This item was digitized as part of the Million Books Project led by Carnegie Mellon University and supported by grants from the National Science Foundation (NSF). Cornell University coordinated the participation of land-grant and agricultural libraries in providing historical agricultural information for the digitization project; the University of Arizona Libraries, the College of Agriculture and Life Sciences, and the Office of Arid Lands Studies collaborated in the selection and provision of material for the digitization project.

No description available.

This thesis is an ethnographic study of music and authoritarianism in Conakry, Guinea. Representations in the scholarly and popular literature often emphasize African music as a site for resistance and oppositional politics, while musicians who support the state are seen as tools of propaganda. In this thesis, I examine instead the choices and subjectivities of musicians who sing for an authoritarian state. As I show, musicians in Conakry, across genres and generations, rarely express dissent and overwhelmingly adopt cautious and conservative positions towards the state. I describe these stances as operating within a politics of silence that has emerged over the past half-century of authoritarian rule in Guinea, deriving from norms of ambiguity and secrecy in Mande culture. I begin in Chapter One by considering the foundational moment of the Guinean Cultural Revolution to examine how music became intertwined with a political culture of control under the regime of Guinea’s first president Sékou Touré. In Chapters Two, Three and Four I then investigate the legacy of the Revolution in shaping musical practice in Conakry today. My analysis is based on ethnographic research conducted in 2009, following a military coup d’état. I use the particular circumstances of the post-coup moment in 2009 as a lens through which to understand the ongoing legacy of authoritarianism on Conakry’s musical and political landscape. I consider the afterlife of musical nationalism as musicians from the Revolution seek to find a place in the post-nationalist state; anxieties about praise-singing and music professionalization that have sharpened since the Revolution’s end; and the politics of youth music as young people negotiate between ideals of protest and the quiet accommodation of power. As I argue, silence is a form of agency for musicians in Conakry as they attempt to negotiate the complexities of life in an authoritarian state.

A single interval of red chert-clast conglomerate and associated strata (RCC/CRCC interval) occur within the Earp Formation (pennsylvanian-Permian) at many localities in southeastern Arizona, southwestern New Mexico, and northern Mexico, and record a middle Wolfcampian erosional event in the Pedregosa shelf and northern basin. The RCC and CRCC intervals are respective proximal and distal braidplain deposits, in contrast to the Earp Formation exclusive of the RCC/CRCC interval, which consists of interbedded carbonate and fine-grained siliciclastic strata that were deposited in mostly shallow- and marginalmarine environments. Deposition of stream channel, gravel bar, and interfluvial shale beds of the RCC/CRCC interval occurred on a broad, low-lying surface with negligible local topography. Paleocurrents were generally southward. Biostratigraphic evidence suggests that lower Wolfcampian strata below the RCC/CRCC interval were beveled northward. Much of the chert present- in the RCC/CRCC interval is probably residual material from the beveled strata, as well as from a region just north of the Pedregosa shelf. The evolution of the Pedregosa shelf and northern basin during depoSition of the Earp Formation is illuminated by identification of facies belts for three time intervals: (1) restricted shelf, inner shelf, and open-marine shelf facies belts during Virgilian through early Wolfcampian ttme, (2) proximal and distal braidplain facies belts during middle Wolfcampian time, and (3) restricted shelf, estuarine-marginal marine, and tidal-flat facies belts during middle through late(?) Wolfcampian time . The middle Wolfcampian erosional event caxnpanying the deposition of the RCC/CRCC interval was probably related to the Ouachita orogeny. Stratigraphic evidence suggests that the southern Pedregosa basin in Chihuahua, Mexico, evolved rapidly to a deep foreland basin during early or middle Wolfcarrpian tine because of downflexure under northward overthrusts during the Ouachita orogeny. Flexural subsidence of the Pedregosa foreland basin was accanpanied by peripheral forebulging, causing subaerial exposure of large parts of the Pedregosa shelf and northern basin. Deposition of the FCC/CFfX interval probably occurred on the subaerially exposed forebulge. Flexural mxlels predicting the deflection of the lithosphere under isostatic thrust and secliIrent loads agree satisfactorily with the forebulge concept for the origin of the RCC/CRCC interval.

This dissertation investigates overall the impacts of the modern extractive mining industry on the lives of local people in the region of Kedougou, and in particular in the villages of Sabodala and Faloumbo. It explores also, how the utilitarian narratives about corporate mining impacts shape both the understanding of the scope of mining- and of corporate-community relationships. Sabodala is one of the many communities all over the world that lack significance in the global economy simply because they are geographically isolated and were abruptly introduced to modern corporate mining. This dissertation investigates the impacts of modern extractive industry on the lives of rural communities in eastern Senegal. It investigates also how utilitarian discourses by the Senegalese state and corporations contradict the reality of corporate social (ir) responsibility in the mining region. Using the lenses of political economy, political ecology and livelihood sustainability, I investigate how governance plays out in the process of implementing corporate social responsibility as a vehicle for local community development. This case study has also shed the light on the fact that the state has neglected ethical issue. Doing an anthropology of place in Sabodala helped me to understand how this place is "wired" into the global market of gold and how this new "order" creates "disorders" at the local level. For example and interestingly, the realignment of power relations in the community was responsible for tensions, conflicts and de-structuring social cohesion and traditional stratification, as some members of the community have seen their economic status changed overnight while others were deprived. In reality, the expected grand benefits haven't "trickled down" to the wider society, and to paraphrase Ferguson, industrial mining in Senegal is not "socially thick". Meanwhile, as the pace of gold mining increases in Sabodala so too, do its rapacious demands on local natural resources (land, water, flora, and fauna), which simultaneously affect local livelihoods system.

No description available.

No description available.

No description available.

No description available.

No description available.