This thesis examines the evidence for the buildings and precincts of the five friaries of late medieval London: Black Friars, Grey Friars, White Friars, Austin Friars and Crossed (or Crutched) Friars. Virtually nothing survives, at least above ground, of these once-famous institutions and so documentary and archaeological evidence form the core of the research. Using a technique of historic map regression – working backwards from the modern Ordnance Survey map and carrying out a succession of ‘digital tracings' of historic maps – the early modern street plan of each friary was drawn. Then, evidence from dozens of archaeological excavations (small and large, antiquarian and modern) could be pasted onto the base map of each friary. Finally, documentary evidence was brought in, primarily a series of surveys (‘particulars for grant') by the Court of Augmentations, the Crown body supervising the Dissolution of the Monasteries in the 1530s and ‘40s. After setting out the historiography of research into monastic London, five chapters examine the five friaries in turn, discussing the church, cloister, precinct walls and gardens, and illustrating the evidence with a series of reconstructed plans. The chapters also examine the fate of the friary buildings in the mid-sixteenth century, after the Dissolution. In a concluding chapter, the churches and precincts are compared, looking at size, status and the use of space. The limited evidence for the economy of the friaries – both income and expenditure – is also examined. The gradual ‘secularisation' of the friaries in the fifteenth and early sixteenth centuries is also considered, before studying the purchasers of the old friary buildings in the 1540s and the uses they made of their new properties.

This dissertation analyses the life and writings of the Tudor clergyman and bestselling author Thomas Becon (1512-1567) as well as communities of production, patronage and pious readership that occasioned, supported and first received his books. Not only does it illuminate new aspects of his life, such as his remorse over his recantation at Paul’s Cross in 1543 and the fact that he was considered for the bishopric of Chester in 1559, but also it provides an account of his extraordinary literary output. Between the early 1540s and the late 1560s, he composed or translated at least 56 works, which by the 1630s had been printed in 126 known editions. He was thus the most widely published vernacular devotional author in England until the later decades of the sixteenth-century. Despite his influence in early modern England, Becon has received little scholarly attention. When his works are studied, they are simply mined for quotations, rather than contextualised and considered in their own right. This dissertation attempts to redress this imbalance by embedding Becon within the communities and contexts that produced and consumed his books. It argues that, as a prolific and highly influential member of the ‘middle management’ of the English Reformation, his life and writings offer a unique and valuable perspective on the propagation, enforcement and reception of religious change in sixteenth-century England. This dissertation not only reconstructs and reconsiders his biography and literary output, but also it shows the contributions that such study makes to broader historical and literary understandings of early modern England, particularly in light of the post-revisionist project, which has focused upon the processes of negotiation, accommodation and resistance that shaped the English Reformation. By illuminating the career of one significant, but largely overlooked reformer, it furnishes new evidence and interpretations for understanding early modern England.

Writers and historians from earlier centuries imagined Anne Boleyn as a villain; a forward and evil woman intent on destroying Henry VII and his image. Modern accounts have been more accommodating, offering that she was misunderstood due to the constraints of the times. In an attempt to discover the historical Anne, I will be comparing and contrasting how she has been perceived in fiction and non-fiction literature, and will examine how the perception of Anne has shifted through time.

This study examines the cultural and religious politics of dancing in late sixteenth- and early seventeenth-century England. Although theologically dance was considered morally neutral, as a physical, embodied practice, context determined whether each occurrence was deemed acceptable or immoral. Yet, judging and interpreting these contexts, and thus delineating the boundaries between appropriate and inappropriate behaviour, was contested and controversial. Advocates argued that dance enabled controlled, graceful movement and provided a harmless outlet for youthful energy. Opponents decried it as a vain, idle, and lascivious indulgence that led to illicit sexual liaisons, profanation of the sabbath, and eternal damnation. The first chapter introduces early dance fundamentals, describing steps, genres, and sources. The chapter also discusses venues in which people danced, times of day and seasons that were most popular, and demographic details for dancers in western England. Chapter 2 demonstrates how, by varying details of their performance, dancers could influence a dance’s appropriateness, as well as express aspects of identity, such as gender and social rank. Chapter 3 examines how clergymen and religious reformers addressed and tried to undermine pro-dance arguments through their treatment of biblical dance references in sermons and treatises. Chapters 4 and 5 feature case studies of parochial clergymen and lay persons whose opinions about dancing became flashpoints for local controversies. They explain why prosecutions for dancing were so sporadic and geographically scattered: dancing practices rarely entered the historical record unless a “perfect storm” of community tensions and personal antagonisms created irreconcilable differences that led to violence or court cases. The dissertation argues that a category, such as festive traditionalist, is needed to describe those who conformed to or embraced Protestant worship but who strongly resisted attempts to “reform” their behaviour outside of the church.

