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Princip hry v románech Tres tristes tigres a Rayuela / The principle of play in the novel Tres tristes tigres and RayuelaŠtefanová, Veronika January 2013 (has links)
This thesis investigates the principle of play in the diverse constituents of the modern novel, represented by the works of Rayuela by Julio Cortázar and Tres tristes tigres by Guillermo Cabrera Infante. In the chapter 1, it inquires into the conception of play in the point of view of the philosophy (mainly of Eugen Fink), sociology (of Roger Caillois) and psycology (of Carl Gustav Jung). In the chapter 2, it focuses from the point of view of the literary science on the play in the modern novel and it gives some examples from the world-literature. The chapter 3, which is the center of the thesis, applies the outcomes of the previous chapters in the analysis and comparison of the principle of play on the thematic, language, compositive and narrative level directly in the novels Rayuela and Tres tristes tigres, and on the finish it tries to formulate the sight of the world and the man in both works.
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"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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