikaanse landboutydskrifte, die Farmer's Weekly en Die Landbouweekblad is belangrike bronne van kultuurhistoriese inligting. In hierdie tesis word op 'n aantal geselekteerde aspekte van die naoorlogse kultuur in Suid-Afrika gekonsentreer. Die tydperk wat gedek word, is 1945 tot 1961. In Afdeling A word daar inleidend 'n agtergrond gegee van die benutting van landboutydskrifte deur die kultuurhistorikus en van die tydvak waarbinne die stof vertolk moet word. In Hoofstuk 1 word daar op joernalistieke bronne as primere geskrewe bronne gekonsentreer en in die besonder op die tydgenootlike tydskrif. Hoofstuk 2 plaas die landbou en landboutydskrif kultuurhistories in perspektief. 'n Kort agtergrond oor die ontstaan ~n groei van die betrokke twee tydskrifte word gegee, en daar word oorsigtelik gewys op die spesifieke benaderings wat die onderskeie afdeli'ngs in die tydskrifte vereis. Uit die landboutydskrifte het geblyk dat meganisasie en verstedeliking nit die Tweede Wereldoorlog die twee omvormende kragte ten opsigte van die bree kultuurklimaat in SuidAfrika geword het. In Hoofstuk 3 word daar hierop gefokus. Afdeling B het die geestelike kultuar as tema. Aspekte wat daariri aandag kry, is: Volkswoordskeppinge (Hoofstuk 4), Volkswetenskap (Hoofstuk 5), Lotstye (Hoofstuk 6) en Volksfeeste (Hoofstuk 7). Onder Volkswoordskeppinge word gespreksonderwerpe, belewenisvertellings, sages, legendes, grappe, rympies en raaisels behandel. 'n Agtergrondbespreking word gegee, waarna die gekategoriseerde voorbeelde wat opgespoor is, volg. Volkswetenskap word hier in drie hoofdele ingedeel: volksweerkunde, waterwys en volksgeneeskunde. By laasgenoemde word aandag aan siektes by diere sowel as die mens gegee en voorbeelde wat gevind is, gekategoriseerd aangebied. Gebruike en gelowe rondom geboorte en doop, hofmaak en die huwelik en derdens die dood en begrafnis word ender lotstye gedek. Die hoofstuk oor volksfeeste bestaan uit 'n bespreking van 'n aantal volksfeeste met as tweede ! deel die beskrywing van enkele speletjies wat klaarblyklik by feesgeleenthede gespeel is. Afdeling C handel oor die stoflike kultuur, waarvan die volgende aspekte geselekteer is: Volksbedrywe (Hoofstuk 8), Huisbou en -inrigting en plaas- en werfuitleg (Hoofstuk 9), Voedselkultuur (Hooptstuk 1 O) en Kleremodes (Hoofstuk 11 ). Volksbedrywe word in twee hoofdele behandel, naamlik huis- en plaasbedrywe. Ten opsigte van huisboujinrigting word daar op die moderne huis gekonsentreer - die stedelike sowel as die plaashuis. Die uitleg van die moderne plaas en werf word volledig bespreek. Slegs 'n aantal naoorlogse aspekte van die voedselkultuur word belig, waarop verder ruimte afgestaan word aan die tradisionele Suid-Afrikaanse kookkuns - in die vorm van resepte, vergesel van 'n bespreking. Kleremodes word aan die hand van die natuurlike fases wat daar in die betrokke tydvak onderskei kan word, behandel. Die klem val hier op vrouemodes

