Topic of the thesis are selected short stories from the book Guerrillas (Gverilci, 2004) by the Slovene writer Polona Glavan. The first part introduces the writer and her work. It focuses on the literary historic classification of her works as well. It explains the movement of minimalism in art and its appearance in the literature. The last topic of this part is the Slovene generation of minimalists. The second part of the thesis contains the main theme - commented translation of the selected short stories. It means the text analysis of stories and analysis of the selected problems connected with the process of translation. There are presented steps which have been used as well. The thesis is mainly focused on the appearance of minimalism in texts by Polona Glavan and the suitable translation of them to the Czech language.

The goal of this diploma thesis is to create an annotated Czech translation of a literary text. Specifically, the selected three short stories from the collection Ideoluzije (2015) by a Slovenian writer Jasmin B. Frelih. The stories chosen for translation are De Nachtwacht, Vrabci and Pritisk konca. The first part of the thesis briefly introduces the author and his work. The main focus of the work is the translation of selected short stories and creating a professional commentary. The theoretical-practical part deals with individual phenomena that may be problematic in translation, such as neologisms, vulgarisms, interjections, etc. The theoretical interpretation is supported by examples from the short stories. This thesis aims to clarify translation procedures and methods as well as to present solutions to the problems mentioned.

This thesis deals with the reception of a German-language elucidarium in the Czech and subsequently Ukrainian literary environments. It acquaints the reader with the history of the work, which originates from the Latin theological tract Elucidarium by Honorius Augustodunensis from the end of the 11th century. It deals with the conception of the German Lucidarius, which was created as one of the first medieval works in the national language at the end of the 12th century and is considered to be the first German-language encyclopedia. This thesis presents the Lucidarius as an originally produced compilation created via the translation and adaptation of several Latin treatises from the fields of theology, philosophy, cosmology, geography, and history. In the Czech environment, Lucidář, translated from German, appears at the latest in the mid-15th century and is a work that enjoyed the interest of lower classes of readers until as late as the early 19th century. The Czech Lucidář carries significance in terms of inter-Slavic literary ties - via translation, a Croatian elucidarium (15th century) and Ukranian elucidarium (16th -17th century) were created. This thesis presents the Ukrainian Lucidarij as one of several works that was translated from Czech into the Ukrainian-Belarusian (or more precisely...

De la fin du XIXe siècle aux premières décennies du XXe siècle, la Corée connaît un engouement sans précédent pour la découverte de l’Occident. L’acte de traduire en Corée fut un véritable acte d’accueil dans un pays à l’histoire complexe, en recherche d’identité culturelle voire nationale. Si l’on devait dessiner une frise imaginaire de l’histoire littéraire coréenne, nous serions interpellés par une sorte d’ellipse temporelle entre le passage de la littérature ancienne à la littérature moderne et contemporaine. En effet, sans l’introduction d’œuvres étrangères notamment françaises en Corée, et donc sans la traduction-création, la littérature moderne aurait probablement émergé difficilement. C’est donc grâce au transfert culturel d’une littérature européenne dite classique que la littérature moderne s’est façonnée dans le paysage littéraire coréen, résultat fulgurant d’un besoin d’évolution impulsé par un désir fort de rattraper et réveiller les esprits d’un peuple longtemps bridé par une conjoncture géopolitique particulière. La littérature en traduction de cette période est le point culminant d’une pensée littéraire, d’une notion sur la littérature elle-même qui, du système d’écriture jusqu’au transfert terminologique, n’a cessé de questionner ce qu’est la littérature. Cette étude propose de retracer ces enjeux à la fois comparatifs, historiques et littéraires par le biais des œuvres romanesques françaises du XIXe siècle en traduction publiées dans les revues et dans un journal et d’examiner, des versions des Misérables à celles du Comte de Monte-Cristo, un ensemble de romans français en traduction qui tous participent à l’acte de lire, traduire, écrire. / From the late nineteenth century to the first decades of the twentieth century Korea experienced an unprecedented craze for the discovery of Western culture. The act of translating in Korea was a real act of welcome in a country with a complex history and in search of a cultural or even a national identity. If we were to draw an imaginary frieze of Korean literary history, we would be challenged by a sort of temporal ellipse between the passage from ancient literature to modern and contemporary literature. Because, in fact, without the introduction of foreign works, especially French ones into Korea, and therefore without the process of translation-creation, modern Korean literature would most likely only have emerged with considerable difficulty. It is therefore thanks to the cultural transfer of classical European literature that modern literature has shaped itself in the Korean literary landscape, a result of a need for evolution driven by a strong desire to catch up and awaken the spirits of a people long constrained by a particular geopolitical situation. The translation literature of this period is the culmination of a literary idea, a notion about literature itself, which, from the writing system to terminological transfer, has constantly questioned what literature is. This study proposes to trace these issues - at once comparative, historical and literary - through translations of French fictional works of the nineteenth century published in magazines and in newspapers and to compare versions of “Les Misérables”, and those of “Le Comte de Monte-Cristo”, French novels in translation that all entail the act of reading, translating, writing.