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11	The estate of mendacity an interpretation of Williams's most ambiguous character / Bowlen, Creed. January 2010 (has links) Thesis (M.F.A.)--University of Central Florida, 2010. / Adviser: John Shafer. Includes bibliographical references (p. 131-132).
12	An immortality for its own sake a study of the concept of poetry in the writings of Charles Williams. Gigrich, John P., January 1954 (has links) Thesis--Catholic University of America. / "Selected bibliography": p. 111-123.
13	Psychoalanyse als Methode der Literaturinterpretation, dargestellt am Beispiel von Tennessee Williams' Suddenly last summer / Oetjens, Carola. January 1982 (has links) Diss. : Philosophische Fakultät : Saarbrücken : 1980. - Bibliogr. p. 140-151. Bibliogr. des œuvres de Tennessee Williams p. 148. -
14	An immortality for its own sake a study of the concept of poetry in the writings of Charles Williams. Gigrich, John P., January 1954 (has links) Thesis--Catholic University of America. / "Selected bibliography": p. 111-123.
15	A history of Williams, Arizona, 1876-1951 Fuchs, James R. January 1952 (has links) No description available. Williams (Ariz.) -- History. maps
16	Charles Williams : a Kierkegaardian reading of his authorship Dunning, Stephen Mark January 1988 (has links) No description available. 800 Novels of Charles Williams
17	The aesthetic of emancipation : a study of the relation between Raymond William's socialism and his literary criticism, cultural analysis and theoretical writings Milligan, Don January 2003 (has links) No description available. 828 Raymond Williams
18	Tennessee Williams as a Social Critic Peterson, Janet M. 05 1900 (has links) The purpose of this study is to examine the social criticism of Williams by careful analysis of six of his full length plays: The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Suddenly Last Summer, and The Night of the Iguana. After the analyses of the plays, the final chapter of this study will deal with the playwright's comments on specific aspects of the social order and will not be confined to the six major plays under consideration. Williams, Tennessee social critic
19	Defining the Contralto Voice Through the Repertoire of Ralph Vaughan Williams Daniels, Sarah M. 05 1900 (has links) At the beginning of the twentieth century, the recognition of the contralto voice type had reached its apex in England. Throughout the remainder of the century, the number and popularity of recorded contraltos has decreased alongside the rise of the mezzo-soprano voice type. Due to the contralto’s decline and the lack of repertoire composed specifically for the voice, the definition of “contralto” remains somewhat ambiguous. The large contralto repertoire of English composer Ralph Vaughan Williams displays a unique sensitivity to the contralto, particularly with regards to vocal range, flexibility, tessitura, and sustainability. These works thus suggest a new perspective for the voice type. The scope of Vaughan Williams’s oeuvre examined includes each of his operatic roles for contralto and choral works featuring the contralto. Also examined will be the compositional techniques implemented within these pieces which demonstrate the strengths and weaknesses of the contralto voice. A workable definition of the voice type for the pedagogue and performer is included. Contralto repertoire Vaughan Williams
20	A study of conflict in the "defeated" characters: selected plays of Tennessee Williams Matthews, Neil January 1973 (has links) No description available. Williams, Tennessee, 1911-1983.

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