Thesis (MA (History))--University of Stellenbosch, 2007. / Genadendal furniture was made in the small Moravian mission settlement of Genadendal (situated in the Overberg area of the Western Cape) during the late 18th and early 19th centuries. Genadendal furniture not only illustrates the impact that the immigration of Europeans had on the development of a unique Old Cape furniture tradition, it also emphasises the influence that a specific world view or philosophy of life had on the design and manufacture of furniture. The origins of the old Unitas Fratrum can be traced back to the late 14th century in ancient Moravia and Bohemia (today part of the Czech Republic). This mission society came to South Africa due to the missionary zeal of the Renewed Moravian Church, which was renewed mostly through the efforts of the German Earl Nicolaus von Zinzindorf. As exponent of Radical Pietism this society accepted the task of worldwide missionary work. By the end of the 18th century there were already more than 18 Moravian mission stations scattered all over the world. One of the most prominent characteristics of the Moravian church was the importance attached to the fellowship of the faithful, and the social organisation resulting from it. Everything in the Moravian community was done to signify the equality of all people before God, expressed by standardised dress, traditions and social organisation. They functioned as independent, self-sufficient communities. Various trades and workshops were established in these communities to further the ideal of self-sufficiency. The missionaries from Europe were all qualified artisans, and they trained members of their communities in the various trades. The pervading spirit of independence equipped these artisan missionaries extremely well to transplant the Moravian furniture styles and traditions to South Africa. Genadendal furniture bears silent witness to the Moravian obsession with simplicity and quality. This furniture style with its simple, straight lines formed part of the Neo-Classical style popular at the Cape at the time.

Thesis (DPhil (Afrikaans Culture))—University of Stellenbosch, 1994. / Up to the arrival of the so-called "Second Wave" of German settlers to the Cape, the cape Flats was to a great extent uninhabited because it was seen as an inhospitable semi-desert. The colonial Government of the late nineteenth century however felt dat such an area of land in so close a vicinity of an urban region should be made usefull. As a result of the success the German settlers had who arrived in the years 1858/62 in the Eastern Cape (the so-called "First Wave" of German immigrants), it was decided to try the same in the Western Cape. A few German settlers together with their families have already settled themselves on the edge of the Cape Flats and showed that one could farm with vegetabels in this region. They were Germans who were brought to the Cape by the Hamburgh shipping company Godeffroy and Son. They came under contract and had to work for a fixed period at certain appointed employers. These Godeffroy immigrants settled in the vicinity of Wynberg after the expiration of their contracts because a Lutheran church was already established there. They indirectly formed the basis of the German settlement to follow. In 1877/78 the next group consisting of families and part of a Colonial immigratioh project, arrived. Many of these immigrants were settled on Crown Land in the Boland, but a significant number were settled on the Cape Flats. The third group arrived in 1883, again consisting of family groups and as part of a Colonial iimmigration project. Most of the members of this group were allocated on land and the Cape Flats. The last two groups were part of the "Second Wave" of German immigrants. By far mast of the immigrants were peasants and artisans originating from Northern Germany. The Godeffroy immigrants were mostly Prussians and the immigrants of the Second Wave mostly Heidjern from the Luneburger Heath in Lower Saxony. These three groups would fuse into a close community thanks to their common background and religion, as well as the first years' struggle for survival on the then inhospitable Flats. The settlers established three Lutheran congregations and three schools. This study looks at the settlement, the life and work of these settlers and their immediate descendants, as well as the way of life of generations to follow, who had to combat other problems than those their ancestors had to deal with. The Colonial government's belief that the Flats could be a source of fresh produce for the growing Cape Town, proved to be right. The region established itself as the "Fresh produce larder of cape Town". Today many descendants find themselves in all the different social spheres throughout South Africa. A substantial number of descendants of the settlers however still live and farm on the properties their forefathers established. The farming area, although considerably smaller than the original settlement area, is of strategical and economical importance today because of the huge amount of vegetables which is being produced almost inside the city boundaries for the daily growing population of Cape Town.

Thesis (MA (Afrikaans Cultural History))--University of Stellenbosch, 2001. / Elim, a mission station of the Moravian Church, was established in 1824. The settlement is situated 48 kilometres from the southern extreme of the African continent. Vogelstruiskraal farm, is a sparsely populated area, a unique community has developed where the congregation is the community and the community is the congregation. ...