The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on November 18, 2009). Thesis advisor: Dr. Roger Cook. Includes bibliographical references.

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The Victorian Author Thomas Carlyle was in his day a meteoric voice but his popularity and reputation declined significantly due in part to his link to fascism. In the politically polarized era of the Second World War, academics and propagandists dubbed him a fascist or Nazi in both defamation and approval. Fascist scholars pressed Carlyle into service as a progenitor and prophet of their respective totalitarian regimes. Adolf Hitler, in his final days, assuaged his fears of his imminent fall with readings from Carlyle's History of Frederick the Great. This fascist connection to the once esteemed “Sage of Chelsea” marks the apogee of his defamation. The following thesis sets Carlyle's decline in its historical context and demonstrates the presentist view scholars persistently take as they approach their subject. It further compares and contrasts the various fascist regimes, their distinct tenets, and their variegated ideologies that become evident in their interpretation and mobilization of the deceased Victorian's works.

Inaug.-Diss.--Cologne. / Vita. Bibliography: p. 145-158.

Inaug. _ Diss.: Philosophische Fakultät: München: 1976. _ Bibliogr. p. 197-199. Index.

Zugl.: Magisterarbeit

Thesis (doctoral) - Universität, Regensburg, 2005. / Vita. Includes bibliographical references (p. 145-157).

Made available in DSpace on 2016-04-15T21:46:34Z (GMT). No. of bitstreams: 2 Marcelo Consiglio Barbosa 1.pdf: 28442952 bytes, checksum: ddbdbd2394193e78a01659fc9a5e8b45 (MD5) Marcelo Consiglio Barbosa 2.pdf: 20587881 bytes, checksum: 70d42426da8c65ff3c3def8152c8d9c2 (MD5) Previous issue date: 2012-02-02 / The objective of this research is to analyze the architectural contributions of Franz Heep in the post-war context during the development of the emerging metropolis of São Paulo which was financed by coffee production capital and also in part by foreign capital along with the contribution of immigrant architects between the period of 1945 and 1960. The motivation for this thesis is not to create a mere biographical piece, but to understand his particular architectural language and the relationship of his architectural pieces and the city. It also finds motivation in trying to understand the question of cultural transposition in which several cultural principals originated in Germany in the 20´s and in France in the 30´s had to adjust to be introduced into the Brazilian cultural context. To understand this transposition, much research was done in order to be able to distance the focus from Heep and try to understand the architectural scenery in Brazil at the time he was in the country, paying special attention to the cultural, economic and political dialogues between the respective spokesmen of the metropolis and the architect. The research analyzes the origins of Heep´s formation, his professional choices and his first office in partnership with Jean Ginsberg in Paris during 30´s, the contribution of immigrant architects as vectors of modernity for the real estate market, and Heep´s work with Jacques Pilon and his office from 1948 to 1952, where many buildings in the center of São Paulo were developed and, by consequence, a mark of excellence was established during the prelude of the real estate market during 1952 to 1960. / O objetivo desta pesquisa é analisar a produção arquitetônica de Franz Heep, à luz do desenvolvimento da cidade de São Paulo no pós guerra, financiado pelo capital cafeeiro e em parte pelo capital estrangeiro e a contribuição dos arquitetos imigrantes, auxiliando na construção da metrópole emergente entre 1945 e 1960. A motivação desta tese não é somente escrever uma biografia intelectual, mas entender as diversas interlocuções na obra de Heep e sua relação com a cidade. É também entender a questão da transposição cultural, onde um conjunto de princípios culturais de seu ambiente de origem, a Alemanha da década de 1920 e a França da década de 1930, terão vários ajustes para seu entrosamento no ambiente cultural do Brasil, procurando a pesquisa por vezes distanciar-se do foco somente à obra de Franz Heep e tentar compreender o cenário arquitetônico da época de sua estada no Brasil e seus personagens, atenta às trocas de diálogos culturais, econômicos, políticos e sociais da metrópole com o arquiteto. Na pesquisa são analisadas as origens de sua formação, suas escolhas profissionais, seu primeiro escritório em sociedade com Jean Ginsberg, em Paris da década de 1930, a contribuição dos arquitetos imigrantes como vetores de modernidade para o mercado imobiliário, o trabalho de Heep com Jacques Pilon de 1948 a 1952 e seu próprio escritório, onde desenvolve vários prédios no centro de São Paulo e define uma marca de excelência no prelúdio do mercado imobiliário de 1952 a 1960.

Master thesis Hitler's Beer Hall Putsch in 1923 in the Czech period press focuses on the reception of the Hitler's putch atempt on 9th and 10th of November 1923 in czech and slovak written political press of the 1920's. The preliminary part of the thesis is dedicated to the political and the economical developmnet in the postwar Germany between 1918 and 1923. The following two chapters are dedicated to the Hitler's youth and early polical career and the München putsch. The second half of the thesis evaluate the reaction of the press to the Hitler's putch. It focuses on to the reaction of legitimate bavarian goveremnt and the legitimate german goverment. The press also follows the overlapt of the Münich revolution ant its suppor between some of German nationals in Czechoslovakia. In the analysis will be used daily party's newspapers as well as small regional newspapers. Keywords Adolf Hitler, Beer Hall Putsch, Germany, 1923, Czechoslovakia

Dem Tharandter Neubau Bibliothek/Mensa wurde am 19.10.2005 im Rahmen des Festaktes zur feierlichen Eröffnung (SLUB-Kurier 4/2005) der Gebäudename 'Rossmässler-Bau' durch den Rektor der TU Dresden, Magnifizenz Kokenge, verliehen....