Thesis (M.F.A.)--York University, 2009. Graduate Programme in Theatre : Acting. / Typescript. Includes bibliographical references (leaves 62-64). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51587

Thesis (Ph. D.)--Princeton University, 1978. / Typescript. Includes bibliographical references (leaves 388-405).

Thesis (M. Phil.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.

Texte remanié de: Ph. D.--Philos.--Berkely [Calif.]--Graduate theological union, 1992. / Bibliogr. p. [227]-234 et notes bibliogr.

Integrated with the study of Chinese Classics, the Ch¡¦en-wei thoughts posed as the mainstream of East Han¡¦s philosophy studies but the thoughts also aroused different opinions. As early as in the beginning of West Han Dynasty, Liu Shin tried to oppose the studies of Modern Scripts with the studies of Ancient Scripts. Yang Xiong, a great thinker in late West Han Dynasty, tried to suppress the popularity of superstition with the concept of Dao Fa Zi Ran (meaning that Daoism lies in the Nature). In the beginning of East Han Dynasty, Heng Tan is the first thinker who openly criticized the official philosophy. He wrote ¡§Xing Lun¡¨ to declare his opposition against the dominant Ch¡¦en-wei thoughts and also offered suggestions about contemporary politics in the hope of attracting attention from the Emperor and serving the country. However, his suggestions irritated the Emperor instead and he was never promoted to an important position. After Heng Tan, Wang Chong, a thinker not in any official post, carried forward Heng¡¦s thoughts and, based on the principle of Ji Xu Wang (meaning to criticize the untrue), lashed even more strongly against the Ch¡¦en-wei thoughts. This thesis is an attempt to analyze Heng¡¦s and Wang¡¦s thoughts based on their books, ¡§Xing Lun¡¨ and ¡§Lun Heng.¡¨ It is found that both of them, enlightened by rationalism and spurred by the sense of mission as orthodox scholars, tried to fight against the contemporary Boshi system on the basis of Bo Tong (meaning comprehensive studies), to criticize the ridiculousness of the Ch¡¦en-wei thoughts by manifesting the principle of Ji Xu Wang and finally to achieve the ideal of Xing Zhi (meaning to criticize the untrue and to serve the country with one¡¦s thoughts). Both Heng and Wang cast a deep influence on the Ming-Fa thoughts at the end of East Han Dynasty and gave birth to the following Naturalism. Their importance to the development of Chinese philosophy can be clearly seen hereby.

Thesis (Ph. D.)--University of Oregon, 2004. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 215-226). Also available for download via the World Wide Web; free to University of Oregon users.

abstract: The turmoil that China endured during the twentieth century triggered a series of social and political revolutions. As China struggled to resolve domestic questions of dynasticism or democracy and nationalism or communism, Western industrialization and imperialism dragged China rapidly into the globalizing world. Likewise, Chinese painting had to confront the West, as Chinese artists dealt with the twentieth-century version of the recurring question of modernizing Chinese painting for its times: how does one reconcile an ancient painting tradition with all the possibilities Western interactions introduced? This dissertation focuses on one artist's lifelong struggle, often overlooked, to answer this question. By examining C. C. Wang (1907-2003) and his life in art, this case study reveals broader truths about how twentieth century Chinese diaspora painters, such as Wang, modernized the tradition of Chinese ink painting. Wang's reputation as a connoisseur of ancient Chinese painting has overshadowed his own artwork, creating a dearth of research on his artistic development. Using public and private sources, this dissertation applied stylistic analysis to track this development. The analysis reveals an artist's lifelong endeavor to establish a style that would lift the Chinese painting tradition into a modern era, an endeavor inspired by modern Western art ideas and a desire to play a role in the larger movement of elevating Chinese painting. The argument is made that these efforts establish Wang as an influential twentieth century Chinese ink painter. To clarify Wang's role within the broader movement of Chinese diaspora painters, this dissertation employs a comparison study of Wang with such established twentieth century ink painting artists as Zhang Daqian, Liu Guosong, and Yu Chengyao. It is asserted that the 1949 diaspora forced this cohort of artists to adjust their style and to transcend traditional Chinese painting by integrating newly-salient ideas from Western art, particularly the abstract movement. Meanwhile, the essential Chinese identity in their art collectively became more significant. The solidarity of purpose and identity is a distinctive part of the answer this group of twentieth century Chinese diaspora painters proposed to their generation's inherited challenge of enriching the tradition. / Dissertation/Thesis / Doctoral Dissertation Art History 2014

本論文全一冊，約九萬字，除緒論、結論外，計分三章十節。全文旨在探討明末大儒 王船山（１６１９∼１６９２）論禮之根據、功效與特色進而彰明船山論禮之涵義與 價值。故其重點不在船山於禮記一書諸般禮制、儀節之考辨，而在船山之禮學思想本 身也。茲略述各卓之內容如下： 首為「緒論」，分「研究動機、方法與內容」、「船山禮學著作評介」二節。 第一章「船山論禮之大本」，闡明船山論禮所以運行天下而使之各得其宜之根據，分 「禮必有本」、「禮之大本總論」、「禮之大本分論」三節。 第二章「船山論禮之達用」，闡明船山論禮行於天下之功效，分「禮重達用」、「禮 以立人道」、「君子秉禮以修己應物」、「聖王制禮以治人用物」四節。 第三章「船山論禮之本末通貫」，闡明船山論禮之互為體用與本末不二，分「禮必本 末通貫」、「天道人情不二」、「心物交盡」三節。 最後為結論「船山論禮之涵義與價值」，闡明船山論禮之多重涵義與□常價值，以點 出船山禮學之特色與價值。

張錦少. / 論文(哲學博士)--香港中文大學, 2007. / 參考文獻(p. 448-470). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (p. 448-470). / Zhang Jinshao.

論文(碩士) -- 香港中文大學,1973. / Ms. / Thesis (M.A.) -- Xianggang zhong wen da xue,1973. / Chapter （一） --- 王船山哲學之精神及其為學用心之所在 --- p.1 / Chapter （二） --- 研究船山歷史哲學的進路　 --- p.20 / Chapter （三) --- 船山歷史哲學的人本主義　 --- p.35 / Chapter （四） --- 「歷史意識之實體」的特徵 --- p.68 / Chapter （五） --- 「歷史意識之實體」如何主宰歷史的流變 --- p.114 / Chapter （六） --- 「歷史意識之實體」印証於讀通鑑論乃宋論 --- p.166 / Chapter （七） --- 從船山之歷史哲學瞻望中國歷史文化的前途 --- p.233