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The new woman disguise and the price to pay in The sun also rises and A farewell to armsLeiva Merino, Tatiana January 2010 (has links)
No description available.
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Evolution of Writing Style in Ernest Hemingway's Works from 1916 to 1929Loudin, Zachary O. 23 December 2013 (has links)
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Prelude to Fame: Trauma Theory in the Early Short Fiction of Ernest HemingwayMoss, Margaret Loughery 19 March 2012 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / While it is commonly acknowledged that the primal traumatic events of Hemingway’s time as an ambulance driver in Italy during World War I had a profound influence on his works of fiction, there has been relatively little exploration of the notion that the “working through” which occurred in the recovery from his own personal trauma manifests a complex and interwoven relationship with the writing process. This is certainly not unknown territory for scholars; when Hemingway first embarked upon the earliest fiction writing of his professional career, biographical research indicates he was once again enduring a traumatic experience of sorts. Yet formal trauma theory has rarely been applied to the study of Hemingway’s most intensely autobiographical short fiction. It is my contention that the “working through” of Hemingway’s writing process demonstrated in his published and unpublished Nick Adams stories was prompted by both his defining war-time trauma experience and his later, more private hardships.
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The gender of power : inversion of gender roles in Ernest Hemingway's The sun also rises, A farewell to arms, and The garden of edenCarpenter, Richard Alan 01 January 1999 (has links)
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The Solo Vocal Collections of Gerald R. Finzi Suitable for Performance by the High Male Voice, a lecture recital together with three recitals of selected works of J.S. Bach, H. Wolf, R. Vaughan Williams, A. Jolivet, F.J. Haydn, J. Brahms, L.V. Beethoven, R. Strauss, J.P. Rameau, M. Ravel, S. Barber, G. FaureGermany, Samuel R. 08 1900 (has links)
A primary purpose of the study was to articulate the significance of these compositions to the twentieth century repertoire, with special attention given to Dies Natalis, recognized as an outstanding contribution to English music literature. Overviews and specific analyses, with pertinent performance applications and background data, fulfill this purpose and provide information of merit for the programming and performance of Finzi's songs for high male voice.
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Tělo, mysl a ztracená generace v dílech Hemingwaye a Fitzgeralda / Body, Mind, and the Lost Generation in Works of Hemingway and FitzgeraldNekvasilová, Klára January 2021 (has links)
The thesis explores the notion of physicality in selected novels of Ernest Hemingway and Francis Scott Fitzgerald, using the works of Jean Baudrillard as its theoretical base. The text seeks to uncover the significance of a human body in the novels through a detailed observation of the depicted characters, focusing mainly on the role of the body as an emblem that reflects not only its owner's individual battles, but also the transgressive processes taking place in the society. The study assumes that the works written by the authors of the Lost Generation capture the gradual onset of capitalism and consumerism, and thus they reflect the emergence of the consumer society, a social order that became Baudrillard's main subject of study. The main aim of the thesis is thence to explore the human body as a reflection of major societal changes and uncover the methods in which the characters use their bodies to define their own position in the newly arising system. Following the theoretical introduction, the analysis firstly examines fashion and demonstrates its capability to either unify the members of the consumer society through their shared desire to follow specific trends, or alternatively hierarchically divide the consumers based on their dissimilar approaches to consumption. Secondly, the thesis...
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