Children like it simple, powerful and compelling, don't they? The "spirit" of this book makes the art of thanksgiving for children a simple, powerful yet compelling force. I Did It! I Said Thank You is a collection of short and simple thanksgiving notes for children during this month of thanksgiving and all throughout the year. Through the eyes and heart of a five-year old, we have captured and compiled short focused notes about the true essence of "why" and "what" children are thankful for. We have attempted to organize and compile it into daily reasons for thanksgiving for a whole month to preserve this all important "trigger" for children all around the world. "THANK YOU" is an "eight-letter word" so simple, yet so powerful and profound. Children are taught to include the art of thanksgiving in their quiver of manners and vocabulary. Children can and will learn about the valuable gift of thanksgiving through vivid visual illustrations and the compelling simple thanksgiving notes. This book is written for all children in every nation and every continent who want to simply say THANK YOU to the eternal source of all things precious and for the gift of life. Join us as we explore the world of thanksgiving through the eyes and heart of a kid. Enjoy! / https://dc.etsu.edu/etsu_books/1081/thumbnail.jpg

Are you searching for fresh opportunities to support literacy through reader response activities? Batchelder Awards and international stories are relatively untapped resources that offer a global approach for children to expand comprehension through tales from many nations. Pairing these stories with reader response exercises provides an outstanding opportunity for collaboration with social studies and language arts teachers. Handouts will be provided. (F4-E162)

No description available.

No description available.

By employing the critical studies of adolescence from Nancy Lesko, Roberta Trites, and Maria Nikolajeva and the study of positive and negative symbols of rebellion examined by Robert Lindner through Leerom Medovoi, I will interrogate the popular notion that female protagonists in dystopian Young Adult Literature (YAL) are strong, self-aware rebels who are positive role models to YA readers. Using the didactic nature of dystopian literature, I will examine how adult authors consciously (or unconsciously) set ideological standards for their YA readers through the female protagonists and how these standards are not as empowering as they initially seem. To address this disparity between what is promoted as rebellion and what is actually enacted by female protagonists, I will analyze Suzanne Collins' The Hunger Games trilogy and Ally Condie's Matched trilogy. The analysis will conclude that the female protagonists are problematic, subscribing to specific, conservative ideologies presented in the novels which prohibits them from seeing through the rebellion they are involved in and that their choices are determined by male characters instead of their own self-awareness.

Both folklorists and literary critics have been drawn to Nathaniel Hawthorne’s body of work because of his distinctive style and incorporation of folk motifs. Such motif-spotting presents no challenge in Hawthorne’s juvenile literature like his retellings from Greek mythology in Wonder Book for Girls and Boys; however, contemporary folklore redirects the focus of this scholarship to “how particular literary uses of folklore fit into a larger, more fundamental concept of what folklore is and how and what folklore communicates” (de Caro & Jordan 2015:15). Hawthorne’s work interacts with other forms of cultural expression in the nineteenth century such as dominant cultural narratives and artwork to transform the classical narratives in Wonder Book for Girls and Boys into narratives that reflect customs in conversational discourse and childrearing practice.

This study bridges the gap in literature about the impact of father absence on female adult attachment and current stress levels. A sample of 666 female college students between the ages of 18 and 22 at the University of Kentucky was recruited to complete an online survey about their experience with their fathers and the effects on their attachment and stress levels, while assessing the age of their first sexual experience. Father absence seems to be a significant predictor of earlier sexual activity among females and anxious attachment styles, along with higher stress levels. When the father is absent from the home, females have sex earlier than when the father is present in the home. Females who experience father absence have higher anxious attachment levels and higher current stress levels. These findings inform therapists about the importance of recognizing attachment injuries when dealing with individuals and supports the need for mother and father involvement in a female’s life.

We are what we read. People read for many different reasons and outcomes. We may read for information, affirmation, escape, or inspiration. We may read to get in a better mood. Various studies have shown that readers are more apt to be empathetic, to understand that their experience is not the only experience. Through Scholarly Personal Narrative, I trace my own evolution of reading and my curious preference for Young Adult (YA) literature. Contemporary YA literature offers a unique combination of viewpoint, emotion, and transportation which allows for a deeper understanding of diverse backgrounds, and I explore whether a program of purposeful choices can influence perspective.

Thesis (M.Ed.) -- University of Limpopo, 2015 / The majority of the young adult offenders have a low level of education and are without the proper skills desired by employers. Vocational rehabilitation programme offered to young adult offenders seem ineffective in preparing young adult offenders for better lives after release. The aim of this study was to investigate the possible intervention strategies for improving vocational rehabilitation programme offered to young adult offenders at Polokwane Correctional Services Centre. Focus was also on the challenges faced by young adult offenders during the implementation of vocational rehabilitation programmes for the young adult offenders. Qualitative research approach was applied using case study design. Semi-structured interviews, focus group and documents analysis were employed to gather data. The major research findings indicated that:  Young adult offenders receive insufficient and inadequate vocational rehabilitation training due to lack of qualified trainers for specific field.  Young adult offenders often skip classes due to shortage of prison officers who can escort them to their classes.  There is lack of resources such as textbooks, apparatus to conduct practicals for engineering studies and skills development programmes.  There is insufficient support and motivation to the young adult offenders from the management and educational staff. It was recommended that:  Enough qualified trainers and section heads should be appointed to conduct vocational rehabilitation training to the young adult offenders.  Enough prison officers should be appointed to escort young adult offenders from cells to classroom to avoid the issue of skipping lessons.  Sufficient resources such as textbooks and apparatus to conduct practicals must be provided to centre should be made in order to provide support and motivation to young adult offenders.

ABSTRACT This dissertation argues that Bella Swan is a representation of Barbara Creed's monstrous-feminine which serves to reinforce ideologies that insist women are abject, inherently dangerous to men, and threatening to a patriarchal status quo. Through close-textual analysis of The Twilight Saga, I demonstrate how the monstrous-feminine frames the hysterical teenage body, hypersexuality, and eternal motherhood as simultaneously unacceptable and unavoidable. These negative women's stereotypes continue to persist in dominant popular culture, and this doublebind is overcome only by the impossible perfection of vampirism. The monstrous-feminine invites constructions of teenage bodies as unstable and unreliable, women's sexuality as dangerous and impure, and motherhood as a requirement for a complete identity. These constructions are particularly dangerous in Young Adult literature and particularly inspirational in fanfiction.