Les ARN interagissants avec Piwi (ARNpi) sont des petits ARN non-codants qui sont exprimes dans la ligne grrminale des animaux. Ils interagissent avec les proteines de la branche Piwi de la famille des Argonautes en formant des complexes des ribonucleproteines impliques dans le maintien de l'intégrité du génome. La region N-terminale des quelques proteines Piwi contiennent symetriquement des arginines diméthylées. Il est considere que ce status symmetrique de la dimethylation est responsable du recrutement des proteines possédant des domaines Tudor (TDRDs). Ces domaines peuvent avoir un role comme platforme pour medier les interactions entre les proteines de la voie de l'ARNpi. Nous avons mesure indivindiuellemnt l'affinite de liaison des quatres domaines etendus Tudor (TD) de la proteine murine TDRD1 pour les trois differents peptides de la protein murine Mili qui contiennent de la methyl-arginine. Les resultats montrent une preference des TD2 et TD3 pour les peptides consecutives Mili alors que TD4 et TD1 ont une affinite plus bas et plus faible respectivement pour tous les peptides. Ces observations ont ete confirmees par des experiences pull-down en utilisant des proteines Piwi endogenes et des proteines-interagissent avec Piwi. L'affinite de TD1 pour les peptides qui contiennent de la methyl-arginine peut etre restoree par une seul mutation ponctuelle dans la cage aromatique pour revenir a la sequence consensus. La structure de cristal de la proteine TD3 lie au peptide methyle Mili montre une orientation inattendue de la peptide de liaison et de la chaine latérale de l'arginine methyle dans la cage aromatique. Finalement, le model SAXS des quatres domains tandem Tudor de TDRD1 revele une forme de la proteine flexible et elongee. Globalement, les resultats montrent que la proteine TDRD1 peut accommoder des differents peptides des differentes proteines et ainsi de fonctionner comme une protéine d'échafaudage dans la voie de l'ARNpi. La proteine FKBP6 (FK506 Binding Protein) a ete recemment identifiee comme un nouvel facteur interagissent dans la voie de l'ARNpi. FKBP6 est constituee d'une domaine d'isomerase FK et une domaine de tetratricopeptide (TPR). Une perte de la Fkbp6 conduit a la de -repression des transposons et a la sterilite masculine des souris. Le domaine TPR est implique dans l'interaction avec la proteine chaperone Hsp90 et le domaine FK est une isomerase inactive qui a ete evolue a une module structurale. En effectuant des exepriences biochimiques preliminaires nous avons identifie la region N-terminal du domaine MYND de TDRD1 comme le partenaire d'interaction du domaine FK de la FKBP6. Nous proposons que la proteine TDRD1 est une plateforme moleculaire qui reconnait des marques de methylation de MILI et elle recrute FKB6 pour promouvoir la formation d'un complexe indispensable pour la fonction de la voie de l'ARNpi.

This study examines the cultural and religious politics of dancing in late sixteenth- and early seventeenth-century England. Although theologically dance was considered morally neutral, as a physical, embodied practice, context determined whether each occurrence was deemed acceptable or immoral. Yet, judging and interpreting these contexts, and thus delineating the boundaries between appropriate and inappropriate behaviour, was contested and controversial. Advocates argued that dance enabled controlled, graceful movement and provided a harmless outlet for youthful energy. Opponents decried it as a vain, idle, and lascivious indulgence that led to illicit sexual liaisons, profanation of the sabbath, and eternal damnation. The first chapter introduces early dance fundamentals, describing steps, genres, and sources. The chapter also discusses venues in which people danced, times of day and seasons that were most popular, and demographic details for dancers in western England. Chapter 2 demonstrates how, by varying details of their performance, dancers could influence a dance’s appropriateness, as well as express aspects of identity, such as gender and social rank. Chapter 3 examines how clergymen and religious reformers addressed and tried to undermine pro-dance arguments through their treatment of biblical dance references in sermons and treatises. Chapters 4 and 5 feature case studies of parochial clergymen and lay persons whose opinions about dancing became flashpoints for local controversies. They explain why prosecutions for dancing were so sporadic and geographically scattered: dancing practices rarely entered the historical record unless a “perfect storm” of community tensions and personal antagonisms created irreconcilable differences that led to violence or court cases. The dissertation argues that a category, such as festive traditionalist, is needed to describe those who conformed to or embraced Protestant worship but who strongly resisted attempts to “reform” their behaviour outside of the church.

Revised thesis (doctoral)--University of Oxford, 2004. / Includes bibliographical references (p. [297]-315) and index.

Uppsatsen studerar den engelska reformationen, dess huvudsakliga syfte är att visa hur forskningsområdet politisk teologi kan hjälpa elever i religion 2 eller högre på gymnasietatt inse hur historiska skeenden är användbara inom religiösa studier. Frågeställningarna och avgränsningarna ramar in projektet och binder det till Tudor-eran. Metoden som använts är en litteraturstudie. Resultatet blev ett exempel på hur Nordirlands respektive de brittiska öarnas nuvarande politiska situationer kan kopplas till Henry VIIIs skilsmässa och hur politik och religion kombinerades under Tudor-eran för att ge upphov till den anglikanska kyrkan.

To summarize in general the use of modes by Vaughan Williams, it could be said that the works that have been analyzed are characterized by frequent use of the traditional modes, but in a very free manner. The "Kyrie" of the Mass, "Pretty Bess," "Jolly Rutterkin" and Te Deum are confined somewhat closely to given modes, with some changes of mode, changes of tonality and use of altered chords. The "Gloria," "Credo," "Sanctus," "Osanna I," "Benedictus," "Osanna II" and "Agnus Dei" of the Mass, however, contain many striking chromaticisms. These chromaticisms are the result of use of many altered chords, a good deal of modulation and much combining of modes, often with startling cross-relations. The use of seventh chords in "Pretty Bess," "Jolly Rutterkin" and Te Deum further complicates the picture from that of the sixteenth century.

Because it signified the violent transition from the Plantagenet to Tudor dynasty, the death of King Richard III at the Battle of Bosworth’s Field was a monumental event. After five centuries, his skeleton was rediscovered by an archaeological team at a site, formerly the location of the Greyfriars Priory Church. The presentation uses the forensic evidence to examine the extent to which the perceived image of Richard III is the result of Tudor propaganda.