System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 21, 2003, Sept. 27, 2005, Nov. 21, 2006, and Oct. 26, 2009. Includes bibliographical references (p. 50-53).

To broadcast live media to the viewer, more known as streaming, has grown in popularity a tremendous amount the last few years. Despite the large viewerbase and people’s dreams to share their creation with the world it’s still quite difficult to get started as a streamer. How can we make it easier for people to start streaming? This project includes the thought and design process of the development of a new product linefor streamers. The product’s purpose is to offer the correct functions that makes it possible, but also easy for anyone to share their passion with the entire world. Letting anyone in the world not just watch you, but also be a part of the experience. The project resulted in a conceptual starter kit for streaming. The kit includes products that cooperate with each other, giving the user a personal and positive experience when starting out with streaming.

Thesis (Ph. D.)--University of Adelaide, Dept. of English, 1989. / This thesis is a study of the grammatical theories of Viggo Brøondal ; the central part of the thesis consists of an English translation of his Morfologi og syntax (1932). Includes bibliographical references (leaves 386-416).

This thesis is a study of the grammatical theories of Viggo Brøondal ; the central part of the thesis consists of an English translation of his Morfologi og syntax (1932) Bibliography: leaves 386-416.

Tvångsmaktsteorier försöker förstå och förklara vad som skapar framgång vid bruket av tvångsmakt. Tvångsmakt är att med hot, eller småskaliga stridshandlingar, från det militära maktmedlet åstadkomma en önskvärd förändring i en aktörs beteende. Problemet som denna uppsats hanterar är att teorierna om tvångsmakt brister i sin förmåga att förklara vad som skapar ett trovärdigt militärt hot. Detta är ett problem då flera teoretiker påtalar vikten av trovärdighet för att framgångsrikt utöva tvångsmakt. Teoretikerna gör detta utan att förklara eller undersöka denna trovärdighet. En debatt finns om vad som skapar framgång vid bruket av tvångsmakt, är det bara militära relativa kapaciteter eller är det också intresset som står på spel?   Denna teoriutvecklande uppsats syftar till att förklara vad som skapar ett trovärdigt militärt hot och hur detta bidrar till framgångsrik tvångsmakt. Genom en jämförande fallstudie mellan Haiti 1994 och Falklandsöarna 1982 undersöks trovärdigheten i det militära hotet. Det teoretiska ramverket utgörs av tvångsmaktsteorier kombinerat med teorier om militär trovärdighet.   Undersökningen visar att för att vara framgångsrik vid bruket av tvångsmakt ska det finnas en överlägsen militär kapacitet relativt motaktören. Inget samband kan påvisas mellan värdet på intresset och utfallet av tvångsmakt.

Niels Viggo Bentzon (1919-2000) is the most significant composer in the post-Nielsen period of Danish piano music. Bentzon's Third Piano Sonata, Op.44 was composed in 1946 and is considered by Mark L. Lehmann to be one of the great piano sonatas of the twentieth century. Not only does this sonata reflect Hindemith's ideas, but it also reveals Bentzon's unique style that successively empowers his innovative features. By applying Hindemith's theory, this study offers a way of understanding this piece and demonstrates the relevance of Hindemith's theory as a tool for analyzing the sonata. Chapter 1 presents the significance of the study, the state of research, the purpose of the study, and method. Chapter 2 provides a theoretical analysis of Bentzon's Third Piano Sonata, Op. 44. With a discussion of each movement, this analytical chapter traces Hindemith's influences: Bentzon organizes the four movements with a clear formal structure, a mediant relationship between the first movement and the rest of the movements, and a motivic coherence of each movement. Also, this chapter demonstrates how Bentzon follows Hindemith's way of chord construction and harmonic progression. This chapter provides insight into Bentzon's original style that facilitates an understanding of the tonal organization of each movement and illuminates Bentzon's intensity of expression through the use of quasi-improvisational passages, texture, dynamic fluctuations, and treatment of the full range of the piano. The last chapter concludes with a summary of Bentzon's compositional style based on observations from previous chapters.

Coercive diplomacy attempts to use military force in a limited fashion as a diplomatic and political tool in order to persuade an opponent to cease aggression rather than to bludgeon him into stopping. The use of limited military force in coercive diplomacy is not a military strategy, but rather a refined political and psychological instrument used for resolving a crisis. One relatively new instrument in the toolbox of limited force when engaging in coercive diplomacy, fashioned to deter adversaries, is the use of no-fly zones. The term no-fly zone describes the physical area of a nation that is patrolled using the airpower of another sovereign state or coalition. However, despite its relatively frequent use in its short history, it has largely been ignored in theoretical studies of coercive diplomacy. As scholars, such as Daniel Byman and Matthew Waxman, have presented a critical view on the limitations of approaching a study on a single instrument in coercive diplomacy, this paper grounds the argument that there is still value in this approach. Given that the conditions of coercive diplomacy mainly focus on an array of coercive instruments at a political level, are the conditions in the theories of coercive diplomacy sufficient to explain the political success of the military instrument of no-fly zones? Hence, this paper illustrates the theoretical reach of the theories of coercive diplomacy by highlighting the fungibility of the coercive diplomacy’s theoretical ‘success conditions’ when assessing a single military instrument. By studying the political success and failure in four separate cases, this paper proposes an analytical framework, which is by and large, derived from Peter Viggo Jakobsen and Alexander George’s theoretical basis. However, as the theoretical basis does not fully cover all of the political dimensions of no-fly zones, an additional variable is proposed. The resulting analytical framework suggests that this is a viable approach, but only by combining Jakobsen’s revised conditions with the original work of Alexander George, in addition to the proposed variable. Thus, this result contributes to the large body of scholarly work on coercive diplomacy theory and the debate whether one can assess a specific coercive instrument with the political ‘success conditions’ of coercive diplomacy, or not. / Master Thesis